Corpus of Modern Scottish Writing (CMSW) - www.scottishcorpus.ac.uk/cmsw/ Document : 201 Title: Scott, Eulogy on Byron Author(s): Scott, Sir Walter 1824 Memoirs Eulogy on Byron by Sir Walter Scott. Th. Moore's Reflections when about to read Byron's Memoirs. The following is a letter written by Sir Walter Scott, a few days after the news of Lord Byron's death reached England : ‘Amidst the general calmness of the political atmosphere, we have been stunned from another quarter by one of those death-notes which are pealed at intervals, as from an archangel's trumpet, to awaken the soul of a whole people at once. Lord Byron, who has so long and so amply filled the highest place in the public eye, has shared the lot of humanity. His lordship died at Missolonghi on the 19th of April. That mighty genius which walked amongst men as something superior to ordinary mortality, and whose powers were beheld with wonder, and something approaching to terror, as if we knew not whether they were of good or of evil, is laid as soundly to rest as the poor peasant whose ideas never went beyond his daily task. The voice of just blame and of malignant censure are at once silenced ; and we feel almost as if the great luminary of heaven had suddenly disappeared from the sky, at the moment when every telescope was levelled for the examination of the spots which dimmed its brightness. It is not now the question what were Byron's faults, what his mistakes ; but how is the blank which he has left in British literature to be filled up? Not, we fear, in one generation, which, among many highlygifted persons, has produced none who approach Byron in originality, the first attribute of genius. Only thirty-seven years old ;— so much already done for immortality — so much time remaining, as it seems to us short-sighted mortals, to maintain and to extend his fame, and to atone for errors in conduct and levities in composition ;— who will not grieve that such a race has been shortened, though not always keeping the straight path — such a light extinguished, though sometimes flaming to dazzle and to bewilder? One word on this ungrateful subject ere we quit it for ever. ‘The errors of Lord Byron arose neither from depravity of heart — for Nature had not committed the anomaly of uniting to such extraordinary talents an imperfect moral sense — nor from feelings dead to the admiration of virtue. No man had ever a kinder heart for sympathy, or a more open hand for the relief of distress ; and no mind was ever more formed for the enthusiastic admiration of noble actions, providing he was convinced that the actors had proceeded upon disin- terested principles. Lord Byron was totally free from the curse and degradation of literature — its jealousies, we mean, and its envy. But his wonderful genius was of a nature which disdained restraint, even when restraint was most wholesome. When at school, the tasks in which he excelled were those only which he undertook voluntarily ; and his situation as a young man of rank, with strong passions, and in the uncontrolled enjoyment of a considerable fortune, added to that impatience of strictures or coercion which was natural to him. As an author, he refused to plead at the bar of criticism ; as a man, he would not submit to be morally amenable to the tribunal of public opinion. Remonstrances from a friend, of whose intentions and kindness he was secure, had often great weight with him ; but there were few who could venture on a task so difficult. Reproof he endured with impatience, and reproach hardened him in his error—so that he often resembled the gallant war-steed, who rushes forward on the steel that wounds him. In the most painful crisis of his private life he evinced this irritability and impatience of censure in such a degree as almost to resemble the noble victim of the bull-fight, which is more maddened by the squibs, darts, and petty annoyances of the unworthy crowds beyond the lists, than by the lance of his nobler, and, so to speak, his more legitimate antagonist. In a word, much of that in which he erred was in bravado and scorn of his censors, and was done with the motive of Dryden's despot, “to show his arbitrary power.” It is needless to say that his was a false and prejudiced view of such a contest ; and, if the noble bard gained a sort of triumph by compelling the world to read poetry, though mixed with baser matter, because it was his, he gave, in return, an unworthy triumph to the unworthy, besides deep sorrow to those whose applause, in his cooler moments, he most valued. ‘It was the same with his politics, which on several occasions assumed a tone menacing and contemptuous to the constitution of his country ; while, in fact, Lord Byron was in his own heart sufficiently sensible, not only of his privileges as a Briton, but of the distinction attending his high birth and rank, and was peculiarly sensitive of those shades which constitute what is termed the manners of a gentleman. Indeed, notwithstanding his having employed epigrams, and all the petty war of wit, when such would have been much better abstained from, he would have been found, had a collision taken place between the aristocratic parties in the state, exerting all his energies in defence of that to which he naturally belonged. His own feelings on these subjects be has explained in the very last canto of ‘Don Juan;’ and they are in entire harmony with the opinions which we have seen expressed in his correspondence, at a moment when matters appeared to approach a serious struggle in his native country: “He was as independent—ay, much more, Than those who were not paid for independence; As common soldiers, or a common—Shore, Have in their several acts or parts ascendance O'er the irregulars in lust or gore, Who do not give professional attendance. Thus on the mob all statesmen are as eager To prove their pride as footmen to a beggar.” ‘We are not, however, Byron's apologists, for now, alas! he needs none. His excellencies will now be universally acknowledged, and his faults (let us hope and believe) not be remembered in his epitaph. It will be recollected what a part he has sustained in British literature since the first appearance of “Childe Harold,” — a space of nearly sixteen years. There has been no reposing under the shade of his laurels; no living upon the resource of past reputation; none of that codling and petty precaution which little authors call “taking care of their fame.” Byron let his fame take care of itself. His foot was always in the arena, his shield hung always in the lists; and, although his own gigantic renown increased the difficulty of the struggle, since he could produce nothing, however great, which exceeded the public estimates of his genius, yet he advanced to the honorable contest again and again and again and came always off with distinction, almost always with complete triumph. As various in composition as Shakespeare himself (this will be admitted by all who are acquainted with his “Don Juan”), he has embraced every topic of human life, and sounded every string on the divine harp, from its slightest to its most powerful and heart-astounding tones. There is scarce a passion or a situation which has escaped his pen; and he might be drawn, like Garrick, between the weeping and the laughing Muse, although his most powerful efforts have certainly been dedicated to Melpomene. His genius seemed as prolific as various. The most prodigal use did not exhaust his powers, nay, seemed rather to increase their vigour. Neither “Childe Harold,” nor any of the most beautiful of Byron's earlier tales, contain more exquisite morsels of poetry than are to be found scattered through the cantos of “Don Juan,” amidst verses which the author appears to have thrown off with an effort as spontaneous as that of a tree resigning its leaves to the wind. But that noble tree will never more bear fruit or blossom! It has been cut down in its strength, and the past is all that remains to us of Byron. We can scarce reconcile ourselves to the idea—scarce think that the voice is silent for ever, which, bursting so often on our ear, was often heard with rapturous admiration, sometimes with regret, but always with the deepest interest : “All that's bright must fade, The brightest still the fleetest.” With a strong feeling of awful sorrow we take leave of the subject. Death creeps upon our most serious as well as upon our most idle employments ; and it is a reflection solemn and gratifying that he found our Byron in no moment of levity, but contributing his fortune, and hazarding his life, in behalf of a people only endeared to him by their past glories, and as fellow-creatures suffering under the yoke of a heathen oppressor. To have fallen in a crusade for freedom and humanity, as in olden times it would have been an atonement for the blackest crimes, may in the present be allowed to expiate greater follies than even exaggerated calumny has propagated against Byron.’ It is a matter of great surprise that, among the many English bards now living, no attempt has been made to commemorate in verse (which the occasion would have made almost as immortal as his own,) that event, which, more than any other of a like nature, plunged the whole nation into grief. ‘Lycidas is dead! dead ere his prime. Young Lycidas! and hath not left his peer. Who would not sing for Lycidas? He knew Himself to sing, and build the lofty rhyme.’ And yet, rife as monodies are upon less important and imperious occasions, none have been produced on the death of Lord Byron. There is, however, one poem extant, in which a poet, second only to the mighty dead, has done honour to his character. It is not, perhaps, less creditable to the heart and to the judgment of that poet, that this testimony to his friend's talents, and to the goodness of his disposition, was made public during Lord Byron's life. Even envy itself can afford to praise a dead rival ; but to assign to a living one his true eminence, and to express aloud an opinion like that which Mr. Moore avowed respecting Lord Byron, while he was the object of attack for critics of all degrees, from the blood-hounds of the great Reviews down to the yelping curs of the smaller packs, was really honorable and becoming. The following verses were published by Mr. Moore in ‘Fables for the Holy Alliance,’ and are called ‘Reflections when about to read the Memoirs of Lord Byron, written by himself,’ which it will be recollected were given by Lord Byron to Mr. Moore, and which that gentleman consented to have destroyed since his death : ‘Let me, a moment,—ere with fear and hope Of gloomy, glorious things, these leaves I ope— As one, in fairy tale, to whom the key Of some enchanter's secret halls is given, Doubts, while he enters, slowly, tremblingly, If he shall meet with shapes from hell or heaven— Let me, a moment, think what thousands live O'er the wide earth this instant, who would give, 5 D Gladly, whole sleepless nights to bend the brow Over these precious leaves, as I do now. How all who know—and where is he unknown? To what far region have his songs not flown, Like Psaphon's birds, speaking their master's name, In every language, syllabled by Fame? How all, whov'e felt the various spell combined Within the circle of that splendid mind, Like powers, derived from many a star, and met Together in some wond'rous amulet, Would burn to know when first the light awoke In his young soul,—and, if the gleams that broke From that Aurora of his genius, raised More bliss or pain in those on whom they blazed— Would love to trace th' unfolding of that power, Which hath grown ampler, grander, every hour; And feel, in watching o'er its first advance, As did th' Egyptian traveller, when he stood By the young Nile, and fathomed with his lance The first small fountains of that mighty flood. They, too, who, 'mid the scornful thoughts that dwell In his rich fancy, tinging all its streams, As if the star of bitterness, which fell On earth of old, had touched them with its beams, Can track a spirit, which, though driven to hate, From Nature's hands came kind, affectionate; And which, even now, struck as it is with blight— Comes out, at times, in love's own native light— How gladly all who've watched these struggling rays Of a bright ruined spirit through his lays, Would here inquire, as from his own frank lips, What desolating grief, what wrongs, had driven That noble nature into cold eclipse— Like some fair orb that, once a sun in heaven, And born, not only to surprise, but cheer With warmth and lustre all within its sphere, Is now so quenched, that of its grandeur lasts Nought but the wide cold shadow which it casts! Eventful volume! whatsoe'er the change Of scene and clime—th' adventures, bold and strange— The griefs—the frailties, but too frankly told— The loves, the feuds, thy pages may unfold, If Truth with half so prompt a hand unlocks His virtues as his failings—we shall find The record there of friendships, held like rocks, And enmities, like sun-touched snow, resigned— Of fealty, cherished without change or chill, In those who served him young, and serve him still— Of generous aid, given with that noiseless art Which wakes not pride, to many a wounded heart— Of acts—but, no—not from himself must aught Of the bright features of his life be sought. While they who court the world, like Milton's cloud, ‘Turn forth their silver lining’ on the crowd, This gifted being wraps himself in night, And, keeping all that softens and adorns And gilds his social nature hid from sight, Turns but its darkness on a world he scorns.’ The friendship which subsisted between Mr. Moore and Lord Byron was equally honorable to each. No two things could well be more dissimilar than the courses which each of them had selected to run in their poetical careers, and yet, as far as they were both candidates (and successful ones) for public approbation, they may be fairly said to have been rivals. They even, as we have before noticed, selected the same subject for the exercise of their talents ; but not only was there no similarity in the manner of the execution, but the testimony which, in the publication of that poem, Mr. Moore bore to the genius of his brother-bard was highly commendable. It happens but too frequently in the annals of literature that the very circumstances which ought to attach men of letters to each other—for example, a similarity of pursuits, and feelings kindled from the same etherial fire—have the effect of raising barriers between them, and they never speak of each other but to carp at that fame to which they consider themselves to be solely entitled, and which to share with a rival is worse than not to possess at all. They can in common ‘bear no rival near their thrones.’ Mr. Moore is an honorable exception to this almost universal rule, and by his conduct to Lord Byron during his life, still more by the almost fastidious respect which he has paid to his memory, has shown that he deserved the friendship of such a man, and that the exaltation of his mind is not wholly confined to his literary efforts. The death of Lord Byron has, however, reconciled all opinions. Envy is dead, and that spirit of criticism which induced some persons to cavil at what they had neither hearts to feel nor heads to understand is at rest for ever. The bitterness of the grief which Lord Byron's decease occasioned has also lost much of its force, and it is now regarded only as a loss deep and irreparable, but one which must be endured. In the mean time his fame has soared to the highest point, and, in all the range of English poetry, there are few who claim a more brilliant place. In the memory of all who knew him he will live while they exist ; and, when all who breathed the same air with him shall have gone to join him in the world which he now inhabits, his works will hold the same station as they now occupy in the minds of all men while the literature of England shall continue. This shall be really to live, and in this fame is the real triumph over the grave. He is not dead, he doth not sleep— He hath awakened from the dream of life: 'Tis we, who, lost in stormy visions, keep With phantoms an unprofitable strife, And in mad trance strike with our spirit's knife Invulnerable nothings. We decay Like corpses in a charnel ; fear and grief Convulse us, and consume us day by day, And cold hopes swarm like worms within our living clay. THE END.