Corpus of Modern Scottish Writing (CMSW) - www.scottishcorpus.ac.uk/cmsw/ Document : 96 Title: Theodorous: Dialogue Concerning the Art of Preaching Author(s): Fordyce, Mr David I , 7s, CAI, I GINE-M',. 74tacgra (2/n,tveritadid /a.,,relſ‘sti • — 0,\ \ ELIT.CA Ittlittovit Arſlitiitivalgtnikt THEODORUS. [Price bound Three Shillings.] THEODORUS: A DIALOGUE CONCERNING THE ART of PREACHING. BY Mr. DAVID FORDΥCE, Late Profeſſor of PHILOSOPHY in the Mariſchal College, Aberdeen. Duo ſunt, quæ, bene tractata ab Oratore, admirabilem Eloquentiam ſaciunt: quorum alterum oft quod Græci ήθιχόν vocant, ad Naturam, & ad Mores, & ad omnem Vitæ Conſuetudinem accommodatum; alterum quod Iidem παϑητιχόν nominant, quo perturbantur Animi & concitantur; in quo Uno regnat Oratio. CIC. LONDON: Printed for R. DODSLEY in Pall-Mall. M.DCC.III. To His GRACE THOMAS, LORD ARCHBISHOP of CANTERBURΥ The following DIALOGUE IS, with the greateſt Reſpect, Incrib'd by His GRACE'S moſt humble and very obedient Servant, J. Fordyce. ADVERTISEMENT. THE late Mr. DAVID FORDYCE, Author of the following Dialogue, was originally deſigned for the Church, to which he was early prompted, both by his Genius and Diſpofition. To prepare himſelf for it was the whole Aim of his Ambition, and the whole Purpoſe of his Studies, for a Courſe of Υears. What kind of Appearance he made as a Preacher is freely ſubmitted to those who heard him. How he was qualified to appear in that Character, may be tolerably eſtimated by those who did not, from what is now preſented to the Public; which may be ſuppoſed to contain the united Reſult of his Inquiries, Experience, and Obſervation, on that Subject. Soon after theſe Papers were ſiniſhed, be went abroad on his Travels, intending, if he lived, to publiſh them. at his Return. But, mindſul of the Uncertainty of human Life, he took care, in caſe of another Event, to leave that Charge expreſsly on the Editor; who he was ſure would not fail of executing it faithfully, ſince, beſides the Ties of brotherly Affection, he was connected with him by much cloſer as well as nobler ones, those of the most entire and inviolable Friendſhip. The Editor little apprehended that ever his Friendſhip would he wanted in this way. But, alas! the Author, after a ſucceſsful Tour thro' France, Italy, and ſeveral other Parts of Europe, when he was almoſt at home, and his Friends flood ready with open Arms and joyful Hearts to receive him, enriched, no doubt, with freſh Stores of Knowledge, and improved by higher Degrees of Experience, and of courſe ſitted for acting his Part in Society with greater Uſefulneſs and Reputation, — loſt his Life in its full Prime, by a Storm on the Coaſt of Holland. The ſupreme Wiſdom ſaw this fit; and the ſupreme Wiſdom cannot err. — But ſurely, the Sentiments of Reſignation exclude not the feelings of Humanity. The Friends of this Gentleman muſt ever be ſenſible of the Loſs they have ſuſtained by his Death. They do not choofe, however, to enter into the Detail of his Character, but leave it to the beſt Men among his Acquaintance, to ſpeak of his Qualities as a Man, and to the beſt Judges among his Readers, to pronounce upon his Talents as a Writer. He is already known in the laſt Capacity, by his Dialogues concerning Education, and his Treatiſe of Moral Philoſophy, publiſhed in the PRÆCEPTOR. As thoſe Pieces have met with a favourable Reception, it is hoped there is no need of an Apology for offering this to the World. If it ſhall help to introduce a better Taſte, than now generally obtains,. in the IMPORTANT ART of which it treats, there will be room to rejoice that he had Time allowed him to finiſh it, before he was cut off in his Career of public Service. In the mean while, it is no ſmall Conſolation to the Editor, that he hath it in his Power to contribute towards erecting a new Monument to the Author, and placing his Memory in ſo honourable a Light, as that of a Diſciple of the moſt divine Maſter, and an Advocate for the moſt divine Religion; being fully perſuaded, that to ſtudy in the School of the former is the nobleſt Improvement of Reaſon, and that to plead the Cauſe of the latter, is its worthieſt Exerciſe. Juſt publiſh'd, in two large Volumes, 8 vo. adorn'd with Maps and uſeful Cuts, Price bound 12s. THE PRECEPTOR: Containing A General Courſe of Education. Wherein The firſt Principles of polite Learning are laid down in a Way ſuitable for trying the Genius, and advancing the Inſruction of Youth. In TWELVE PARTS. VIZ. I. On Reading, Speaking, and writing Letters II. On Geometry. III. On Geography and Aſtronomy. IV. On Chronology and Hiſtory. V. On Rhetoric and Poetry. VI. On Drawing. VII. On Logic. VIII. On Natural Hiſtory. IX. On Ethics, or Morality. X. On Trade and Commerce. XI. On Laws and Government. XII. On Human Life and Manners. DIALOGUE. AGORETES, PHILONOUS, THEODORUS. ON a fine Summer-Morning, having broke loofe earlier than ordinary, from the indolent Languors of Sleep, I got into the charming ſields of Alionia, where the Groves waved their various Greens, and breathed a rich Perfume, which ſtole moſt agreeably upon the Senſe. A lovely Brook wandered among the Trees, in natural Meanders, and, by its Freſhneſs and pleaſing Murmurs, ſeemed to invite to Repoſe and Contemplation. The Opening of the Thicket preſented the Proſpect of a beautiful Plain, through which the Brook glided, refreſhing the Banks on each ſide with its Cryſtal, Treaſure; and this Proſpect was cloſed by a Sea-coaſt Town, which was almoſt ſurrounded by the Ocean, and the Spires and Smoke of which gave me the idea of the World thrown at a proper Diſtance. I was walking along the Side of the Rivulet, and enjoying the Singing of Birds, and other Charms of this delightful Scene, in a thoughtleſs Kind of Indolence; when I found the excellent AGORETES reclining at the foot of an old Oak, on the Brow of a little Hill, tufted .with natural Wood, which overlooked the Country and the Town, and commanded a full View of the Sea, then compoſed into a perfect Calm. AGORETES is one of thoſe paſſionate Lovers of Nature, who admire Her with a Tenderneſs almoſt equal to that one entertains for a Miſtreſs, and talk in Raptures of the Beauty and Benevolence of her Aſpect. He loves to viſit her often in private, and pretends he receives Favours, of which vulgar Lovers are not admitted to partake; but for which, did they once taſte them, they would quickly reſign all other Pleaſures. He is deſign'd for the Miniſtry, for which he prepares himſelf from no fordid mercenary Views, but merely to do good to his Fellow-- creatures, in a Station which he thinks both honourable and uſeful. of late Years, he has been a cloſe Student of Divinity, which he ſtudies in a Manner ſomewhat different from the Generality. It is chiefly in the two great Volumes of GOD, that of NATURE, and the HOLY SCRIPTRES, that he ſeeks Divine Knowledge. In both Theſe, he thinks their Author ſpeaks to us in a Language, at once the moſt intelligible and the moſt awful; which the Simple-hearted underſtand beſt, or rather ſeel ſtrongly, whilſt the high-minded and over-nice Students, loſe themſelves in the Regions of wild Chimera or ſruitleſs Criticiſm. He reckons the Study of the Works of GOD, one of the moſt refined Species of Devotion we can offer to Him; and uſes to ſay, that he often imagines himſelf in the Teple, or rather the Sanctuary of the Almighty, whilſt he treads the open Courts of Nature, and ſurveys thoſe maſterly Drawings which are hung up every where round him. from theſe Studies, as well as from the Happineſs of his natural Temper, he has derived the ſtrongeſt Diſpoſition to Piety and Goodneſs, I ever knew united in one Man. Theſe seem ſo much to rival with each other the Poſſeſſion of his Heart, that by a mutual Inſluence they brighten and exalt one the other. When AGORETES thinks he is alone, he often breaks out into paſſionate Raptures on the Beauties of Nature; which, to a Friend, he will ſometimes call his Morning and Evening-Hymns. I caught him now in one of Theſe, and was too deſirous of joining in the ſolemn Service to ofſer to interrupt him. He had a Book in his Hand: now he opened, then he ſhut it: ſometimes he gazed at the ample Sky, and ſometimes he ſurveyed the ſurrounding Hills and Groves, the contiguous Plains, and the peaceſul Ocean, that lay ſtretched out below into a boundleſs Proſpect: then pauſing for a while, he broke out in this manner, with an Air of Wonder and Tranſport: — "O beauteous NATURE! His "ſtupendous Workmanſhip! How "mild and magnificent thy Aſpect, "ever fair and ever flouriſhing! How ſimple the Deſign; yet haw auguſt "and great! Source of juſteſt Order, "ſweeteſt Harmony, and inexpreſſible "Delight! What Frugality, amidſt "infinite Profuſion! Nothing neceſ"ſary ſpared; nothing uſeleſs or re"dundant, of all thy teeming and ex"hauſtleſs Treaſures! Where ſhall I "begin; where ſhall I end? What "Clue ſhall I find, to conduct me "through the amazing Labyrinth of "Nature?" — Then ſtarting up on his ſeet, and looking with an Air of Veneration towards Heaven, he thus went on: — "But methinks I hear the "Voice of GOD founding thro' his "Works, and behold the Parent of "the Univerſe ſitting at its Head, "enthroned in Light and Goodneſs "inconceivable! Methinks I ſee him "filling the huge Machine with vital "Breath and active Spirit, turning "round the perennial Wheels of Na"ture, with a ſilent and invariable "Harmony, and, by the moſt ſimple "Movements, guiding the vaſt and "complicated Machinery, through its "ſucceſſive Revolutions, to full Per"ſection! Whilſt with growingTranſ "port, I paſs on from Scene to Scene, "always wonderful, and always new; "I forget myſelf, and am attentive to "Him alone who has placed his Works "in all the Majeſty of Wiſdom be"fore my Reaſon, to demand and "force its Admiration! Good GOD! "With what Triumph and Congratu"lations, do I ſalute an,happy World! "With what Gratitude and Venera"tion, do I adore its bounteous Au"thor! — But what ſtrange attractive "Tie links me thus to univerſal Na"ture? Why ſo pleaſed when it flou"riſhes and ſmiles? Why condole when "its lovely forms decay? Whence "this Sympathy of Heart and ſecret "Union? It is Thou, O Sovereign "Power! O Univerſal Goodneſs! it is "Thou, who haſt drawn the endear"ing Link, and given thy fair Crea"tion ſuch Power to move and charm. "Thou haſt made the human Heart "an Uniſon to Nature: Thou haſt "ſown thoſe tender Inſtincts that ſhoot "ſo high, and ſpread ſo wide. By "theſe powerſul Ties, doſt Thou draw "Man to Thyſelf, the Original of all "Beauty, and Parent of all Good. "By this wondrous Conſtitution Thou "unveileſt to him thine eſſential Glory, "Thou, without whoſe Emanations all "is Void and Darkneſs, and in Whom "alone he can find Light, and Life, "and joy unutterable." Here AGORETES pauſed a while, and then ſat down, apparently loſt in the Depth of his Meditations. I went forward, and touching him on the Shoulder, ſaid: So, my Friend, I find you have been at your Morning Hymn, celebrating the Works of Nature, and invoking the Author of our common Felicity. I confeſs, PHILONOUS, ſaid he, I have been attempting to liſp out the Praiſes of Him that made us, though in very imperfect Accents. For indeed, how ſaintly at beſt can we trace the Outgoings of the Ancient of Days in his Works? How unmeaningly, after our utmoſt Efforts, muſt we ſpeak of Him who dwells in unapproachable Light? I love, however, to peruſe the ſacred Volume, and to read every Page into an Hymn of Gratitude. Surely they are happy Scholars, ſaid I, who can underſtand thoſe bright Characters of Divinity, which are to be found there, and who walk out with the Morning-Sun, and under the Evening-Sky, till they become acquainted with GOD. O! PHILONOUS, ſaid he, does it not ſurprize you, that Men can behold, ſo often behold the Creation, this glorious Seat of Being and of Beauty, and not look up through It to its almighty Maker? I acknowledge, AGORETES, ſaid I, I have often wondered how it happens, that the Colouring and mere Drapery of Nature, ſhould detain, nay quite engroſs the Eye of the Generality of Spectators, whilſt they regard not the Artiſt at all, or overlook the moſt exquiſite Touches of his Pencil, and have no Conception of the great Deſign. Blind Man, replied AGORETES, that ſees not GOD, though He is every where to be ſeen! Deaſ Man, who hears not GOD, though He ſpeaks aloud through all his Works! I have often, PHILONOUS, conſidered the Works of GOD as his Language, his Words, which ſpeak to Men his ſupreme Wiſdom, Power, and Goodneſs. I have ſometimes, with a noble Author*, conſidered the Creation as a SERMON, the moſt ſolemn and awful that was ever preached, and the Creator as the Great PREACHER. That Author has ſomewhere theſe Words, as I remember: "The Works of Nature appear to me "the better Sort of Sermons; and "every flower contains in it the moſt "edifying Rhetoric, to fill us with "Admiration of its omnipotent Crea"tor." This powerſul Preacher, PHILONOUS, preaches to all in intelligible Language, and in a Stile as various as his Works. In conformity to this Idea, the great Maſter of our Britiſh Drama ſays ſomewhere, — Our Life exempt from public haunt, Finds Tongues in Trees, Books in the running Brooks, * The Duke of Buckingham. Sermons in Stones, and Good in every thing. In ſhort, the Deity addreſſes to our Eyes, our Ears, our every Senſe; paints his Conceptions to our Imagination, unfolds them to our Underſtanding, and impreſſes them on our Hearts. What pity is it then, ſaid I, that ſo divine a Preacher ſhould preach to ſuch a liſtleſs Audience, and that ſuch various Eloquence ſhould make ſo faint an Impreſſion as it generally does! if the Language is univerſal and expreſſive, as you ſay, why is it not better underſtood, and heard with more Attention? To diſcover the ſeveral Sources of this Ignorance and Inattention, ſaid AGORETES, Would require an ample Diſcuſſion and much Leiſure to make it. But we may piouſly preſume that the fault is not in the Preacher, who ſpeaks with a Voice heard through all the Earth, and in Words ſounding to the Ends of the World. He whiſpers to us ſoftly in the Breeze, admoniſhes us by Rain, Sun-ſhine, and ſruitſul Seaſons; ſweetly ſoothes us by the Murmur of Streams, and the Singing of Birds, or awfully alarms us by Thunder, Storm, and Whirlwind; and, in ſhort, inſtructs us in the Natures, Uſes, and various Figures and Relations of things, by Colours, Sounds, and all the Varieties of Light and Shade. When I conſider theſe and other admirable Acts of this divine Orator, I cannot help thinking, that the moſt Eloquent of the preaching Tribe might learn many uſeful Hints from ſo great an Exemplar. I ſhall be glad, AGORETES, ſaid I, to hear you point out ſome of them. For I cannot ſo readily enter into your Meaning. Pray, PHILONOUS, replied he, have you never obſerved what regular coherent Schemes the Author of Nature is ſtill carrying on, not only in greater and general, but in leſſer and individual Syſtems; from what ſimple and inconſiderable Beginnings, He deduces their firſt Proceſs; by what natural and eaſy Stages, He conducts them through their ſeveral Periods and Revolutions;. making one introduce and pave the way to another, and every Step of the Progreſs conſpire moſt ſteadily and uniformly to the great Point in view, the Perfection of the Syſtem He intended to produce? By theſe gradual Advances, and the various Appearances which the Syſtem, be it Plant or Animal, ſucceſſively aſſumes, does not the ſupreme Artiſt inſtruct us in its Conſtitution, Œconomy, and Uſe, intereſt us in its ſeveral Fortunes with Pleaſure or Regret, as it flourishes or decays, and teach us what Accidents produce one or the other, and by what Culture it attains the perfection peculiar to the kind? Should not a Preacher, in like manner, be Simple in his Beginning; enter upon his Subject without much Parade; unſold it gradually, ſo that it ſhall ſtill riſe and gather Strength as it advances; keep one weighty Point in his Eye; make one Part ſerve to uſher in another, and all concur in throwing Light upon the Truth he wants to illuſtrate, or enforcing the Duty he wants to recommend? By this means, he will make his Diſcourſe a regular and compact Work, conduct the Hearer's Mind eaſily along the ſeveral Parts, and make him not only comprehend his main Deſign, but feel its Energy and Importance. This is not the only Hint which a Preacher may borrow from the great Model I juſt now mentioned. It is obſervable, PHILONOUS, that the Author of Nature employs different Means or Inſtruments, according to the different Natures and Qualities of the Subjects he acts upon, in order to attract our Attention, to excite our Admiration, and to engage our Affections. Thus he employs Heat to rarify, and give an expanſive Force to, ſome Bodies; Cold to contract, and give a Conſiſtence and Solidity to, others; Air and Moiſture, to feed and fertilize; Sun and Draught to warm and ripen. Some Creatures he inſtructs in the Operations of Nature, and the Methods of Selſ-Preſervation, by means of Tints and Colours, others by Sounds, others by Scents, and all by general Laws, the Inſluence of which is ſteady and uniform. This I call the various Language of GOD, or the different Styles of the ſovereign Preacher; which are admirably adapted to every Species of Being, and their reſpective Capacities. In his more auguſt Works, he employs the Style of Majeſty, and ſpeaks the true Sublime. In his minuter Works, wonderful Correctneſs and Elegance appear: and in all his Works, inimitable Simplicity and Beauty. Sometimes he inſtructs us by Analogy, and ſpeaks in Tropes and Figures, if I may be allowed the Expreſſion; at other times he talks, exhorts, and admoniſhes in a Language ſo plain and ſamiliar, as all may underſtand, and none can miſtake but the unattentive or the perverſe. Should not a Preacher, in Imitation of ſo divine a Pattern, vary his Style and Manner, according to the Nature of his Subject and the Capacities of his: Audience? For as the ſame Dreſs will not ſuit every Shape, neither will the ſame Style agree to every Subject: And there are as great Diverſities in the Genius and Capacity of different People, as in their Shape and Air; to whom if a Speaker addreſs himſelf in the ſame unvaried manner, he may perhaps ſurpriſe, but certainly he cannot edify all. The laſt Hint I would take notice of, continued AGORETES, is this, that: as vaſt as the Profuſion of Art is, which runs through the whole Compaſs of the Creation, it is generally in ſome fort hidden by the great Artiſt, at leaſt he hardly makes any oſtentations of it. He ſeems to amuſe us with the exteriour Decorations of the Machinery, but covers up from View the Springs which actuate the whole. We ſee the Phenomena, and feel the Effects, but are left to gueſs at the latent Cauſes. Though from a ſuperſicial Survey, one would imagine,. that Nature conſulted chiefly the Ornament of her Productions; yet to an accurate Obſerver, ſhe appears principally intent upon their Uſefulneſs. Every thing elſe is made ſubordinate to this, and all the external Colouring is only the Gloſs and Varniſh of the moſt finiſhed internal Structure, or elaborate Symmetry of Parts. Even in the wildeſt and moſt uncontrouled Play of Nature, we may diſcern maſterly Strokes of Art; and on the other hand, in her more laboured Pieces of Workmanſhip, we may obſerve, an apparent Air of Eaſineſs, and a noble kind of Negligence. So that ſhe gradually prepares and powerfully beſpeaks our Attention, rather by the Importance of her Deſign, and the Dignity of her Action, than by a direct Addreſs and ſtudied Parade. Now I ſhould eſteem him the beſt Orator, who acts in conformity to this ſupreme Model; who whilſt he carries his main End ever in his Eye, ſeems to be doing ſomething elſe who regards Ornament only as ſubſervient to this, conceals the Depth of his Art under an Air of Simplicity, and rather commands our Attention by the Weight of Matter, than ſolicits it by the Shew of Eloquence. I have often heard, ſaid I, that one of the principal Excellencies of Art was to hide Art. But I believe it is much eaſier to diſcover, than to imitate, the marvellous Art of this divine Preacher; who when He has a mind to rouſe our Attention, can ſpeak to the Heart as well as to the Ear, with a Force which no Mortal can reſiſt, and a Perſuaſion which no Prejudice can elude. Therefore I am afraid, the Perſection of this Model may diſcourage, inſtead of inviting, us to copy after it. Maſters in every Art, replied AGORETES, generally propoſe to their Pupils the moſt perſect Models they can find; not ſurely to damp their Attempts, but to inſpirit them, and at once to ſecure them againſt the Deſects and Errors into which leſs ſiniſhed Patterns might lead them, and ſo point out to them the Perſections of the particular Art they want to teach them. It is enough, if they are ever approaching to the Standard of Beauty, tho' they ſhould never be able to reach it. I ſhould be glad to hear your Opinion, AGORETES, ſaid I, concerning this Standard of Beauty, with regard to the Art of which you have been ſpeaking. In what does it conſiſt, and with what Maſters is it to be found? Alas! PHILONOUS, ſaid he, what a Taſk would you put me upon? It belongs only to a Practitioner, a Maſter of the Art, to tell what that is; and it would ill become one to attempt ſuch an arduous Taſk who has ſcarce imbibed the firſt Principles of the Art, and never once attempted the Praſtice of it. For, like all other Arts, I believe it is beſt learned by Practice, and ſtudying the trueſt Models. But where thoſe are to be found, is hard to gueſs, and it were too arrogant in me to pretend to determine. Every Age has had its favourite Ones, and one Nation differs as much from another in its Method of Preaching, as in its Language and Manners. Indeed it has been generally influenced by theſe, and formed on the prevailing Taſte and Genius of the People, among whom it has been practiſed, undergoing the ſame Revolutions, which thoſe have undergone. I think it were worth while, ſaid I to trace the different Methods which have prevailed, and the ſeveral Models which have been in vogue in different Ages and Nations; becauſe from ſuch a Review, one might collect many uſeful Obſervations to direct one's Practice, and perhaps to diſcover the moſt genuine and authorized Standards. I am much of your Opinion, ſaid AGORETES; for Preaching is a ſort of public Speaking; and public Speaking depends on that which is private; and again private Speaking is always inſluenced by the Sentiments, Complexions, and Characters of the Speakers. Therefore, in order to go thro' that Review you mention, of the different Manners of Preaching, that have prevailed in different Ages and Nations, it would be neceſſary to examine the different Ways of public Speaking; and that Inquiry would naturally include in it a Detail of the Manners of the Times: but this, I fear, would lead us out of our Depth, and perhaps after all be more curious than uſeful. I know, AGORETES, ſaid I, you have often thought upon the Subject; and though a full Diſcuſſion of it might be a very complicated Affair, and require deep Knowledge of ancient and modern Times, yet I imagine ſume ſlight Touches, or general Strictures on it, might help us to hit upon the Standard we are in queſt of. Since you urge me to warmly, PHILONOUS, ſaid he, I ſhall frankly communicate a few Obſervations, and indeed they are but ſuperficial ones, that I have made on the different Veins of public Speaking and Preaching, which have run through different Nations and Ages. You know that Athens was one of the ancient Seats of Learning, with which we are beſt acquainted; and perhaps, of all the ancient ones, the moſt renowned for Arts, and public Speaking. The Citizens of this noted Republic were an ingenious, quick-witted, ſprightly People, practiſed in Buſineſs, and ſharpened by frequent and ſudden Revolutions which happened in their Government. The Genius of it was moſtly Democratical: the Legiſlature conſiſted rather of the collective Body of the People, than of a ſelect Repreſentative; and Affairs were managed there principally by Speaking, Briguing and an artful Application to the Paſſions or Intereſts of a popular Aſſembly. There Laws were propoſed and enacted, Peace and War decreed, and from thence Magiſtrates were choſen. for the higheſt Honours in the State, were alike open to all; nor was the meaneſt Tradeſman excluded from a Seat in the moſt au-guſt Court of the Nation. Here then was abundant Encouragement and Play to the Wit and Talents, both natural and acquired, of this ſenſible People. if we add to this Conſideration, the univerſal Commerce they had with their Neighbours, and with Strangers from every Quarter; the free Intercourſe of all Ranks, with one another; the early Introduction, and quick Progreſs of the Arts among them; the ſtrong Tincture of Superſtition, which gave a deep Colour to their Manners, and added to the Volubility of their Tongues, as well as made their City the great Mart of religious Myſteries; together with the fine Air and Situation, which gave a peculiar Edge and Quickneſs to their Spirits; we need not wonder, that the Turn of private Converſation, and the Practice of public Speaking, were carried to high Degrees of Refinement. Accordingly, this rich and ſertile Soil produced a Crop of Orators of every Species, who excelled in all the different Kinds of Speaking, the ſamiliar, the elegant, the pathetic, the ſublime. But what ſeems to have principally prevailed, and to have been in the higheſt Vogue, was a round, eaſy, natural, and withal a conciſe way of Speaking, ſuch as touched the main Point in queſtion, and convinced the Judgment, no leſs than it moved the Paſſions. It muſt be acknowledged, indeed, that ambitious Demagogues and corrupt Orators, in order to ſerve their own private Views, did often dazzle, and ſometimes miſlead the People by a ſhewy, but falſe Eloquence, by playing upon their Credulity, ſoothing their Vanity, or gratifying ſome preſent Guſt of Paſſion. But when any great Danger rouſed them from their Lethargy, or when ſome important Intereſt drew their Attention, and ſet them a thinking, that temporary Enchantment vaniſhed: they made a juſt Diſtinction between the genuine and the ſpurious Orator, and ſhewed the Accuteneſs of their Senſe, by the Wiſdom of their Determinations. for we are allured by one who knew them well, the candid XENOPHON, who was no Friend to the Commons, that they generally conſulted the public Intereſt. Thus we find, that the trueſt Orator among them, DEMOSTENÈS I mean,was always the moſt triumphant. Why? Becauſe he ſpoke to the Purpofe, uſed no unneceſſary Circumlocutions, affected no inſignificant Parade of Eloquence, employed no Figures but what were expreſſive and proper, no Arguments but what were cogent and weighty; ſhewed clearly where their Intereſt lay, and pathetically enforced thoſe Meaſures that were requiſite to obtain or ſecure it. The mere Play of Words, the injuidicious Oſtentation of Wit, or empty Pomp of Declamation, would, in any critical Conjuncture, have been hiſſed or laughed at by an Audience, ſo intelligent and practiſed in Affairs; who made their greateſt Orators tremble at ſuch Times, and ſummon up their whole force of Head and Tongue, when they undertook to harangue to them. Among a People ſo enlightened, vivacious, and full of Spirits, Action, and all the exterior Apparatus of Oratory, were carried to the higheſt Pitch; as we may gueſs from the vaſtly ſuperior force aſcribed to Harangues when enlivened with all the Warmth, and embelliſhed with all the Graces of Elocution, above thoſe when read only. There the Supploſis Pedum, the Porrectio and Contractio Manuum, the various and ſignificant Expreſſion of the Face, were all employed with the utmoſt Sagacity: the Fancy of the Hearers was charmed by all the Power of Imagery, yet rendered ſubſervient to the cooler Dictates of Reaſon: their Paſſions were aſſaulted ſometimes by open Storm and Battery, but oftener indirectly and by Sap: their Senſes of Seeing and Hear-ing were filled and ſatisſied with all the Decency of Action and Harmony of Sound; and the whole Competition was animated with a Soul which a Senſe of Common-weal could alone inſpire, and which Liberty and equal Laws could alone ſuſtain. Even after that Senſe expired, and when that Liberty and thoſe Laws were no more, the external form and elegant Propriety of Speaking ſtill ſubſiſted: and it was in the School of Athens that the Orators of Rome ſtudied the moſt approved Models, and ſought, by graſting Attic Elegance on Roman Spirit, to rival the almoſt inimitable Productions of a PERICIES, or a DEMOSTHENES. And we find, that when the eloquent Apoſtle of the Gentiles addreſſed himſelf to a mixed Aſſembly of the Athenians, though he artfully touched the popular Superſtition, yet he uſes no Flouriſhes of Rhetoric, no A ſſectation of Wit, nor Parade of vain Philoſophy, but ſpeaks to the Reaſon, rather than to the Paſſions of his Audience. Such then was the Athenian Style or Genius of Speaking; which was, no doubt, more or leſs rude or poliſhed, according to the gradual Refinement of their Taſte and Manners; and more or leſs free and pathetic, or ſervile and fawning, according to the different Changes which their Government underwent; but which ſtill preſerved, amidſt thoſe leſſer Diverſities, the characteriſtical Simplicity, Roundneſs, and Vivacity, that diſtinguiſhed the Attic Eloquence. I do not doubt, ſaid I, but you have done Juſtice to the Athenian Manner; and indeed I cannot help thinking it ſuitable to the Standard of Nature, and peculiarly adapted to the Turn of ſuch a ſhrewd and ſenſible People. I ſhall be glad to hear your Opinion next of the Roman Eloquence. As to it, I cannot ſo thoroughly ſatisſy myſelf, ſaid AGORETES. In general, I take the Paſſions as well as the Underſtandings of the Roman People to have been upon a lower Key than. thoſe of the Athenians. Their martial Genius, their conſtant Engagements in War, and their Ignorance of Commerce, gave them a more grave, rough, and ſullen Caſt, and hardly admitted thoſe Refinements in Arts and Eloquence, which were peculiar to the ingenious Greeks. Indeed, the form of their Government, which was ſomething between the Ariſlocratical and the Popular, the mighty Conteſts which arofe between the Nobles and the Commons, and the ſingular Advantage which Eloquence gave the leading Men in their public Aſſemblies, made Speaking be ſoon ſtudied as an Art, a powerſul Engine of Government, and a neceſſary Step to Preferment. But the Romans were a cold, ſaturnine and phlegmatic People, and therefore neither entered ſo quickly into the force of an Argument, nor were their Paſſions ſo eaſiy moved as thoſe of an Athenian Audience. Halſ a Sentence, a ſingle Hint was ſuſſicient to make Them ſee the Drift of an Orator; and if he became wordy, went out of his way in queſt of Ornament, or loaded their Ears with unneceſſary Illuſtrations, they were ready to correct his Froth, and bring him back to the Point in debate. But a Roman Ear, being lets ſenſible, and more accuſtomed to the Din of War, required more Circumlocutions, more Ornament and Preparation, to draw its Attention: the Underſtanding needed a greater Compaſs of Sentiments and of Style, to open its Perceptions; and the Paſſions were to be rouſed by bolder Figures, a more boiſterous Addreſs, and a more animated Action. Thus we find, that the Voice of a GRACCHUS grew ſo outrageous, through the vehement Pathos. with which he ſpoke, that it muſt be taken down from its exceſſive Flights, by the ſofter Modulations of a Pipe, which his Prompter uſed at his Back. The ſtriking the Forehead and the Thigh, were ordinary Expreſſions of ſtrong Emotions of Mind. And we may eaſily believe, that Action was greatly ſtudied, when we find the judicious Teacher of Roman Eloquence, entering into ſo minute a Detail of every Part of it, and even condeſcending ſo far as to regulate the Motion of every Finger. The Popular Orations of CiCERO, though filled with the nobleſt Strains of Eloquence, are yet generally diffuſe and declamatory, ſometimes puerile, and often florid. There you ſee ſometimes an injudicious Affectation of Wit, quaint Antitheſes, the Play of Words, far fetched Metaphors and Figures, Language ſwelling even to Fuſtian, and often more Attention to Ornament than to Truth, and a greater Concern to ſet off the Orator than the Cauſe. We may readily ſuppoſe, that if ſo great and eſteemed a Model fell into ſuch a Manner, he would not want Imitators in a State, where the public Taſte was not yet thoroughly ſettled. Perhaps indeed the Genius of the People made it more neceſſary than we are at preſent aware of; and therefore, unleſs we were better acquainted with them, it may be too haſty to paſs a deciſive Sentence againſt the Judgment and Addreſs of ſo good a Judge, and ſo able a Performer. Though after all, we may make the freer with him, as he has, with ſuch Eaſe and Dignity, uſed the firſt Liberty with himſelf. In his Time, and the Age which ſucceeded, the Correctneſs of the Athenian Manner came, however, more into vogue: mere Declamation, and the tinſel Trappings of Diſcourſe were generally avoided, and became a favourite Topic of Ridicule to the poliſhed Wits of the Auguſtan Age. But things having now reached their Prime, declined faſt: Liberty, the Soul of Roman Eloquence, was extinguiſhed: the ſtudied Periods of Flattery, and the empty Pomp of falſe Oratory, took place: Men durſt not ſpeak, and hardly think, with Freedom: Philoſophers wrote, Senators harangued, and Courtiers ſpoke, according to the Nod of a Maſter, and ecchoed only to his Sentiments and Pleaſure. So that Eloquence, and moſt of the fine Arts withdrew; or hid their diminiſhed Heads, and leſt behind them a deep and univerſal Gloom. I doubt not, ſaid I, but the Deſtruction of the free Government, and the general Servility of Spirit and Manners which ſucceeded, muſt have greatly forwarded the Degeneracy of Eloquence and Arts in the Roman Empire. But as the Dawn of Gospel Light broke forth about this Time, and the Apoſtles and followers of our Saviour began to propagate Chriſtianity through this extenſive Empire; do you not think, that, ſince they derived the Manner, as well as Materials, of their Preaching, from the great Fountain of Truth, and ſupreme Model of Eloquence, they muſt have approached the neareſt to that juſt Standard, which, we are ſeeking after? I believe the Apoſtolic Manner, ſaid AGORETES, is a noble Pattern for modern Preachers in many and important Reſpects. But to copy it too cloſe, without making proper Allowances for the Difference of their Character, and that of the Apoſtles, and of the Manners of that Age, and this in which we live, might perhaps lead the forward Imitators into ſeveral Miſtakes. Thoſe Apoſtolic Inſtructors were formed upon the Eaſtern Taſte and Manner. The Jews, and in general the People of thoſe Eaſtern Countries, were naturally of a warm Imagination: their Perceptions were acute, and their Paſſions violent: they ſpoke little, and thought much; and what they ſpoke was generally with great Parade and many Circumlocutions: when prompted by vehement Emotions, or inſpired by the ſudden Sallies of an heated Fancy, they broke out into ſtrong Metaphors, bold Figures, daring Images, and a Diction often extravagant, and always pompous. We may believe, that their Manner would be of a piece, full of Heat and Action, intenſe and animated far beyond the Ordinary of Countries, where the Fancy and Feelings of the Inhabitants were upon a lower Key. Their Voice was raiſed the higher, that it was ſeldom exerciſed; and all their Geſtures were naturally violent, as being expreſſive of thoſe internal Throws which agitated their Minds. Thus we find their Prophets, who were profeſſed Preachers among them, ſometimes delivering their heavenly Meſſages by ſignificant Actions or Symbols, ſmiting upon their Thigh, throwing themſelves proſtrate on their Faces, covering their Heads with Sackcloth and with Aſhes, and the like Expreſſions of Grief, Indignation, Repentance, &c. The highly figurative Religion of the Jews, the frequent Revolutions their Government underwent, the ſeveral national Miſfortunes they ſuffered, the high Opinion they entertained of themſelves, as the peculiar People, and of their Country, as the Seat of Miracles, the Land of Prophecy, and the choſen Inheritance of GOD, all contributed to inflame their Imaginations, and to give a deeper Hue and more metaphoric Tincture, if I may ſo ſpeak, to their Language. Accordingly we ſee, that the Epiſtolary Writings of the Apoſtles, which we may ſuppoſe came the neareſt to their Manner of Preaching, are full of Metaphors, Amplifications, Characterizing and Change of Perſons, Circumlocutions, Parentheſes, Allegories, and frequent Alluſions to the Hebrew Polity, Ceremonies, Hiſtory, and Cuſtoms. Such Strains of Writing and Preaching, were adapted to the Genius, and level to the Underſtandings of thoſe to whom they were addreſſed: but to us they appear ſtiff, as it were, often obſcure, and ſometimes unintelligible; and, were they to be drawn too cloſely into Imitation, would be thought unnatural and extravagant, and be in ſact incomprehenſible to a modern Audience, of a Taſte, and Manners ſo widely different, as ours generally are. The Dignity of the Apoſtolic Character, the ſupernatural Gifts of which thoſe divine Men were poſſeſſed, and the ſublime Nature of their Commiſſion, derived immediately from Heaven, did likewiſe entitle them to aſſume a freedom in judging, a Severity in rebuking, an Authority in commanding,. and a Majeſty in their whole manner of Addreſs, which the confeſt Inferiority of the Character of a modern Preacher will by no means permit him to emulate, without expofing both the Preacher, and his Preaching, to juſt Contempt. Yet, after all, there is often found in the Apoſtolic Manner, a Sublimity of Sentiment, a Pomp of Deſcription, a Clearneſs, Strength, and Brevity of Precept, a Cloſeneſs of Appeal, a Force and Abruptneſs of Interrogation, a Simplicity of Words, and Pathos of Addreſs, that are admirable in themſelves, and worthy the Imitation of every Preacher. The immediate followers of our Saviour and his Apoſtles, we may believe imbibed their Spirit, and imitated their Manner. They were generally Men of mean Birth and low Station; and as their natural Parts were not improved by a polite or learned Education, their Authority and Succeſs in Preaching did not depend on their Capacity, or Skill in the Arts of Oratory, but on the Simplicity of their Manners, the ſingular Sanctity of their Life and Character, and the Importance and Credibility of the Teſtimony they bore to the great ſacts and Doctrines of Chriſlianity, which had been all along ſupported by ſuch irreſiſtible Evidence. It pleaſed Heaven to employ theſe apparently weak Tools, in carrying on its great Deſigns, and to ſend forth thoſe plain Men to erect, in Oppoſtion to the inveterate Prejudices and ſenſual Paſſions of the World, the Croſs of a deſpiſed Saviour, to erect it upon the Ruins of the eſtabliſhed Religion,. and its admired Mythology. Accordingly their artleſs Preaching and indefatigable Labours were made ſucceſsful in removing thoſe Prejudices, ſubduing thoſe Paſſions, and ſpreading the Kingdom of the Meſſias. But in proportion as Chriſtianity took Root, extended its Branches, and came to be ſupported by the civil Powers, the public Teachers of it did ſoon and greatly degenerate from the glorious Pattern of their Predeceſſors, bended the Rigour of their Maxims to the growing Luxury of the Age, and affected to pleaſe the popular Taſte, by a new and more palatable Species of Addreſs. The polite Arts, and, among the reſt, that of Speaking, I obſerved before were then greatly corrupted; and this Corruption, as muſt naturally happen, reached both the Bar and Pulpit. People were grown fond of the florid Manner in every thing: the gaudy and declamatory Style became faſhionable: far-fetched Similies, forced Antitheſes, laboured Conceits, rounded Periods, and allegorical Expoſitions of Scripture, were much in vogue. Some learned fathers, who were late Proſelytes from the School of PLATO to that of JESUS, and who imagined ſome of the literal Senſes of Scripture inconſiſtent, or not ſo well reconcileable, with thoſe Principles of Philoſophy, which they had early imbibed, explained theſe away, and had recourſe to myſtical ones. Others, from a well meant but indiſcreet Zeal for the Spirit, abandoned the Dryneſs of the Letter, and, in order to edify their Hearers, converted many Parts of the ſacred Story into abſtruſe, ſpiritual, and moral Allegories. Thus, for inſtance, with what Art and Subtilty does AMBROSE explain away PETER'S Denial of his Maſter, and how ungrammatically does he torture and allegorize the Words, to ſupport his own unnatural Hypotheſis? With what a jejune Violence does he apply the Perſons in the Song of SOLOMON, one to the Body, the other to the Soul of the dead Emperor VALENTINIAN, in his funeral Oration for him. With what Impropriety does JEROM level JEREMIAH'S prophetical Reproofs of the Jews, for their Superſtition and Idolatry, againſt a Chriſtian Widow, for a ſecond Marriage? How wildly does JUSTIN MARTYR talk, in diſcourſing on the Myſtery of the Croſs, which he calls the greateſt Symbol of Dominion and Power; without the form of which he affirms that human Affairs could not be tranſacted, and to which he applies all the Sticks and Pieces of Wood, mentioned in the Old Teſtament. How puerile is IRENÆUS, in carrying on the Analogy between the clean and unclean Beaſts, and Men; comparing the former, who divide the Hoof, and chew the Cud, to thoſe that believe in the Father and in the Son, and that meditate on the law; and the latter to thoſe that do neither? How idly does CLEMENS alledge the Phenix as a Type and. Proof of the Reſurrection? Into what a trifling Play of Words does AUSTIN, notwithſtanding all his Eloquence, ſall on a thouſand Occaſions? .How luxuriant is even the learned ORIGEN in his allegorical Senſes, by which he wanted to enrich and diverſify the literal, to refine and exalt the ſimple Facts, and by ſo doing, to convey ſome important Truth, or to enforce ſome uſeful Precept? However other Fathers, eſpecially the Greek, (for in the Eaſt the juſt Manner of Speaking and Writing, continued longer than in the Weſt) ſhewed better Judgment, and a truer Taſte, ſtudied a more plain and natural Turn of Preaching, and ſought to convince by ſound Reaſoning, and to move by the proper Arts of Perſuaſion. Among theſe, CHRYSOSTOM and BASIL ſhone out as the beſt and moſt, eloquent Models. Theſe rejected the vain Flouriſhes, and dry. Stiffneſs of Art, and ſollowed more the Simplicity of Nature. They were content to explain the Scriptures according to their literal and grammatical Senſe; they reaſoned the Point, of which they wanted to convince their Audience, with Cloſeneſs and Strength of Argument, painted things to their very Imaginations, in their moſt natural and ſtriking Circumſtances, and performed this with ſuch. Clearneſs and Beauty of Language, as at once inſtructd, edified, and warmed the People. "The Style "of St. CHRYSOSTOM," ſays a fine Judge, "is diffuſe; but he ſeeks no "falſe Ornaments: all tends to Per"ſuaſion: he places every thing with "Deſign: he is well acquainted with "Scripture, and the Manners of Men: "he inſinuates himſelf into the Heart, "gives a Relieſ and Colouring to every "thing, has noble Thoughts, and is "not void of Paſſion St. BASIL," ſays the ſame Critic, "is grave, ſen"tentious, and auſtere, even in his "Diction. He thoroughly underſtood "the Goſpel-Scheme, and the Diſeaſes "of Man, and is a great Maſter in "the Cure and Regimen of Souls." Afterwards, in proportion as the Church grew more corrupted, the Manner of Preaching partook of the common Contagion, and ſunk into Superſtition and Futility in the Explanation of the Doctrines of Chriſtianity, or ſwelled into Fuſtian and falſe Rhetoric in recommending its Morals. True Faith was involved in Fable, Myſticiſm, and wild Chimera: true Piety was buried under a Load of childiſh and ſuperſtitious Practices; and true Virtue was loſt amidſt that Ambition and Luxury, which prompted ſome to be the Deluders and Tyrants, and that Ignorance and Senſuality, which prepared others to be the Dupes and Slaves of their fellow-creatures. I do not doubt, ſaid I, but the Detail you have gone through is ſufficiently juſt; as the unfortunate Situation of the Times, before and after the Declenſion of the Roman Empire, and the Manners of thoſe barbarous Ages, muſt have proportionably corrupted the general Vein of Speaking and of Writing. But did not the Revival of Learning, bring things back to their ancient Purity, and particularly give a new form and Spirit to Eloquence, Poetry, and the other Siſter-Arts? The inveterate Ruſt, ſaid AGORETES, which Gothic Ignorance and Barbarity had ſpread over Men and Things, made all Improvements of that kind totally impraſticable, whilſt it continued, and very difficult, when it began to wear ofſ. The Monks, and other Prieſts, generally formed themſelves upon the worſt Models they found among the Fathers, and indulged to Allegory with the utmoſt Wantonneſs of Fancy. Indeed, as the Taſte for Grecian and Roman Learning increaſed, Men of Letters began to reliſh a more chaſte Manner in Compoſition: CICERO became the great Model of thoſe who picqued themſelves on a polite Strain; and to depart from that eſtabliſhed Standard, was deemed almoſt Hereſy by theſe Ciceronian Admirers. But after all, the grofs Corruptions of the public Religion, in Roman Catholic Countries, continued, and I doubt ſtill continue, a dead Weight on the Generality of its Preachers, and prevent the Eloquence of the Pulpit from riſing to that perfection, which the Progreſs of other Arts among them might give one Reaſon to expect. It muſt, indeed, be allowed that, with regard to the exterior Parts of Eloquence, they equal perhaps, if not excel, the moſt finiſhed Pulpit-Orators of their Proteſtant Brethren. thoſe they ſtudy with unwearied Aſſiduity: they have profeſſed Teachers among them, who with infinite Sagacity and Induſtry teach the beſt Rules of Speaking, Pronouncing, and Acting, and point out to them the beſt Models in all theſe. At the ſame time, the particular Genius, Diſpoſitions, and Climate of thoſe Countries, do naturally infuſe into their Manner, and of courſe authorize, a Sprightlineſs and Agility, which is unfelt, or if felt, would hardly be allowed of, in colder and more Northern Countries. The French are a lively, loquacious, and witty People: Accordingly, we find their Preachers wonderfully warm, diffuſe, full of Action in the Pulpit, as in Converſation; ſanciful and pictureſque in their Deſcriptions, and rather elegant and wordy, than deeply ſtrong in their Converſations. The Italians, who are of a more ſevere, cautious, and reſerved Caſt in their Temper and Converſation, ſhew a proportionable Difference in their Manner of Speaking and Preaching. Their Preachers are ſubtil, acute, and refined, of a leſs vivacious, yet more commanding Action than the French: Full of Spirit and Paſſion, yet more ſmooth and artful in managing them. Though this may be generally true of the common Rule, yet both Nations have given us good Models of ſtrong Reaſoning and maſterly Eloquence, equally accommodated to pleaſe the moſt refined Taſte, and to affect the moſl Vulgar. The Spaniſh Manner, like that of the Nation, is more ſolemn, ſtatelv, and full of Figures formed for Oſtentation, and proudly ſwelling with all the Pomp of Rhetoric. Their Genius is piercing, and ſublime; and though, perhaps, as full of Fire as any of their Neighbours, yet more chaſtened by the Stiffneſs and Haughtineſs of their Manners. if I durſt, in like manner, hazard a Criticiſm upon the Engliſh Method of Preaching, I ſhould ſay, it had its Peculiarity, adapted to the Genius of the People. This I take to be leſs loquacious than the French, leſs reſerved than the Italian, more phlegmatic and ſaturnine than both. As they are generally open and candid themſelves, they diſlike the Appearance of Art in others, eſpecially in thoſe who addreſs them. Their Paſſions reſemble their Climate, being generally cold and inconſtant: but their Opulence, and the Freedom of their Government, make them bolder and leſs cautious in expreſſing them. They are thoughtſul, grave, and much ſubject to the Spleen and Vapours, to ſudden Flows of Good-humour, and frequent Fits of bad. Now, though the general Turn of Preaching among them reſembles their national Complexion, and is moſtly in a cool diſpaſſionate Key; yet has it always taken a Tincture from the particular Character of the different Ages, and the periodical Conſtitutions, if I may ſo ſay, of the Nation; as they have been more or leſs refined, calm or turbulent, ſober or luxurious. — But to trace theſe nicer Differences, would, I am afraid, lead us into too great a Detail, and require a deeper and more extenſive Knowledge of the Times than I can pretend to. I ſhould be glad, however, ſaid I, to hear your Opinion, in general, of the more obſervable Revolutions, that have happened in the Method of Preaching in our Country, ſince the Reformation. for I am perſuaded, you have often thought of the Subject; whereas it is quite new to me. I acknowledge, ſaid AGORETES, I have ſometimes conſidered thoſe changes, and have imagined I could obſerve a real Diverſity in their ſeveral Manners, which have prevailed: But it is only a few of the moſt Obvious, which I dare venture to gueſs at, rather than undertake to aſcertain. Soon after the Reformation, when the two Nations fell under one Head, the firſt Appearance that Preaching made, was in the pompous, metaphorical Dreſs. Our learned King brought Learning into vogue; and to quote Greek and Latin Authors, even in common Converſation, was faſhionable and courtly. His ſacred Majeſty deigned to inſtruct as well as to govern his People. His obſequious and docile Pupils, both Clergy and Laity, vied with each other, who ſhould imbibe faſteſt the liberal Stream, and admire moſt implicitly the awful Dictates of their anointed Tutor. The whole Learning of the Age, was ſhaped after the royal Model, dark, ſcholaſtic, and controverſial; except what Lord BACON, by the force of a ſuperiour Genius, ventured to ſtrike out. The Style of Preaching was declamatory and figurative, pointed with Puns and Antitheſes, and larded with Greek and Latin Quotations. The Preachers made a Parade of comparing different Verſions, and tracing the Originals; diſtributed the Text into cold and dry Diviſions, adorned their Compofitions with Quibbles, and the ſilly Jingle of Words, becoming School-Boys rather than Men and Scholars; and often perverted them from their proper Deſign, to inculcate the Principles of Slavery and arbitrary Power, and to ſubſerve their own ſordid and ambitious Purpoſes. In the next Period, things took a different Turn. The Paſſions of Men were wonderfully inflamed, by the Attempts which were made, to introduce arbitrary Government. The Convulſions, Viciſſitudes, and various Calamities of a civil War, rouſed the Spirits of the contending Parties, which had been damped or kept down by the preceding Tyranny; filled them with fears and Hopes, and hurried them from one Extreme to another. In ſuch a Situation, the Spirit of Enthuſiaſm is moſt apt to invade the human Mind, and to break out into Raptures or Panics. And as a perſect Freedom in Religion, ſucceeded to the Severity of eccleſiaſtic Tyranny, the religious Paſſions burſt out with a Violence proportioned to the Reſtraints they had formerly lain under. Therefore the Genius of Preaching reſembled that of the Age, and run into an high, pathetic, and enthuſiaſtic Vein. A devotional Spirit was the general Faſhion, which every one was obliged to be in, or elſe to make up by the Fairneſs of the Mark, for the Want of Reality. In ſuch Circumſtances, Men were apt to be miſled by every ignorant or impudent pretender, to extraordinary Degrees of Zeal and Sanctity. And as it was the Intereſt of the different Leaders, to have it commonly believed, that Heaven had lifted itſelf of their Party; ſo the Faith of particular divine Interpoſitions in their Favour, was eaſily propagated, and greedily ſwallowed by both Sides. If we add to this, that where Mens Hopes or Fears are much raiſed by the Greatneſs of the Venture, and the Uncertainty of the Iſſue, they are exceedingly prone to ſeek Aſſiſtance, and to expect Relieſ, from Heaven: I ſay, putting all this together, it is no wonder that a prodigious Spawn of Enthuſiaſts and Sectaries appeared, whoſe Minds were like Tinder, ready to take Fire with every Spark, and to kindle into the moſt furious Combuſtions. Therefore the Diſpoſitions of Preachers and People, were reciprocally inflaming, and inflamed by each other. The Tone of Preaching was agitated and various, as were the Paſſions of the Hearers. It glowed with uncommon Fervours, ſudden Lights, and ſupernatural Impulſes, or ſtrong Pretences to them, and with a mighty Zeal for Purity and Reformation, whether real or affected. No doubt, there was much Seriouſneſs and undiſſembled Ardour, an higher Spirit of Devotion, a warmer Senſe of divine Things, and ſtronger Affections to a public Intereſt, than have appeared before or ſince that Period. Where theſe took place, the Aſſiſtance of Learning and human Art was often deſpiſed as unneceſſary, or dreaded as derogatory to higher Gifts: And the ſober Chaſtenings of Judgment gave way to unnatural ſlights, turgid Conceits, a pompous Style, and ungoverned Action. But where they were wanting, the indiſcreet Votaries endeavoured to ſupply their Room by affected Raptures, unmeaning Cant, wild Grimace, and all the Diſtortions of Enthuſiaſm, blended with Superſtition. I do not at all wonder, ſaid I, when the Imaginations and Paſſions of Men were ſo much inflamed by the important Events of ſuch a giddy, tumultuous, and diverſified Scene, that they run into Extremes, and bore about them ſo many Symptoms of enthuſiaſtic ſrenzy. And, doubtleſs, the Manner of Preaching then in vogue, muſt have been of the marvellous and pathetic Strain: But then I am apt to believe, that it ſtill retained a good deal of the Pedantry of the preceding Age; and though ſome of the enlightened Teachers might undervalue human Aids in their Compoſitions, yet others of them, eſpecially ſuch as filled the Seats of Learning, made uſe likewiſe of their literary Accompliſhments, and ſtuffed their Sermons as well as other Writings, with numerous Scraps of Latin, much polemic Brawl, and a ſublime kind of Fuſtian, rather than a manly and moving Eloquence. But I beg you will go on with your Hiſtory. In this I agree with you, ſaid AGORETES. Many of the religious Leaders among the Sectaries, were Men of conſiderable Learning and Abilities; and in many of their Writings we diſcover a noble unaffected Piety, a ſingular Elevation of Thought, a great Compaſs of Knowledge, and much Variety and Strength of Style. But Eloquence had not then attained its true Standard: it was over-laid, rather than adorned, by the Learning which prevailed: their Compofitions were irregular and incorred, and their Diction either ſwoln and figurative, or intricate and dry. The next Age had the Merit of refining much upon the Manner of their Predeceſſors. The Return of Peace, and its ordinary Attendants, Security and Wealth, gave People leiſure to cultivate all the Arts and Sciences which tend to the Improvement, or Ornament of Life. It is true, that the Enthuſiaſm and Hypocriſy of the former Age, were ſucceeded by Luxury, Diſſoluteneſs of Manners, and a wanton Contempt of Religion: nor were there wanting ſome mercenary and ambitious Divines, who winked at the Vices of the Court, and ſought to recommend themſelves, by proſtituting the Dignity of their Character and Profeſſion, to defend or palliate the moſt deſpotic Meaſures, and to preach up the Principles of Slavery and implicit Submiſſion to Power. Yet that noble,Spirit of freedom, which had been begotten under the Inclemencies of civil and eccleſiaſtical Incroachments, and was nurſed, and had grown up, in the glorious Struggle for Liberty and equal Government, could not be deſtroyed, by the renewed Attempts that were made againſt both; but daily increaſed, and appeared in a general free Inquiry, and in the Vigour and Boldneſs of public Debates, and of private Converſation. The Nature and Foundations of Religion and Government were examined with Freedom and Candour by ſome, with Severity, and even with Malice by others. The Dangers ariſing from Popery on one hand, and from Deſigns againſt the Conſlitution on the other, gave a Check to the general Joy, opened the Eyes of the more ſober and thoughtſul Part, and raiſed a juſt Attention to the common Intereſt. Accordingly, as many able Patriots arofe to guard us againſt the latter, ſo many eminent Divines ſprung up to protect us againſt the former. Theſe great Men nobly and boldly exploded the Principles of implicit Faith; inquired, in a rational and unprejudiced manner, into the Nature and Grounds of true Religion; expofed, with proper Spirit, the Horrors of eccleſiaſtic Tyranny, and by ſo doing ſapped the very foundations of Popery. They had formed themſelves upon the beſt Models of Antiquity, and had imbibed the Genius and Sentiments of the divine Moraliſts. The Effects of this appear in their Compoſitions, which breathe a modeſt but generous Freedom, a ſublime and enlightened Piety, an exalted Taſte of Morals, ſuch a Spirit of Moderation, and ſo pure a Flame of univerſal Benevolence, as is moſt adapted to win the Eſteem, and reconcile the Hearts of Mankind. Theſe Preachers rubbed ofſ the Ruſt, and refined the Manner of Preaching. Inſtead of a tedious Explication of the Text, and giving the Concordance of every Word in it, as had been the way formerly; they plainly and brieſly open. ed its Connexion and Meaning, and then ſtated the Propoſitions ariſing out of it, in their Nature, Truth, and Reaſonableneſs. Inſtead of diſcuſſing ſome nice and barren Points of Controverſy, in a ſcholaſtic manner, they painted the Beauty and Advantages of ſubſtantial Virtue, with great Strength of Reaſon, and Perſpicuity of Style: and inſtead of concluding their Diſcourſes coldly, with a few ſhort Inferences or Uſes, as they were called, they wound them up with a pathetic and manly Addreſs, in which they applied the whole to the Conſciences and Lives of their Hearers. Whereas the Strain of former Sermons was either flat or low, being wire-drawn with controverſial Diſputes, and having the Senſe ſcattered by ſuch ſpurious Mixtures as did not enter into the Body of the Work, but rather Ruck out like ſo many Excreſcences; or elſe the Style ſwelled into a ridiculous kind of Bombaſt, and ſometimes an unintelligible Jargon; the Compofitions of this new Race of Preachers, were more according to the genuine Simplicity and Beauty of Nature. Their Diction was eaſy, clear, and nervous, pregnant with Sentiment, adorned with apt Metaphors, and ſplendid Figures, and thoſe not far-fetched; or high-ſtrained, but ſuch as grew out of the Subjects, and were the moſt proper to enlighten and affect the Auditory. They cut ofſ all unneceſſary Shews of Learning, applied cloſe to the Matter in hand, and purſued, throughout, ſome weighty and important Point, without enervating the Diſcourſe by uſeleſs Digreſſions, or crumbling it down into minute Diviſions. In ſhort, they vindicated our Faith upon the Principles of ſound Reaſon; ſhewed the Connexion between natural and revealed Religion, with all the Strength of Evidence; diſplayed the Excellence of both, with regard to private and public Happineſs, in the moſt engaging Light; and painted genuine Chriſtianity with that venerable Air, and maſculine Beauty, which diſtinguiſhes her alike from mean Superſtition and rank Enthuſiaſm, and inſtead of inſpiring with Contempt and Dread, commands Love and Admiration. — This, my Friend, I take to be the Period, in which the Art of Preaching was carried, though not to Perfection, yet to the higheſt Pitch of Beauty it had before, or has ever ſince attained. What, AGORETES, ſaid I, with ſome Surprize, do you not think, that the Art has received conſiderable Improvements, ſince that time; eſpecially as our Language is grown more refined and copious, and moſt Branches of Learning have been enlarged, by the continual Labours of a curious and inquiſitive Age? I hardly think, reſumed AGORETES, that our Improvements in the Art of Preaching, have kept pace with our other Refinements in Knowledge. I fear, it has rather, for ſome time paſt, been at a ſtand among us. I admit, indeed, that the foundations of our holy Religion are perhaps better underſtood, by the freer Diſcuſſion of Friends, as well as Enemies; that leſs Regard is paid to the Authority of Creeds and Syſtems, than formerly; and more of the falſe Daubing removed, which ſometimes deformed the Beauty of true Religion; and that the Spirit of Toleration is more widely diffuſed among the ſeveral Denominations of Men. But I fear, I ſadly fear, PHLONOUS, that the vital Spirit of Devotion, which animated former Preachers, and thoſe ſublime Feelings of Virtue, which ennobled their Compofitions, are much decayed. Our Teachers now a-days, ſeem generally more concerned to ſet forth themſelves, than the Doctrines and Laws of their great Maſter; and to give a Grace, a Roundneſs, and an Air of Novelty, to their Performances, than to fill them with a deep Savour of Religion, or enliven them with the Warmth and Energy of Virtue. In ſhort, from the Strain of their Sermons, I have been ſometimes tempted to think, that many of them aimed more at Reputation and Preferment, than at converting Souls to the Love of GOD, and the Practice of Goodneſs. But will you not allow, ſaid I, that the Sermons of the preſent Age are much more correct and refined, than thoſe of the laſt; that they are equally diſtant from the turgid Rant, and learned Pedantry of ſome, and the diſputatious Dryneſs, and falſe Wit of others; that there is great Variety and Copiouſneſs of Matter in them, and Nobleneſs, or where that is wanting, Prettineſs of Sentiment; that the Preachers handle an Argument with much Solidity of Judgment, and combat the Adverſaries of our Faith with much Poignancy of Raillery? If they are not ſo pathetic as you ſeem to wiſh, the Reaſon may poſſibly be, becauſe they chuſe rather to work upon the Underſtandings of their Hearers, by the pure Force of Conviction, than to play upon their Paſſions, by the puerile and tranſitory Arts of Oratory; as believing, that the only way of intereſting and gaining the Heart, is by bringing the Judgment to be of a Party with it. I am conſcious to myſelf of no Prejudices againſt our modern Preachers, ſaid AGORETES, and am very willing to allow them all the Merit that you or their warmeſt Advocates can plead for. I allow them generally a noble Superiority to popular Errors, great freedom and Beauty of Sentiment, clear Reaſoning and Coherence of Thought, deep critical Skill, Elegance of Style, a juſt Arrangement of Periods, Propriety of Pronunciation, and much Modeſty, in their Action and Manner. But after all, I have ſo unhappy a Taſte, or ſo unſaſhionable a way of Thinking, as not to be thoroughly ſatisfied even with all theſe combined Excellencies. I want, my dear Friend, to have my Mind exalted above the World, and above itſelf, with the Sacredneſs and Sublimity of divine Things: I want to feel, warmly to feel, no leſs than to be cooly convinced of, the tranſcendent Beauty, and Excellence of Virtue: I want to be ſuſpended, and awed, as with the Preſence of GOD, to ſink into deep Proſtration before Him, to be ſtruck with the Majeſty of his Perſections, and tranſported with the Wonders of his Love: I want to conceive an infinite Horror at Sin, to glow with an ardent Paſſion for doing good, to pant after perfection and Immortality, and to ripen apace for both: In ſhort, I want to have my Underſtanding enlightened, my Heart enflamed, every Affection thrilled, and my whole Life reformed. But are theſe important Ends likely to be gained, by a wellreaſoned Harangue on ſome ſpeculative Point of Orthodoxy, by a clear Conſutation of ſome Inſidel or Heretic, by a dry, critical Diſcuſſion of ſome dark or dubious Text, by a cold elaborate Diſſertation on ſome moral Subject, or a curious Diſſection of ſome Paſſion of the Mind, or a vague Declamation on ſome Virtue or Vice, and their Effects on Society or Individuals? Yet ſuch I find the general Taſte of Preaching now to be. And in it, without doubt, the Preachers have an Opportunity of ſhewing a great Extent of Learning, Skill in Languages, Acquaintance with Antiquity, much critical Acumen, Depth of Judgment, Sprightlineſs of Wit, Knowledge of human Nature, and Abundance of Zeal, and Averſion to the Enemies of Orthodoxy. It muſt likewiſe be allowed, that thoſe different Species of Sermonizing, do admirably ſuit the different Kinds of Hearers, the cold ſaturnine Complexion of ſome, the curious inquiſitive Taſte of others, the vehement Heat of one Set, the opposite Lukewarmneſs of another, and the Love of Novelty and Variety in all: Eſpecially they ſoothe that infinite Pride and SelſConceit of the Generality, which makes them ſo ſatisfied with themſelves, and ſo apt to contemn or cenſure others. And, perhaps, were any bold Preacher to take things in another Key, to appear, and to be indeed what he appeared, much in earneſt, and to come more home to the real Concerns and Feelings of Mankind; I am afraid, he would find but a cold Reception from the more polite and refined Part of his Audience: he would in all Probability paſs for an Enthuſiaſt, or at beſt for one who wanted to draw the Attention and Reſpect of the World by his Singularity. And if, inſtead of leaving his Auditory cool as they chofe to be, he ſhould warm and intereſt their Hearts, and ſend them away ſerious and thoughtſul, he would be deemed to have laid rhetorical Traps for them, and played artfully on their Paſſions, at the Expence of their Reaſon. So that I cannot tell, PHILONOUS, whether I ought entirely to blame the Preachers, for this cold, languid, unaffecting Vein of Preaching, into which they are fallen; or whether it is to be aſcribed to the delicate, ſhall I call it, or the diſſolute Taſte of the Age, which chuſes to be entertained, rather than edified, is too wiſe to be tutored, and too good to be reformed. As Men are very apt, ſaid I, to be frightened out of one Extreme into another, and to carry their Diſlike of a Party, on ſome Accounts, into a Diſlike of it, on all Accounts; I fancy the Prevalence of the cool, diſpaſſionate Manner of Preaching, is owing to the general Diſtaſte of thoſe who were called Puritans, and of ſuch as have been reckoned their Succeſſors, whether in Principle, or in Name only. Their Manner of Preaching, as you obſerved, was warm, caſuiſtical, and pathetic, addreſſed often to the Conſciences, and generally to the Affections of their Hearers. What was at firſt practiſed through Choice, was afterwards continued through Neceſſity. for their Reputation and Maintenance depending on the Numbers and Wealth of their Followers, they found it their Intereſt to purſue the ſame Track, to ſoothe the popular Talk by all the Arts of popular Eloquence, to aſpire at, or to pretend to, higher Degrees of Reformation, and to nearer Communications with Heaven, and in fine to keep together their ſuſſering or diſcouraged Party, by having, or affecting to have, more Zeal, Purity, and Devotion than their Neighbours. Now, thoſe of the Eſtabliſhment being entirely independent on the People as to Subſiſtance, and conſequently under leſs Temptation to conſult the popular Humour, have, from a Diſguſt at the Party, taken a general Diſguſt at thoſe Methods of Popularity, by which they thought the Party ſupported, and ſo have fallen into that dry argumentative Manner of Preaching, which they eſteem the reverſe of what they call the Fanatical and Declamatory. They chuſe to addreſs to our Reaſon alone, and leave Paſſion quite out of the queſtion, as a two-edged Tool that may be turned againſt, as well as for them. I do not doubt, replied AGORETES, but there is a great deal in what you have ſaid. I know, likewiſe, that there is a general Outcry among our Sticklers for Reaſon, againſt thoſe who talk to the Paſſions of their Hearers: but I fear there is much Logomachy in ſuch Diſputes. It is no eaſy matter, PHILONOUS, to aſcertain the exact Boundaries of Reaſon and Paſſion, or to know where one terminates, and the other begins. Do your cool Reaſoners never addreſs to the Hopes and fears of Men? Do they make no Applications to our Deſires of Happineſs, of Pleaſure, of Praiſe? Yet what Paſſions are ſtronger than theſe? On the other hand, do your pathetic Speakers never ſeek to intereſt Reaſon in their Cauſe? Do they expect to excite Affections, without laying before their Hearers the Objects and Arguments proper to excite them? Can any other ſaculties apprehend thoſe Objeſts, and weigh thoſe Arguments, but Reaſon, and the various Powers of Perception, of Approbation, or Blame? — But ſay the reaſoning Speakers, "We ſeek only to con"vince the Judgment, which is an "equal, ſteady, and uniform Principle "of Action; where the Paſſions are "ſoon raiſed, but the Impreſſions made "upon them as quickly decay, A "few rhetorical Flouriſhes, glittering "Thoughts, or fanciful Images may "excite the latter; but ſolid Argu"ment, and the Force of Conviction "alone, can inſluence the former." — True; the Imagination may be amuſed, and a kind of mechanical or artificial Heat raiſed by ſuch rhetorical Proluſions, the Inſluence of which is ſlight, as its Continuance is uncertain. But is it expected, that Mankind are to be guided by ſuch ſuperſicial and tranſient Emotions, or to be governed by Impreſſions which have no Connexion with their Good or Ill, their Happineſs or Miſery? Can our Affections and neuter, and be unbiaſſed Spectators, where theſe are at ſtake? Or can Judgment operate, where theſe are leſt out of the queſtion, or where we are ſuppoſed indifferent to either? What can poſſibly engage us to purſue Happineſs, or to avoid Miſery, but our Affection to one, and our Averſion to the other? Without their powerſul Impulſes, we ſhould be as inactive and immoveable as Stones, notwithſtanding the cleareſt Convictions of Reaſon and Judgment. In ſhort, Reaſon is properly no Principle or Spring of Action at all: it may direct, and ſhew us which Courſe of Action is beſt; but without Affection of ſome kind, we can neither be impelled to Action, nor reſtrained from it. And to talk of moving the Affections, without ſuggeſting ſuitable Objects, ſuch as they naturally ſeek after and ultimately tend to; is as abſurd, as to talk of melting Metal without Heat, or of producing any other Effect, without its correſpondent Cauſe. Theſe Objects, by whatever or whomſoever they are ſuggeſted, muſt be perceived, before they can affect the Mind. And to perceive them, is the Buſineſs of the Underſtanding, or of thoſe Organs or Powers of Perception, with which our Nature is endowed. Therefore, whoever pretends to addreſs to the pure Reaſon and Underſtanding of his Hearers,. without offering proper Ends, or Motives, to intereſt their Paſſions, and determine their Choice, ſeems not to conſider the Nature of that various, compounded Creature he has to do with; who ſtrongly attracts what appears good, and repels what appears ill, and is always moved in proportion to the apparent Moment and Nearneſs of either. I conclude then, that it is an Orator's Buſineſs, to get the Paſſions, as well as the Reaſon, of his Hearers to be of his Side, if he means to convince or perſuade; nor than I venture to condemn the Man who employs ſuch Edge-tools, in a Subſerviency to the beſt Purpoſes, though Knaves may ſometimes abuſe them to the worſt. I acknowledge, AGORETES, ſaid I, you have, by this manner of arguing, undeceived me as to an Opinion I had entertained, "that a juſt and fair "Speaker had nothing to do with the "Paſſions of his Auditory, but ought "to addreſs himſelf to their Reaſon "alone becauſe the Voice of Reaſon. is "not like to be heard amidſt the Tu"mult of Paſſion, and becauſe deſign"ing Men have often ſucceſsfully em"ployed the Paſſions of others againſt "their Reaſon and their Intereſt." Now I find, that on the ſame Principle, I ſhould likewiſe condemn the free Uſe of Reaſon itſelf; for it too has been a peſtilent Engine in the Hands of bad Men. I at length perceive an obvious Diſtinction, which had hitherto over-looked, the not attending to which has occaſioned all the idle Declamation beſtowed upon this Subject; I mean the Diſtinction between the calm and leading Aſſections of our Nature, which are the main Springs of our Conduct, and thoſe tranſient Paſſions, or inſtantaneous and violent Impulſes of Joy and Sorrow, Anger, Compaſſion, Wonder, and the like, which often ebb and flow with our animal Spirits, depend in a great meaſure on our Conſtitution, as it is more or leſs ſenſible of outward Impreſſions, and operate with a mechanical Force, without any certain or regular Cauſes. I can eaſily ſee of what Conſequence it is, rightly to direct and properly to move the former Set of Affections; and how eaſy, as well as of how little uſe it is, to raiſe the latter, by the trivial Arts of a puerile Oratory; ſince that may be done by Sound, as readily as by Senſe, and by Looks, Geſtures, and the mere Mechaniſm of a Voice, as ſucceſsfully as by the higheſt Strains of true Eloquence. Whereas to impreſs, regulate, and controul the other Affections, be the nobleſt Operation of Reaſon, and the very Perſection of the rhetorical Art; greatly to be ſought and ſtudied by thoſe who with to inſtruct and reform Mankind. Alas! AGORETES, where is ſuch an Art to be learned, and where are the living Models of it to be found, whom we may copy after? if we cannot find living Ones, ſaid AGORETES, we muſt be content with the Dead, who ſeem to have underſtood the Art beſt. However, I have the Happineſs to be acquainted with one Gentleman now alive, who is at once the beſt Model of Preaching, and the nobleſt Example of Living, I ever knew, the Miniſter of the neighbouring Pariſh. I ſuppoſe, ſaid I, you mean. THEODORUS. The very ſame, ſaid AGORETES; a Man of the moſt extraordinary Simplicity of Character. I have heard him repreſented, ſaid I, as a great Enthuſiaſt, and noted for the Singularity of his Behaviour, as well as of his Manner of Preaching. I do not doubt, replied AGORETES, but THEODORUS has a conſiderable Tincture of Enthuſiaſm in his Conſtitution, but it is of ſo refined a nature, that it neither impairs his Judgment nor ſpoils his Temper, but renders him ſo much the more ſenſible of the Charms of Religion, and the Beauty of Virtue. His Enthuſiaſm is all ſober and lovely, a pure lambent flame, which enlightens at the ſame time that it warms. Nor need you wonder that it is of a kind ſo uncommon. for it is no dim refracted Beam, but is lighted up in him directly from the original Source of Light. It is by immediate Converſe with GOD himſelf, by living, moving, and acting in his Preſence, that he becomes God-like in his Air and whole Deportment, lives above the World, and breathes ſuch a ſuperior kind of Humanity, as not only enchants thoſe who converſe with him, but almoſt transforms them into the ſame Spirit. Oh! PHILONOUS, he very nearly approaches the Image of Him that made him. That is a noble, and withal a natural Effect, ſaid I, of the exalted Correſpondence which he maintains. But as I have heard much about this ſingular Man, I ſhall be obliged to you, AGORETES, if you will let me more particularly into his Character. AGORETES ſaid he would gladly comply with my Requeſt: for indeed, PHILONOUS, adds he, I reckon myſelf extremely happy in his Acquaintance, and wiſh you and all my Friends a Share in the ſame Happineſs. THEODORUS has formed himſelf upon the Model of the Apoſtles. You would think he intended to revive the Taſte of ancient Manners, and bring back the primitive Plainneſs of unadulterated Chriſtianity. He ſeems to underſtand little of the Modes or Elegancies of the preſent Age: Yet the politeſt Sort of People love to converſe with him; he has ſomething ſo alluring, as well as venerable, in his Aſpect and Manners. His Religion wears no forbidding or formal Air: When he talks of it, which he is fore to do as often as he can with Propriety, it is without oſtentation: He does not impofe his Sentiments, but ſteals them upon you without the leaſt Appearance of Superiority. His Sentiments, tho' delivered in Words void of all Varniſh, are ſo juſt and grand, that they never fail of making an Impreſſion. It is ſcarce poſſible to be in his Company, without being the wiſer or the better for it: Whatever Subject he breathes upon, takes a religious Kind of Tincture. Piety is become ſo natural to him, or rather is ſo inlaid in his Conſtitution, that it ſhines out in his very Looks, no leſs than in all he ſays and does. One may apply to him the Words of a noble Writer; "Sanctity "ſits ſo eaſy, ſo unaffected, and ſo "graceſul upon him, that in him we "behold the very Beauty of Holineſs. "He is as chearful, as familiar, and "condeſcending in his Converſation, "as he is ſtrict, regular, and exem"plary in his Piety; as well-bred and "accompliſhed as a Courtier, as reve"rend and venerable as an Apoſtle." He looks down upon the Pomp and Pride of Life, with a generous Indifference; and receives Praiſe, rather as an Expreſſion of Kindneſs, than as a Tribute due to his Merit. I never knew a Man ſo thoroughly and ingenuouſly humble, a Character as valuable as it is rare. You ſee no Attention to himſeif, no indirect or retorted Glances upon his own Reputation or Endowments. He ſeldom talks of himſelf, unleſs when the declining it would argue Vanity or Affectation And when he does it, it is with Simplicity and Grandeur, as of a third Perſon; neither proudly concealing his Virtues, nor oſtentatiouſly expofing his ſaults. Surely, ſaid I, a Miniſter of ſuch a Character as you deſcribe, muſt be highly eſteemed, and even venerated by all who know him, particularly by thoſe of his own Pariſh. He is infinitely Popular, ſaid AGORETES; as indeed how can he be otherwiſe, with ſuch Qualifications? And yet without either valuing Popularity for itſelf, or pretending to deſpiſe it, he uſes it only as an Engine of Uſeſulneſs. He is the Oracle of his Pariſh, in their ſecular as well as ſpiritual Concerns. He adjuſts their Differences, with ſo tender and impartial a Regard for both Parties, that they never expreſs any Diſſatisſaction with his Deciſions, though made againſt them. The Sick are his peculiar Care. He improves thoſe happy Moments of Diſtreſs, to diſengage them from this World, and raiſe their Views to a better. He is a father to the Poor, a Guardian and a Patron to the Widow and Orphan. His Revenue, though moderate, being managed with great Œconomy, enables him to do many Acts of Charity, which he is at pains to conceal. But how amiable ſoever his private Character may be, the Pulpit is the Province where he ſhines in the moſt conſpicuous Light. His Conduct is ſo unexceptionably fair, and illuſtrious, that all his Inſtructions are accompanied with an irreſiſtable Authority. I dare ſay, PHILONOUS, you never knew a Man who was heard with more Attention and Reſpect: Indeed, no wonder; ſince his Hearers can trace in his Life every Feature of Virtue, which he delineates in his Sermons. Without doubt, ſaid I, the Harmony between his Doctrine and Manners muſt give a double Weight to all he ſays. I have obſerved, added I, that he excels in one Part of Eloquence, which is but rarely ſtudied by our public Speakers; I mean the Expreſſion of the Countenance. for I remember, whenever he deſcribes any Vice, or draws any vicious Character, he has ſuch a ſignificant Indignation in his Looks as raiſes your Abhorrence at the odious form, thus repreſented in all its Uglineſs. But when Virtue is his Theme, his Words do not expreſs more Complacence than his Eyes, his Air, and every Geſture: His Countenance ſeems to open and expand itſelf with the more Serenity, and the greater Elevation. His very Soul ſpeaks out in every Word and Motion: He at once awes and charms you with the Dignity of a form ſo alluring. Every intelligent Hearer, laid AGORETES, muſt have made the ſame Obſervation; indeed all his Hearers have-felt the Effect of this rare Talent, whether they have obſerved it or not. But, I muſt confeſs, I am never ſo ſenſible of the marvellous Force of his natural Eloquence, as when leaving every inferiour Subject, he exhibits to us the Father of Men and Angels in the original Excellence and Majeſty of his Character. So ſublime a Theme fills him with Rapture and Enthuſiaſm. It is his favourite Topic, where he pours out all his Heart; and it commonly throws him into ſuch a Fervour of Affection, that he muſt be a cold Hearer indeed, who can remain unmoved with the ſacred Vehemence of his Soul. His Voice always riſes with the Subject; and I have ſeen his Eyes, and whole Countenance, glow with ſuch uncommon Spirit, that I have been ſeized as with ſome powerſul Contagion, and felt my whole Frame thrilled with a religious Paſſion, which in a manner tranſported me out of myſelf, and made me forget where I was, and whom I was hearing. — No longer ago than laſt Sunday, (for I remember it well) he was upon his darling Theme, the perfections of the Godhead, and that Homage which ariſes from juſt Sentiments of them. I perceived that AGORETES was warmed likewiſe with the Subject, and his Account of THEODORUS'S Manner of Preaching, ſo far as to forget that I had alſo been one of his Hearers the ſame Day: therefore, I allowed him to give vent to that charming Vein of Enthuſiaſm, which is ſo natural to him, and which the Remembrance of THEODORUS'S Sermon had again awakened, by the Power of an irreſiſtible Sympathy. THEODORUS having demonſtrated to us, continued he, that more lovely and ſublime Deſcriptions of the Deity are found in the ſacred Writings, than in any human Compoſitions whatever, proceeded in the ſollowing manner: (for his Diſcourſe made ſuch a deep Impreſſion on me, that I ſha11 never forget it) "This, my Brethren, this "is the Character, which the Scrip"tures exhibit to us of the GOD whom "we profeſs to worſhip — no local "Deity, you ſee, like thoſe of the "idolatrous Heathens, preſiding over "this, or the other Province of Na"ture, the Heavens, the Air, the "Earth, the Sea; inhabiting this "Mountain, that Grove, or that Val"ley; the tutelar God of this City, "or the peculiar Guardian of that Na-. "tion. Our GOD is confined to no "Spot: his Regards are limited to no "Community: He rides on the Cir"cuit of the Heavens: his Eyes run "to and fro throughout the whole "Earth: Hell itself is open before "Him, and Deſtruction hath no Co"vering. He maketh the Clouds his "Chariot, and the Winds his Meſ"ſengers: all the Elements fulfill his "Commands. Darkneſs is his Pavi"lion; the Earth is his Footſtool, and "in the deep Waters his Wonders are "ſeen. All Nature is his Temple, "all Space his Abode; every living "thing is the Workmanſhip of his: "Hand; and over all his parental. "Care and tender Mercies extend, "without the leaſt Shadow of Parti"ality, or the ſmalleſt Tincture of "Envy." — Here the eloquent THEODORUS made a Stop, which, like a ſolemn Pauſe in Muſic, only heightened the Attention of his Audience: then turning round among them with an Air of Surprize and Rapture, he aſked them in the moſt earneſt and awful manner; "Can any of you, my "Friends, behold ſo auguſt a Cha"racter, and not venerate it; ſo ami"able a Character, and not love it? "Do you obſerve, with Pleaſure, the "tender Dam ſpreading her ſheltering "Wings over her little fluttering Fa"mily; and can you contemplate, "with Indifference, the univerſal Pa"rent ſpreading the Wings of his al"mighty Love, wide as the arched "Heavens, over his numerous off"ſpring? Do the generous Fervours "and melting Sympathy of the ſincere "Friend, call forth your grateſul Rap"tures; and ſhall the over-flowing "Compaſſions of the great Friend of "Men, and Lover of Souls, who "hath done ſuch marvellous things for "their Salvation and Happineſs, ex"cite within you no Sentiments of "Eſteem and Gratitude? Every one "admires the true Patriot, the Father "of his Country, who only lives to "ſerve, and would joyfully die to "ſave it; and ſhall we not reverence "and adore the Father, Protector, and "Head of the univerſal Polity of "Men and Angels, who watches, and "cares for all? Shall we not reverence "and adore that matchleſs Hero, that "divine Deliverer, who, for the Re"ſtoration of a degenerate and un"thankſul Race, cheerfully conde"ſcended to lead a Life of unexam"pled Sorrow, and to ſuffer a Death "overwhelming to every Power of "Humanity?" — The amiable Preacher ſtill went on; "Do we not "feel, my Brethren, that even the dim "Rays of Wiſdom, Power, and Good"neſs often dazzle our Sight, and "charm our Hearts, as they are re"flected from created Patterns of Ex"cellence? Ought not then the un"created Original, from whom Wiſ"dom flows as from its eternal Source, "in whom Power reſides, as in its na"tive Seat, and to whom Goodneſs "belongs, as a vital and immortal "Principle; ought not, I ſay, this "wiſeſt, mightieſt, and beſt of Beings, "in a manner to engroſs all our E"ſteem, and to abſorb all our Love? "— All Nature is full of GOD. He "is enthroned in Light: He creates "Darkneſs: He path his Way in "the Whirlwind, ſendeth abroad his "Lightnings, giveth Snow like Wool, "ſcattcreth the Hoar-ſroft like Aſhes, "and caſteth forth his Ice like Mor"ſels? Who can ſtand before his "Cold? Who can thunder with a "Voice like GOD? Need I tell you, "that it is He who diſtils the Rain "from his Bottles, who opens the "bubbling Fountains, who covers the "ſields with Graſs, and the Hills "with Flocks, who ſpins out the "fleecy Air, and ſpreads forth the "liquid Plains, who refreſhes us with "his Winds, lights us with his Sun, "and entertains us at his Table, richly "furniſhed with all the Dainties of "Heaven? — But now I appeal to "you, whether we have not infinite "Reaſon to conſide in ſuch beneſicent "Wiſdom, to ſubmit to a Power, at "once ſo awfully, and ſo munificently "employed, to receive with the high"eſt Gratitude ſuch a Profuſion of "Goodneſs, and to reſign ourſelves "to a Providence ſo watchſul, ſo act"ive, ſo unwearied in our Behalf? "Is the Creator ſo gloriouſly conſpi"cuous in every Scene of his Works; "and ſhall He paſs by unobſerved, "unadmired, unadored? Do we even "feel Him preſent with us, chearing "our Frame, irradiating our Minds, "and opening within us a thouſand "Veins of Good-humour and Glad"neſs, which we can often aſcribe to "no other Cauſe but his powerſul In"fluence; and ſhall we not stand in "awe before Him, and bid every "giddy Thought, and every tumul"tuous Paſſion, be ſtill? Do we re"ſpect the Preſence of our fellow"creatures, eſpecially if a little raiſed "above us, and reverence the Majeſty "of Princes; and ſhall not the Ma"jeſty of GOD collect and controul all "our Powers of Action, inſpire every "noble Sentiment, and awaken every "worthy Affection — Great GOD! "thou ever-preſent, ever-ſtreaming "Fountain of Light and Love, per"mit us to bend down our Souls in "low Proſtration before Thee. In"veſted and ſuſtained as we are, by "thine awful Preſence, placed in thy "magnificent Temple not made with "Hands, and encircled by the joyful "Chorus of thy Creatures, ſhall we "not ſing a ſacred Hymn, and adore "the all-ſurrounding Deity, ſupremely "great, ſupremely good? Or muſt "it be thought, my Brethren, I ſay, "muſt it be thought a ſolemn Farce "of Devotion, to celebrate, in un"affected Strains of Praiſe, our com"mon Parent, Friend, and GOD? "What then! ſhall our Hearts feel, "and triumph in, his Goodneſs; and "ſhall we not expreſs our inward Rap"ture in vocal and mutual Concert? "Will any one ſay, that it is trifling "and unmeaning Ceremony, to give "vent to the Flame of Piety which "glows within, in natural, decent, "and rational Acts of Homage? Or "can any one think it diſpleaſing to "the GOD of LOVE, or unſuitable to "the Dignity of Man, to increaſe and "ſeed this heavenly Flame, by devout "Proteſtations, repeated Vows, and "grateſul Thankſgivings? — We "know, and rejoice in the Knowledge, "that He whom we worſhip, hath "none of the uncommunicative or "vain Grandeur of an Eaſtern Mo"narch, who is not to be approached, "but with abject Proſtrations, nor ad"dreſſed, but with ſervile Flattery. "We preſume not to inform the Al"mighty, by our Prayers, nor to "move Him to act in Character, by "our Sollicitations. His Underſtand"ing is infinite: He is of one Mind; "and who can turn Him? — No, "Sirs, our forms of Worſhip, can "neither inſtruct nor alter the Eter"nal. But then they aſſiſt and en"liven us, who are grofs and ſenſible "Creatures, in contemplating and re"recognizing his Perſections; and "they render our Senſe of his Preſence "more deep and eſſicacious. To re"alize that Preſence daily, by direct "and animated Addreſſes, and to "grow ſamiliar, if I may ſo ſpeak, "with thoſe Perſections, by making "them the habitual Objects of our "Adoration, cannot fail of hallow"ing and exalting our Conceptions, "kindling our Hearts into the warm"eſt feelings of divine Love, and "powerfully inciting our Imitation of "that Being whom we adore. Prayer, "in its eſſential Acts, includes a firm "Faith in the Promiſes of GOD, an "hearty Acquieſcence in his Admini"ſtration, and an humble Hope in his "Goodneſs. But I once more appeal "to you; muſt not ſuch Acts pro"duce Serenity and Joy; and muſt "not theſe naturally ſweeten the Tem"per, and by conſequence improve "the very foundation of Goodneſs in "the Soul? Muſt not the frequently "acknowledging our Dependence, our "Subjection, our Obligations, and "our earneſtly applying to Heaven for "every thing we want, tend, of ne"ceſſity, to make us humble and "loyal, thankſul, and reſigned Crea"tures? If it hath withal pleaſed the "ſupreme Ruler, for theſe and other "excellent Ends, to preſcribe ſuch Ac"knowledgments, and ſuch Applica"tions, in order to obtain his Grace "and Favour; ſhall we ſhort-ſighted "Mortals pretend to correct the Wiſ"dom that made us?" — The good Man ſpoke theſe Words with a Voice raiſed above his ordinary Pitch, and with a Degree of Ardour that ſtrongly affected his Audience. The People ſeemed to catch a Spirit of Devotion from his Eyes as well as Words, and eaſily entered into the Paſſion, which he appeared to feel ſo powerfully himſelf. — But what have I been doing, PHILONOUS, running on with this long Account of THEODORUS'S Sermon, when perhaps you heard it yourſelf? I confeſs, AGORETES, ſaid I, I did hear it: but I was willing to be entertained with it once more, and to have the agreeable Sentiments I felt when I heard it, revived. I hope therefore, you will forgive me, for not having interrupted ſo delightful a Narration. Well, PHILONOUS, it is no unuſual thing for you to ſerve me in this manner, ſaid AGORETES. I wonder, however, you can allow your Friends to appear in ſo ridiculous a Light. You ſhould have checked me when you ſaw me beginning to declaim at ſuch a rate. I muſt own I am ſo charmed with THEODORUS, and delighted with his Sentiments, that as I can never forget them, ſo I am apt to throw them out on every Occaſion, though often perhaps unſeaſonably. Enthuſiaſm, ſaid I, is an inſectious thing, and generally grows out of the Admiration whether of Perſons or of Things. — But yonder comes the very Man we are ſpeaking of, your Friend THEODORUS. I ſhould be glad to be introduced to him. That, ſaid AGORETES, I undertake very frankly to do: for he is particularly fond of enlarging the Circle of his Acquaintance among Youth. — And what think you, PHILONOUS, if we ſhould engage him to talk of Preaching, his own Province, and hear from himſelf, who is ſo able a Practioner, the beſt Rules of the Art? I heartily agreed to what AGORETES propoſed, and thanked him for his kinf Offer. As ſoon as THEODORUS came up to us, AGORETES, addreſſing himſelf to him, ſaid, I beg leave, Sir, to introduce to your Acquaintance a Friend of mine, who is very deſirous of being received into the Liſt of your's. He loves Letters and learned Men, but particularly good Men; and therefore I know he will hardly need any farther Recommendation to your Friendſhip. The good Man received me with open Arms, and a Countenance which ſpoke as open an Heart, telling me I needed no other Recommendation, than being the Friend of AGORETES. After a little general Diſcourſe, you are come, THEODORUS, ſaid AGORETES, moſt opportunely to our Aſſistance. We were talking of Preachers, and the different Methods of Preaching, which have obtained. We wanted much to know, what is the true Art of doing it, with the moſt Probability of Succeſs. Now, Sir, as this is a Talk, in which you are daily engaged, and we are perſuaded have much at Heart, we ſhall eſteem it a ſpecial Favour, if you will impart your Sentiments on ſo important a Point. Gentlemen, ſaid THEODORUS, you interrogate me on a very nice and difficult Subject, in which it is no eaſy matter to lay down an exact or complete Syſtem of Rules, upon which one can certainly depend. The Art you talk of is, I doubt, beſt learned by Practice and Experience. No Theory can give it; and I queſtion whether Experience can inſure it Succeſs, though executed with the moſt conſummate Skill. In thoſe reſpects you have mentioned, ſaid AGORETES, I believe it reſembles many other Arts: yet I cannot help thinking, that it has its eſtabliſhed Rules, from which whoever deviates has the leaſt Chance to ſucceed, and to which, whoſoever conſirms his Practice, is moſt likely to attain the perfection of the Art, and to ſecure Succeſs in it, Doubtleſs, replied THEODORUS, it has, like all other Arts, its peculiar Precepts, and Method of Practice: but I am afraid it is more difficult, in this Art than in moſt others, to ſix upon a juſt Syſtem of them. It is an Art that depends more on Taſte and Sentiment, than on Reaſoning and Rules. Every one pretends to judge of it, and carries about with him his favourite Standard, by which he decides on the Practice of it. It is an Art of Speaking to the HEART of Man, which of all Pupils is the moſt intractable, variable, and indocile. It is an Art, than which I know none that requires more ſingular Talents to execute it well, a more quick Apprehenſion, a more fruitful Imagination, a deeper Inſight into the human Mind, a greater Acquaintance With Life and Manners, or a more commanding Eloquence. In short, my Friend, it is an Art, which, though I have been ſtudying it all my Life, I am ſtill to learn, and in the Practice of which I find every Day new Difficulty. Pray, Sir, ſaid I, what do you reckon the prime and moſt eſſential Talent of a good Preacher, without which he does not ſo much as deſerve the Name? I doubt, Sir, ſaid THEODORUS, before we can judge which are the firſt, ſecond, or indeed any of the Qualifications eſſential to this Art, we muſt know, in general, what the Art is, and what is its Aim or Scope; elſe we ſhall talk in a very vague manner of the Talents required in a Performer. Pray then, replied AGORETES haſtily, oblige us, good Sir, with your Notion of the Art; that we may know who is, or is not, ſit to practiſe it. In order to find that out, ſaid THEODORUS, I muſt beg your, and your Friend's Aſſiſtance in eſtabliſhing ſome common and allowed Principles, from which we may reaſon. Does not every reputable Art propoſe to accompliſh ſome Effect, that ſhall be beneſicial, or ornamental, to Society? For inſtance, does not Architecture propoſe the lodging Mankind with Safety and Convenience? Painting and Muſic, their Entertainment and Pleaſure? Doubtleſs they do, Paid AGORETES and every reputable Art does the ſame. Utility, or Pleaſure, or both, are ſtill propofed in. one Shape or another. What then, ſaid THEODORUS, is. the Effect propofed to be accompliſhed by the Art of Preaching? I know none other, replied AGORETES, but that of making Men wiſer and better. But is not this Effect, ſaid THE DORUS, propofed likewiſe by other Arts, by Government, Poetry, Rhetoric, and many others that might be named? I make no queſtion but it is, anſwered AGORETES: but then I ſuppofe they accompliſh their End in a different manner. All the Difficulty then, ſaid THEODORUS, will lie in ſhewing wherein that Difference conſiſts. for different Arts either employ different Materials and Inſtruments, or the ſame Materials and Inſtruments in a different manner. Now I ſhould be glad to know, in which of theſe Senſes you underſtand that Diverſity of Manner. I do not ſo readily enter into your general Obſervation, ſaid AGORETES pray explain it a little by ſome Examples. What Materials does Painting ermploy, ſaid THEODORUS, to perform its Imitations of Nature or Life? It employs Colours, replied AGORETES, or various Combinations of Light and Shade. And how does Muſic accompliſh its End, ſaid THEODORUS? By means of Sounds, anſwered AGORETES. What Inſtruments does Poetry make uſe of, ſaid THEODORUS, to perform its Imitations? I know none other, returned AGORETES, but Diſcourſe of a certain kind, that is duly turned with Numbers and Harmony. And what are thoſe Inſtruments, ſaid THEODORUS, with which Rhetoric, Hiſtory, and Philoſophy accompliſh their reſpective Ends? What other, replied AGORETES, but Diſcourſe likewiſe of different kinds. Which of theſe Inſtruments then, ſaid THEODORUS, does the Art of Preaching employ, to produce the Effect which you have already aſſigned it? None other, ſurely, but Diſcourſe, replied AGORETES. Since then Poetry, Rhetoric, Hiſtory, and Philoſophy, as well as Preaching, ſeem all to employ Diſcourſe in common; muſt we not allow, ſaid THEODORUS, that they all operate with the ſame Inſtruments? Doubtleſs we muſt, ſaid AGORETES. Since therefore we already found, ſaid THEODORUS, that they mean to accompliſh the ſame End; muſt not the Difference among them, if they do really differ, ariſe from the different Manner of uſing the ſame Inſtruments? Certainly it muſt, ſaid AGORETES. Wherein then, ſaid THEODORUS, does this Difference conſiſt? I apprehend, ſaid AGORETES, that as there are various kinds of Diſcourſe, each of thoſe Arts has its peculiar kind appropriated to it, which ſuſliciently diſtinguiſhes it from all the reſt. Thus Hſtory, that I mean which we call civil is a bare Narration of Facts, or of the Actions of Men; yet by the inſtructive Experiences, which the Reader derives from thence of their Cauſes and Effects, it teaches him to imitate the Good, and to ſhun the Bad. Philoſophy, by which I underſtand the moral kind, ſhews us the Conſtitution and Connexions of our Nature, and from thence traces our Duty and Obligations, points out, in the way of Experiment, the ſtrict Connexion between our Duty and Happineſs, and thus powerfully perſuades us to the Practice of it. Poetry, that eſpecially of the nobler kinds, does, by means of the more exalted Language of Verſe and Numbers, imitate Affections and Characters, paint human Life in all its Varities of Action and Paſſions, and by thole juſt and moving Pictures, allures us to Virtue, and deters us from Vice. But in what Manner the Art of Preaching employs Diſcourſe, or what other Engines it uſes to perſuade, I do not pretend to know. This we want to learn of you, Sir, who are a Practtioner in the Art. It is, I believe, no eaſy Matter, ſaid THEODORUS, to determine the preciſe . Manner in which Preaching employs Diſcourſe, or to ſhew the various ways it profeſſes to accompliſh its Ends. Perhaps it borrows ſomething from each of the Arts already mentioned, and has beſides ſomewhat peculiar of its own, which diſtinguiſhes it from them. We would gladly hear what that is, ſaid I. From whence, ſaid THEODORUS, does a Preacher derive the original Name? for I ſuppoſe it is an ancient Title or Denomination. And perhaps the Title may ſuggeſt to us the Ofſice, and the peculiar kind of Diſcourſe we want to diſcover. I fanſy, ſaid AGORETES, you mean to reſer us to the ancient Word, GOSPEL, from whence he derives his Title; and by a Preacher of it, Έυαγελισής, an. EVANGELIST, would ſuggeſt to us one who brings or announces GOOD-NEWS to Mankind. You have perfectly hit my Meaning, ſaid THEODORUS. What then is the Good-news, which he is ſuppoſed to announce to us? We deſire rather, replied AGORETES, to hear that of you, who can explain it beſt. What elſe then can it be but this, said THEODORUS, that a SAVIOUR is come for the Redemption of a loſt World, a World enthralled by Superſtition and Vice? A Preacher therefore was originally "one ſent by this Sa"viour, JESUS CHRIST, to proclaim "to Mankind this important Meſſage, "and to perſuade them to repent and "comply with the Terms of the Goſpel, "by propofing the Pardon of their "Sins, the Grace of the Almighty, "Reſurrection from the Dead, and "eternal Life." This was his original Buſineſs and ſunction, as explained by our Saviour himſelf: and therefore I apprehend his preſent Buſineſs cannot be very different. Anciently, when that Meſſage was ſirst proclaimed, ſaid AGORETES, the World was Heathen, and had not received the Goſpel: it was therefore neceſſary to go about every where propagating the Faith to the unbelieving Nations but now, that it is every where received, and paſſes current in the Chriſtian World, there does not ſeem to be any Neceſſity of laying again the Foundations, and perſuading Men to believe thoſe Truths, of which they are already convinced. Though there may not be the ſame Neceſſity of converting Men to the Chriſtian Faith, ſaid THEODORUS, that is, to a bare Aſſent to the Hiſtory, and Doctrines, of our Saviour; yet I fear there is as much need as ever, of exhorting them to entertain Chriſtianity in the genuine Spirit, and vital Senſe of it, or, in other Words, to be wiſe and good; and the Inſtrument with which Preachers are chiefly to perſuade, is one which Heaven itſelf has provided, and which they are not at liberty, whilſt they continue in that Character, to uſe or throw aſide at pleaſure, even none other than the GOSPEL of CHRIST, that is the whole Syſtem of Chriſtianity, comprehending the Hiſtory and Facts revealed or narrated, Doctrines taught, the Precepts inculcated, and the Sanctions with which theſe are enforced. Pray, Sir, ſaid I, are the Methods of Perſuaſion proper to ſome of the other Arts, excluded from this Art, or ſuperſeded by this grand Inſtrument, which it uſes in order to accompliſh the noble End it has in view? By no means, returned THEODORUS: it may take in all the other laudable and innocent Ways of Perſuaſion, which are not inconſiſtent with the Nature and Dignity of the Subject, and are adapted to reach the End it propoſes. What then, ſaid AGORETES, is the principal Buſineſs or Duty of a Preacher, upon the whole; to which he ought to render all the Arts of Perſuaſion entirely ſubſervient? He muſt, in my Opinion, ſaid THEODORUS, "explain and preſs the eſ"ſential Doctrines of Chirſtianity, lay "open the Facts in their full Strength "and Evidence, vindicate and enforce "its Laws and Sanctions," and then leave the reſt to the Almighty. But as Preachers have generally to do with People, ſaid AGORETES, who believe their Bible, and are convinced of the Truth of what they find there, before they go to Church, what is the main thing they ought to have in their Eye, and chiefly to purſue, in order effectually to perſuade their Audience to be wiſe and good? I readily acknowlege, replied THEODORUS, that the Point of Veiw in which a Preacher ought to regard his Audience, at leaſt the Bulk of it, is not as Unbelievers in the largeſt Senſe of that Word, but as profeſſed Chriſtians; who, having been educated in the Chriſtian Church, are ſuppoſed to have embraced the Chriſtian Faith, and to be convinced of its moſt important Articles. But as Experience makes it too evident, that Men may proſeſs the Faith of Chriſtians, and yet live worſe than thoſe who do not, the principal Aim of a Preacher, that is, of one who deſerves the Name, muſt be, not ſo much to teach his Hearers what they do not know, as "to impreſs them with a "deep and awful Senſe of what they "do;" not ſo much to win their Belief of the Doctrines, and their Aſſent to the Obligations of Chriſtianity, as "to turn their Belief and their Aſſent "into Principles of Action, and to "inſpire them with a ſovereign Reliſh "of what they know and acknowlege "to be their Duty, with a ſublime "and permanent Love of Religion "and Virtue." In ſhort, the whole Myſtery of the Art, is "to make "them CHRISTIANS in Spirit and in "Truth, not in Name only." This great Principle, kept ſteadily in view, will, at one Blow, ſweep off infinite Materials, with which ignorant Preachers ſeek to adorn, and deſigning ones mean to recommend their Sermons it will ſuperſede many uſeleſs Arguments, which ſome well-meaning Men uſe to convince the Unbelieving, conſute the Erroneous, and confirm the Faithful; and which ſome fiery Zealots employ to ſet a ſmall Part of Mankind againſt all the reſt; and it will contract the true Deſign, and the whole Energy of the Art, within its proper Bounds, "the reclaiming the "Bad from Vice, and improving the "Good in Virtue." This then, I conceive, is the Buſineſs of a Preacher of the Goſpel, this is his Pride and Glory. We ſhould now be glad, ſaid AGORETES, to hear your Opinion how this is, be done, or in what Manner a Preacher is to employ the noble Inſtrument which Heaven has put in his Hand, in order to operate moſt ſucceſsfully upon his Hearers. As the Subject, ſaid THEODORUS, on which the Preacher is to operate is MAN, I ſuppoſe he muſt take him ſuch as he finds him; as a Creature neither endowed with pure Intelligence and Reaſon, nor entirely under the Directions of Senſe and Appetite, but as compounded of Body and Mind, Senſe and Reaſon, Conſcience and Affection; Principles of different, and often oppoſite Natures, and productive of different, and ſometimes the moſt interfering Effects; Principles of wonderful Energy, when they conſpire together, but proportionably weak, when divided or ſet in oppoſition one to the other. I apprehend, therefore, that the Addreſs of the Preacher muſt lie in paying a proper Regard to the mixed and compounded Character of ſo various and delicate a Creature; by engaging, if poſſible, the ſeveral Principles of his Nature in the ſame Intereſt, and uniting their Force in the Production of the ſame Effect. Pray, Sir, ſaid I, how is this poſſible to be done? For one would think that ſuch contrary Principles, how artfully ſoever ſet to work, would baffle each other's Effect. It is only imitating, ſaid THEODORUS, the great Artiſt of Life and Nature, who at once charms our Senſe by the wonderful Apparatus and Decorations of his Works; aſtoniſhes our Imagination by the immenſe Variety, infinite Complication, and yet marvellous Regularity of his Machinery; informs our Reaſon by the Simplicity, and Coherence of Deſign, which runs through the Whole; and, laſtly, who intereſts and agitates every Affection by the amazing Subſerviency of every ſingle Wheel and Movement of the vaſt Machine, to ſtrike and to delight us. — In like manner, ought the Preacher, who means to produce the ſame Effects, to addreſs himſelf to the Reaſon, or Underſlanding, to the Conſcience, to the Imagination, to the Ears, and to the Eyes of his Audience. If any of theſe Inlets to Perception and Perſuaſion are neglected by him, the Force of his Addreſs will, as I ſaid, be proportionably diminiſhed: but if he apply to them all at once, with the proper Arts adapted to each, he will break in upon the Mind, with ſuch Light and Power, as will, with the Help of the Almighty, bear down all Oppoſition, and give him an abſolute Empire over the human Heart. We ſhould be glad, ſaid AGORETES, to be let a little more particularly into this divine Art. Alas, replied THEDORUS, how ſhall I teach you an Art to which I am a Stranger myſelf? From what Altar ſhall I borrow the holy Fire, to impart it to you? With what Heaven-- taught Eloquence muſt that Man be inſpired, who can fully explain, what it is to inform or rather feed the Underſtanding, with the awful and ſublime Truths of Religion, to hold up theſe in ſome grand and luminous Point of View, from whence a Stream of Light ſhall ſpread on every ſide, in all the previous and ſucceeding Parts of a Diſcourſe; where the Mind ſhall reſt and repoſe itſelf, and from whence it may launch forth again with freſh Attention and Vigour? What Art muſt the Teacher have, to ſelect the main and leading Principle, upon which the Subject turns, to ſet this before the Hearer in every View, till he has thoroughly entered into it, and to conduct him gradually through all its Proofs and Conſequences, by a ſhort and eaſy Chain? The Mind of Man is wonderfully pleaſed, to know the Ground and Reaſon of every thing, to ſee the Concluſion in its Principle, and to be led through a Succeſſion of Principles, perceiving, at each Step, the gradual Dawn of Truth breaking upon it. The Ambition of the Mind is highly gratified, to purſue a Series of Things, which have a Connexion among themſelves, and a Reference to ſome important Point; to graſp at once the whole Deſign and Compaſs of a Subject, and to diſcern the Order and Dependance of the ſeveral Parts, all conſpiring to illuſtrate and ſtrike home the principal Truth in queſtion. And, ſurely, the Preacher can never want Materials to gratify his Hearers in this manner, if he rightly uſe that glorious Inſtrument we formerly took notice of, the Goſpel; which unveils to us the great. Diſpenſations of Heaven to the Sons of Men, in which there is to be found a wonderful Depth of Deſign, and an illuſtrious Concatenation of Events leading on its Accompliſhment. Pray, Sir, ſaid AGORETES, is not ſuch an argumentative and connected Method of Preaching as you ſeem to propoſe, too refined and philoſophical for the Generality of Hearers; few of whom are able to attend to a Series of Proofs, to remount to Principles, and to deſcend from thence through a Train of Conſequences? I do not ſay, replied THEODORUS, that the Bulk of Mankind are able to ſtretch their Attention long, or to take in remote, much leſs ſubtil, Links of a Chain of Reaſoning; they need to be often relieved, to have Truth made wondrous plain, and the Steps which conduct to it ſhort, ſenſible, and eaſy: but then, as the Parts of a great Building, without a due Proportion and Symmetry to bind them together, diſtract the Sight amidſt their Multiplicity, and Independennce on one another; ſo a Sermon, without a ſtrict Unity of Deſign, without a regular Diſtribution and Order of Parts among themſelves, as well as a juſt and uniform Subordination to the principal Point in view, will, I dare ſay, only confound the Underſtanding of the Hearer, perplex his Memory, and ſend him away rather amazed than edified. It is that Light, Order, and Conſiſtency of Parts, and that Unity of Deſign running through the whole, which give a Body to Diſcourſes, nay, and a Soul too. Without theſe they are a dead Carcaſe, a formleſs and inſipid Maſs, uninſtructive, unanimating, and uſeleſs. It muſt be granted, ſaid AGORETES, that a Diſcourſe, which has no determined Deſign, and keeps no regular Method, muſt be a very unedifying and inſignificant Performance: but may not the ordinary way of explaining a Text or Subject, and branching it out into its ſeveral Diviſions and Subdiviſions, and then winding up the whole with proper Inferences, anſwer equally well all the Purpoſes you mean to serve by your Method, fully inſtruct the Hearer, afford him proper reſting Places for his Memory, and give him a Clue to conduct him whitherſoever you intend to lead him? Thoſe methodical Diſtributions you talk of, ſaid THEODORUS, may poſlibly be Helps to the weak Memory, and the weaker Judgment of the Preacher: but I am afraid, they rather diſtract the Views of the Hearers, and break down a Diſcourſe into a Parcel of ſeparate, independent, and minute Parts, which embaraſs and enfeeble one another, and deſtroy the Effect of the Whole. It is as if one, who was to give an Anatomy of the human Body, should ſever the Head from the Trunk, lop off the Limbs, and divide the Whole into ſo many detached Pieces; the Reſult of which would be a Spectacle of Deformity and Horror. Whereas an able Anatomiſt, obſerving the Order of Nature, the juſt Diſtinctions, the apt Diſtributions, the admirable Junctures and Sympathy of the ſeveral Parts, and explaining the aſtoniſhing Uſes and Œconomy of the whole Structure, would give us a moſt beautiful Expoſition, equally curious and inſtructive. In like manner, a Maſter of the Art of Preaching, will diſtinguiſh where Nature has diſtinguiſhed, and divide where Nature has divided: he will obſerve the genuine Order and juſt Coherence of Things, how one Truth tallies with another, what Place every thing ought to have to give it the greateſt Force, and how the Whole ought to be ranged and combined, to produce the moſt powerful Effect. A Diſcourſe, executed in this manner, will not want the Grace of Order: the Tranſitions will be natural, the Connexions ſtrong; and the Diviſions, ariſing from the Subject, will aſſiſt, inſtead of diſtracting the Attention of the Hearer, and lead his Mind onward naturally, and almoſt irreſiſtibly, to the main Concluſion. Whereas the ſame dull unvaried Chime of returning Diviſions, makes his Attention flag, and produces that inſipid Languor, which is no Friend to true Perſuaſion, whatever it may be to ductile Credulity. On this account, perhaps it may be no Loſs to the Hearer, though he ſhould not all at once perceive the Drift of the Speaker, nor have every Step of the Progreſs, by which he is to be concluded to the Concluſion, marked out to him before-hand. If the Method be natural, yet ſomewhat hid from View, it will make the deeper Impreſſion, and the Reſult will ſtrike the Mind, with a Force heightened by Surprize. I am now convinced, ſaid AGORETES, of the Neceſſity of Unity of Deſign, and Juſtneſs of Order, to give proper Weight to a Diſcourſe, and how inſufficient the ordinary Method of Diviſion is to anſwer that End. As you have likewiſe ſhewn us how the UN-DERSTANING is to be addreſſed, we ſhould now be glad to hear how you would proceed with the other Powers of our mixed Nature. The next grand Principle, ſaid THEODORUS, to which the Preacher ought to addreſs himſelf with a peculiar Energy, I take to be the CONSCIENCE, or that moral Faculty of Perception, by which we diſtinguiſh between Virtue and Vice, are conſcious of good or bad Order within, and approve or condemn accordingly. To addreſs this Faculty to purpoſe, and to rouſe its inmoſt Feelings, is a Matter of infinite Delicacy and Moment. That Preacher who would ſpeak home to the Conſciences of Men, muſt lay open the human Heart, and. trace its Windings, its Diſguiſes and Corruptions: he muſt unfold the Principles and Springs of human Conduct, remove from Actions their falſe Colourings, and diſtinguiſh Appearances from Realities: he muſt detect the various Byaſſes of Self-love and Self-deceit, expoſe the Struggles of interfering Paſſions, paint the ſeveral Virtues and Vices, in all the Beauty of one, and Deformity of the other, give to every Character its juſt Form and Boundaries, bring it to the Teſt of the great Rule of Life, and in short, draw Voice and Paſſion from the Heart of Man; ſo that every one than hear, ſee, and recognize himſelf, and ſtand acquitted or condemned in his own Breaſt, according as he deſerves one or the other. — This is to addreſs the Conſcience. And whoever can do this to purpoſe, has hit upon the true Maſter Key of ſacred Eloquence, and poſſeſſes that powerful Art, by which he may alarm, controul, and govern the human Mind. A Faculty immediately ſubordinate to this, and which muſt be employed as a main Inſtrument to work upon it, is the IMAGINATION, that active and wonderful Power, which preſents to us the various Images of Things, and inveſts them with the mighty Force they have to charm or frighten, to attract our Admiration, or excite our Averſion. It muſt therefore be no mean Part of the Preacher's Buſineſs to apply himſelf to this noble faculty, by laying proper Materials before it, combining ſtrong Images, ſelecting thoſe Circumſtances, which are moſt adapted to impreſs the Mind, and to ſhew things as it were preſent to its very Senſe, exhibiting natural and moving Pictures of Life and Manners, employing bold Sentiments and glowing Figures, animating the Whole with ſuch Strength and Spirit, and adorning it with ſuch Elegance and Grace, both in his Diction and Manner, as are fitteſt to allure, to ſeize, and tranſport the Hearers. The Art you talk of, ſaid AGORETES, ſeems to be of wide Extent, and of great Difficulty in the Execution: but ſhould a Preacher indulge to the Flights of Fancy, which you appear, to recommend, is there no danger of his loſing himſelf in thole airy Regions which terminate in Chimera, of his quitting the Simplicity, or debating the Dignity, of ſuch Compoſitions by an Affectation of too much Ornament, and appearing to lay Baits for catching the Imagination, rather than to offer A rguments for convincing the Judgment? Would it not, therefore, be better to keep to the more plain and ſafe Road of common Senſe and ſober Reaſoning? I frankly acknowledge, ſaid THEODORUS, there is abundance of Danger in the wild Excurſions of an ungoverned Fancy; and perhaps it is no eaſy Matter to rein it well: but ſhould we forbid the Preacher the Uſe of ſo efficacious an Engine, we ſhould deprive him of a main Inſtrument of Perſuaſion, and hardly leave him any thing to move the Paſſions, which are however the great and immediate Springs of Actions. Man is too liſtleſs and lazy a Creature, to be actuated by cool Views of Intereſt, or dry Speculations concerning his Duty and Happineſs. One who is ſuch a Dupe to his Pleaſures, and who is always engaged in ſome preſent Purſuit, which engroſſes all his Thought and Care, needs any powerful Motives to make him quit the Chace, very intereſting Views to win his Attention, and very convincing Reaſons to allure him to a different Courſe. Objects which are remote from Senſe and Matter, as moral and divine Truths are, muſt be brought near the Mind, and rendered palpable and familiar to it, by the Beauty or Strength of Imagery: Objects diſtant as to Time and Place, can only have that Diſtance leſſened, by being repreſented in ſuch a lively and ſenſible manner, as to appear almoſt preſent to the Mind. But how is this to be done, without borrowing all the Lights and Colouring which a bright and glowing Fancy can beſtow; without giving a Body to our Conceptions, by ſtriking Alluſions, Compariſons, and Repreſentations; in ſhort, without making the Imagination ſubſervient to Reaſon and Judgment? It is therefore by natural and animated Pictures of Good and Evil, Virtue and Vice, Heaven and Hell, and all thoſe other awful and momentous Topics which Religion affords, that the Imagination is to be rouſed, and the various Affections of our Nature intereſted. It is thus our Admiration and Love are to be kindled, our Averſion and Indignation raiſed, our Hopes and Fears awakened, our Joy and Sorrow, our Sympathy, and other Paſſions, excited. In doing this, there will be both Neceſſity and Scope for all the bold, the tender, the ſublime, and the pathetic Figures, which have been employed, or recommended, by the greateſt Maſters of Eloquence. Laſt of all, to ſet this whole Machinery a-going, and to make a Diſcourſe come home with full Weight on the Hearer's Mind, the Preacher muſt add the Majeſty and Harmony of Sound, with all the Strength and Propriety of Action; that the Ear and Eye may be fully ſatisfied, and concur to enforce the Authority of the Speaker, and to leave his Words as Stings in the Hearts of the Audience. — This, Gentlemen, I offer you only as a ſhort and imperfect Sketch of the Preacher's Duty, or the Method of ſetting about the Inſtructions and Perſuaſion of Mankind. Your own Reflexions will eaſily ſuggeſt a thouſand Particulars on the Subject, which are ſcarce to be reduced to Rules, and are beſt learned from good Models, but above all from the Practice of the Art. You have cut out plenty of Work for the Preacher, ſaid AGORETES, and none of the eaſieſt: but pray, Sir, how ſhall we know, whether he has ſucceeded in the Taſk you have aſſigned; or by what Teſt ſhall an indifferent Perſon judge of the Excellence of a Sermon? An able Judge, replied THEODORUS, will naturally form his Opinion, by the internal Characters it bears; and an able Performer, and therefore of courſe an impartial one, will ſcrutinize his Compoſition by thoſe Characters, ſome of which we have already given: but the Generality may, and often will, judge of the Merit of Sermons, by Marks more obvious, and perhaps no leſs ſure; I mean the Effects, which they produce upon the Hearers. The beſt Effects can be none other than thoſe, in which the End of the Art is accompliſhed; viz. the Conviction and Reformation of the Hearers. But as theſe Effects are not ſo apparent at preſent, and require a conſiderable Length of Time to determine their Reality, there are other immediate, and more viſible Symptoms, by which we may judge of the Excellence of the Performance, and prognoſticate well concerning the good Impreſſions that are likely to follow, or may reaſonably be expected. If, for inſtance, the Sermon caſt the Hearers into a deep attentive Silence, ſo that they ſeem to hang upon the Speaker's Lips, and wait every new Period, with a watchful and ſtill Suſpence, which is an higher Mark of their Approbation, than the loudeſt Teſtimonies of Voice or Hands; if they are ſo totally engroſſed by the Matter and Sentiments of the Speaker, as to be quite regardleſs of his Manner; if the unaffected involuntary Groan, or Sigh, burſt from their labouring Breaſts, or the ſilent Tear trickle from the recollected Eye; if they are rather alarmed, impreſſed, and agitated with the Truth and Weight of the Things ſaid, than taken with their Fineneſs and Beauty, if they loſe ſight of the Speaker, and have no Leiſure to admire his Art, or praiſe his Wit and Eloquence; if they go away with a ſerious, yet pleaſed Countenance, breathing the Air of a modeſt Triumph, ariſing from a good Conſcience, or with pale down-caſt Looks, like Perſons deeply affected with what they have heard, and ſtrongly reſolved to canvaſs their own Heart, and reform their Life; and if inſtead of hurrying into Company, and the Diſſipation of the World, they run into Solitude, grow fond of Devotion, become leſs apt to indulge to the Levity of ordinary Converſation, and in ſhort, appear with more Gravity and Dignity of Deportment; I ſay, if Sermons operate in this manner on the Hearers, then may we aſcribe to them genuine Merit, and acknowledge the Preacher a Matter of his Art, a Workman who need not be aſhamed, rightly dividing the Word of Truth. You put me in mind, ſaid AGORETES, of a notable Philoſopher and Orator, of whom I have read ſomewhere; I think his Name was RUFUS, who uſed to ſay to his Auditory, "if you have "Leiſure to commend me, I ſay no"thing to the Purpoſe." Therefore he ſpoke with ſuch Strength and Majeſty, as awed and ſhook them; and each Perſon who heard him, thought himſelf arraigned, impeached, condemned; ſo feelingly did he expoſe, and ſo artfully did he reprove, their Vices. I have heard it ſaid, that a Philoſopher's School is, or ſhould be, an Infirmary or Hoſpital. How much more properly ought it to be ſaid ſo of the Pulpit, or the Church? People are ſuppoſed to have come thither lame, ſick, and diſeaſed, and therefore muſt go out from thence, not pleaſed, but pained, as not being quite reſtored to Health and Vigour. Your Obſervation is very juſt, and the Simile tallies admirably, ſaid THEODORUS; for a Preacher is a profeſſed ſpiritual Phyſician, and his Hearers are his Patients. Therefore when he convinces them that they have need of him, he is then in a fair way to perſuade them. Are the Hearers in an Agony about themſelves; are they ready to confeſs that the Speaker hit their Failings, pierced them to the quick, and that they muſt no more do ſuch things: that Speaker is a Phyſician indeed. AUSTIN tells us, that whilſt he raiſed only the Acclamations of his Audience, he expected no good from them; but when he drew Tears, he entertained Hopes of their Reformation; and the Event anſwered his Hopes. As ſoon, however, as he perceived them ſink from their loud and noiſy, into a more thorough, though talent, Applauſe; he dropt his premeditated Diſcourſe, and ſtruck in with the riſing, and more promiſing, Paſſion. When PERE DE LINGINDES came down from the Pulpit, the Aſtoniſhment and Compunction of his Hearers, impoſed on them a deep Silence: they roſe up with pale Looks, and down-caſt Eyes, and went out of Church moved and penſive, without ſpeaking a Word. I remember likewiſe to have read of a noted Capuchin Preacher, one PHILIP DE NARNY, who preached at Rome before GREGORY the XVth, concerning Non-reſidence, with ſuch Force and Eloquence, that thirty Biſhops fled next Day to their reſpective Dioceſes. You well know, Gentlemen, the wonderful Command DEMOSTHENES had over the Minds of his Audience; and that the ordinary Effects of his Harangues did not evaporate into empty Praiſes, but appeared in immediate Reſolutions, and whole ſome Decrees. It is by ſuch Symptoms then as theſe, that I would have us to judge of the Art of the Preacher, and the Excellence of his Performances. The Teſts you have propoſed, ſaid AGORETES, are, I believe, the very beſt, and ſhew the Difficulty, as well as the Perfection of the Art. But pray, Sir, how muſt one be qualified, in order to reach this Perfection? Perhaps it is impoſſible, replied THEODORUS, to attain to the Perfection of the Art: be is the beſt Artiſt who comes the neareſt to it, and labours under the feweſt Imperfections. I remember you aſked me before, concerning the Qualifications neceſſary to a Preacher. To enumerate them all would, perhaps, be a difficult Taſk, where ſo many are required; but it is no hard matter to point out ſome of the principal. Oblige us then, ſaid I, with ſome of theſe. A Preacher's firſt and ſupreme Quality ſaid THEODORUS, that which muſt give Life and Vigour to his Compoſitions, and juſt Scope to all his Talents, lies in his being a GOOD Man, I mean a Lover of GOD, and a Friend of Men. A Preacher who has not felt the Power, and imbibed the Spirit of Chriſtianity, is the moſt unfit Perſon in the World, to teach and recommend it to others. Chriſtianity is not ſo much a bare Syſtem of Doctrines, or of Rules, as an Inſtitution of Life, a Diſcipline of the Heart and its Affections, a vital and vivifying Spirit, a Ray of Light, ſent down from the Father of Lights, to illuminate a benighted World, and to conduct wandering Mortals to a State of Perfection and Happineſs. He into whoſe Mind this all-irradiating and all-quickening Light has not ſhone, is yet dark and dead; and whilſt he continues ſo himſelf, how can he enlighten or vivify others? One, who has not put on JESUS, and aſſumed his humble and ſelf denying Spirit, will preach himſelf, not CHRIST CRUCIFIED; he will ſeek his own things, not the things of others. inſtead of ſtudying merely how to convince and reform Mankind, he will affect to ſhine, to draw the Attention of the Audience on himſelf, and to dazzle them with the Strength and Coherence of his Reaſoning, the Brightneſs of his Sentiments, the Fineneſs of his Composition, and the Gracefulneſs of his Elocution. This Vanity and Ambition, ſo contrary to that Modeſty and Simplicity, which are particularly becoming and attractive in Chriſtian Preachers, are Vices that have been often charged, and ſometimes, I am afraid, with too much reaſon, on thoſe of that Order; and into which, it muſt be confeſſed, the very Profeſſion is apt, without due Caution, to betray them, eſpecially the younger ſort. We should be glad to hear, Sir, ſaid AGORETES, what thoſe Circumſtances are, attending this Profeſſion, which betray the Practitioners into theſe Vices, and render the oppoſite Virtues ſo peculiarly neceſſary to them. I dare ſay, AGORETES, you muſt have often obſerved them yourſelf, replied THEODORUS. The very Character a Preacher aſſumes is an high one, no leſs than an INSTRUCTOR of Mankind. The ſuppoſed Sanctity of the Character, the Importance and Dignity of the Office, the magnificent Titles uſually annexed to it, are apt to fill thoſe who wear them, with high Notions of their own perſonal Importance and Diſtinction above the ordinary Rate of Men. Beſides, a Pulpit is a Place of extraordinary Eminence, in which Heads not duly poiſed, muſt naturally turn giddy. There a Preacher, like a Statue placed in the Center of ſeveral Viſta's, ſtands expoſed in a full Light: every Eye meets in him: the Attention of the whole Audience is fixed on him: he is the Director, perhaps the, Mouth of all; and on him hangs the Entertainment and Satisfaction of all: their Paſſions are in his Hand, which he may controul at pleaſure, and he may lead the liſtening, and generally the fequacious Croud, whitherſoever he chooſes. Now this Situation, and this Exerciſe, I take to be, of all others, the moſt nouriſhing, and even inflaming to human Pride. for they turn the Mind of the Preacher often, and very naturally, on himſelf. His own Sentiments and Geſtures, the various Looks and Emotions of the Hearers, give him back the Image of himſelf; and as Vanity generally interprets thoſe in the moſt favourable way, the reflected Image borrows new Charms in every Reflexion. Is it any wonder then, if in his Cloſet he is ever and anon figuring to himſelf, how this and the other Sentiment will be admired, and how the whole Production will be applauded; if when he delivers it he conſtrue every Mark of the Hearer's Approbation, or even Sufferance, into Admiration and Applauſe, and if when he returns home, he review the whole Scene with ſecret Tranſport, and re-enjoy the Raptures he gave and received? Is it eaſy for the Preacher often to go over ſuch Scenes, and not to conceive big Ideas of his own Importance, and not to give way to thoſe natural Overflowings of Vanity, which are apt to break in upon a Mind not properly guarded againſt them? If, therefore, Self-admiration ſhall happen to riſe in ſuch Circumſtances, as moſt certainly it will, what ſhall bring the Mind down from its Flights? Or if the real Applauſe of others ſhall consenter all his Thoughts on himſelf, and his own Reputation, and make him loſe ſight of the Intereſt of his Audience, what ſhall wake him from the ſweet Delirium, into Sobriety of Thought, and ſtrict Attention to the End of his Office? For my part, I know no Antidote, no Security againſt ſuch certain Dangers, but the Humility and Selfdenial which true Chriſtianity inſpires: Therefore I do not ſee how a Preacher, who has not been thoroughly tutored and principled in the School of his divine Maſter, can poſſibly defend himſelf againſt thoſe prevailing Infirmities of human Nature, and the Force of ſuch ſtrong Temptations, but muſt inevitably fall into an abandoned Conceit of his own Merit, or a mean Paſſion for Popularity, thoſe fatal Rocks on which to many Preachers ſplit, and by that means loſe the real Dignity of their Character, and often their Proſpect of Succeſs. But ſuppoſing theſe Paſſions much ſubdued, there is another, arid perhaps no leſs conſiderable, Danger, to which the Generality of Preachers are expoſed, and againſt which they had need to be armed with a very elevated and heavenly Temper, ſuch as inſpired the Breaſt of their great Maſter. The mean Appointments of many of the inferiour Clergy, and the conſequence Neceſſities in which they and their Families are involved, prove too often, ſtrong Temptations to them to flatter the Vices, and become Tools to the Paſſions of People of Rank and Fortune, who have it in their power to promote them, and ſerve their Children. Such is the almoſt unavoidable Infirmity of human Nature, that a Preacher who cannot brook Obſcurity, or be reconciled to Poverty, and his Maſter's Croſs, will often chooſe to ſpeak ſmooth things, when harſh would ſhock his Audience, will palliate Faults, when he cannot entirely overlook them, affect to recommend popular Opinions, which in his Conſcience he diſapproves, and ſeek to pleaſe a Taſte which he ought to correct, or if he cannot correct, at leaſt to condemn. Suppoſing him, therefore, to depend either on his Audience, or on ſome who belong to it, for his preſent Subſiſtence, or future Preferment, he muſt be much raiſed above the World, and the more minute Conſiderations of Intereſt and Popularity, to maintain a proper Freedom and Independence of Spirit, to dare to pull Iniquity from its high Places, to ſtem the general Torrent of Corruption, to brand notorious and Mighty Offenders, to attack fatal yet favourite Opinions, and purſue Vice through its ſecret Windings, as well as its more open Walks, with a bold and unrelenting Indignation. Now to be able to incur the Reſentment of the Great, to deſpiſe the Frowns as well as Smiles of the People, to riſk preſent Advantages, and to give up future Proſpects of Wealth and Honour for one's ſelf and one's Family, and to be willing to ſhake Hands with Obſcurity, Indigence, and Contempt, are ſuch hardy and heroic Virtues, as I fear are to be found with but a few, yet are obviouſly neceſſary, and highly ornamental, to the whole Order. And ſurely they take deepeſt Root, and flouriſh beſt, in the Chriſtian Nurſery, under the Protection and Culture of that mild and divine Hero, who practiled them in perfection. Though a Preacher ought, no doubt, to have a Spirit above the World, and entirely reſigned to that humble Lot which generally falls to his Share, yet I hope, Sir, ſaid AGORETES, he may have a due Reſpect to temporal Advantages, to his Fortune, Reputation, and Advancement in Life. A ſtrong regard to theſe, ſeems to be very cloſely warped with the human Conſtitution: Prudence, I ſhould think, not only allows, but requires that Regard; and a Deſire of more extenſive Uſefulfulneſs concurs to recommend it. I hardly expect, replied THEODORUS, angelic Strains of Piety or Virtue from Preachers of the moſt exalted Minds: even thoſe of the fineſt Compoſition, are ſtill but Men; and after thir higheſt Flights, muſt be content to deſcend to the ordinary Sphere of human Life. Whilſt I venture to recommend to a Preacher a noble Diſengagement from the World, I neither expect, nor deſire, that he should be inſenſible of the Wants of Life, or diveſt himſelf of. the innocent Paſſions of Humanity. I am ſo conſcious myſelf of the Infirmities of human Virtue, that I would rather chooſe to call in every allowable and prudential Aid, that may ariſe from the Frame and State of our Nature in general, or the peculiar Circumſtances of one's Lot, to ſhore it up, and protect it againſt the many ſevere Trials to which it is expoſed. But ſtill, my Friend, I look for a genuine Strain of Chriſtian Virtue from a Chriſtian Preacher. I expect he ſhould be entirely devoted to the Service, and in ſome good meaſure governed by the Spirit of his divine Maſter. He ought frequently to ſteal away from Company, and diſentangling himſelf from the Ceremonial of Life, caſting off its Cares, and ſilencing its Paſſions, to go into the Preſence of GOD; that, by means of ſuch Approaches he may wear away that earthen Ruſt, with which the World encruſts the Soul, feed the pure Flame of Devotion, and by borrowing one Ray of the Divinity after another, gradually brighten up into an heavenly and immortal Creature. A Preacher who converſes much with his GOD and Saviour, who aſpires daily after Heaven, that is the Perfection of Wiſdom and Virtue, and pants for the Immortality of both, will know how to uſe the World, without over-rating it: he will enjoy the Pleaſures of Health and Society, without abuſing them; and whilſt he preſerves a noble Indifference of Mind, with regard to the Acquiſitions of Fame or Fortune, will make both ſubſervient to the important Ends of his Function. You know, Gentlemen, how much the ſoundeſt of the ancient Philoſophers required, as well as recommended, a previous Courſe of Trial and Preparation, before they admitted their Scholars, or thought them fit to be admitted, to a Participation of the more ſublime Myſteries of Science. What Compoſure of Mind and Paſſion, what Diſcipline of Silence and Retirement, what Diſengagement from Senſe and the World, what Purity of Heart and Manners, were deemed neceſſary to qualify them for being let into the Arcana, the fundamental Principles of their Philoſophy? Now as the Chriſtian Inſtitution is only a more refined Species of Philoſophy, a more efficacious Art of purging the Soul from the Dregs of Senſe and Paſſion, and reuniting it to Truth, Reaſon, and Virtue, and by conſequence to the Divinity; as JESUS CHRIST is the Author of this divine Philoſophy, and our great Myſtagogue to introduce us into the Holy of Holies, and to impart the auguſt Myſteries of Faith; he muſt certainly expect of all his Diſciples, and particularly require of thoſe who are to miniſter to others a more than ordinary Refinement and Simplicity of Manners. A Man muſt have converſed much with JESUS, muſt have long ſtudied his Maxims, and been formed after his holy and ſelf-denying Spirit, before he can thoroughly comprehend and reliſh his pure and heavenly Doctrines, or be qualified to teach them to others. What watchful Diſcipline of the Heart, what ſevere Correction of the Fancy, what Struggles with himſelf, what Contrition, what Penitence, what Humiliation muſt he have gone through; in order to conquer the Prejudices of Nature, and the Prepoſſeſſions of Habit, to reconcile him to the Myſteries of the Croſs, and to make him ſubmit chearfully to the Strictneſs of the Goſpel-Law? How often muſt he have ſat at the Feet of JESUS, before he learned to love the Subtilty of the Man in the Simplicity of the Child, the Art of the Sceptic in the Candour and Ingenuity of the Believer? I will be bold to ſay, that no Man can truly underſtand the Dogmata of the Chriſtian Faith, whole Mind is ſwelled with Vanity, ſullied with Vice, or ſunk in Pleaſure. This divine Light cannot dwell amidſt ſuch impure Fumes. Whatever Principles of Knowledge, whatever Rules of Life, we pretend to communicate to others, will take a Tincture of the Veſſel through which they paſs. To the Clean all will be clean, and to the Impure all will be impure. The good Man, out of the Abundance of his Heart, will bring forth good Things, but a wicked Man evil Things. And ſurely it may be laid down as a Maxim, "That as a "corrupt Heart can dictate no Lan"guage, that is not in ſome reſpect "adulterated; ſo a corrupt Life can "enforce no Practice, but what is of "a Colour with itſſelf." Pray, Sir, ſaid AGORETES, may not a bad Man have Genius and Capacity enough, to repreſent Virtue in an engaging Dreſs, to ſhew in what it conſiſts, to deſcribe the Advantages which accompany it, and to recommend it with great Eloquence; in the ſame manner as a Man, who is no Muſician, may explain the Principles and Power of Muſic; or as one who is no Painter, may judge of Painting, and unfold the whole Myſtery of Deſign? And has he not a peculiar Advantage, when Vice is the Subject? There he muſt ſpeak like a Maſter, and from his own Experience deſcribe its feelings, Energy, and various Diſguiſes, with natural, and therefore inimitable Strokes of Eloquence. I am apt to believe, replied THEODORUS, that Virtue is an Art or Habit of Mind, which differs conſiderably from the others you mentioned. Thoſe may, no doubt, be underſtood by Perſons, who are no Performers themſelves: for a good Eye or Ear may make them Judges of Deſign and Harmony, though they have had neither Study nor Practice, to give them an Hand. But I much queſtion, whether Virtue can be underſtood, where it is not firſt felt. It is not ſo much a Point of Speculation, as a Matter of Practice, and ſeems properly to depend on the Soundneſs of the Heart, not on the Sagacity of the Head. It requires no peculiar Strain or Depth of Genius, to comprehend the Principles of this practical Art: a Man of the moſt ordinary Size of Underſtanding, may be as knowing here, as one of the largeſt. A certain Simplicity, or Plainneſs of Mind, bids fairer for apprehending and reliſhing it, than Artifice or Refinement. Experience, AGORETES, Experience is the great Teſt:, the ſupreme Rule of Judgment in this Caſe. We do not allow one to be a Judge of Friendſhip, who never felt the friendly Sympathy; or a mere Ruſtic to decide concerning the Decorums of Behaviour. And ſhall we allow a Man of depraved Sentiments, and a rotten Heart, to be ſit to judge, or ſpeak with Propriety, of the pureſt Emanations of a Mind, Truth, Candour, Goodneſs, thoſe fair Forms of Virtue, to which he feels no Reſemblance in himſelf? How can he underſtand that Harmony of Affections which is neceſſary to conſtitute the virtuous Character, who feels nothing but Diſcord among his own? With what Savour can he recommend Religion, who is a Stranger to thoſe exalted Sentiments it inſpires? With what Feeling can he ſpeak of the almighty Parent of the World, who never thought of Him with any Emotion of Rapture. or Eſteem? How ſhall one, whoſe Heart was never warmed with a ſingle Spark of divine Love, impart that vital Flame to others? Whilſt he is conſcious of nothing but Diſorder and Deformity within, what Juſtice or Beauty can appear to him in the Conſtitution of his own Nature, or that of the Univerſe? If it be natural to judge of other Minds by our own, the immoral Preacher will aſcribe the ſame Selfiſhneſs and Diſhoneſty he feels in himſelf, to the whole Species. The moſt ſhining Characters in Life, will be eſteemed only a more artful kind of Villains, and the nobleſt human Qualities, reputed but mock Forms of Integrity, Honour, and Humanity. Where then can he trace Order in the Government of Nature, amidſt a Scene of ſuch Depravity; or how diſcover Regularity in the whole, when Diſtortion prevails in the chief Work? And if he ſees or apprehends nothing fair and worthy, neither round him, nor above him, what Original remains, from which to copy the various Species of moral Excellence; what Fund, to ſupply him with great and elevated Sentiments, or from whence he can animate and enrich his Imagery? But you ſaid, my Friend, that a wicked Man muſt be a Judge in Vice, and therefore he can ſpeak of it like a Maſter. Doubtleſs. It is his own Province, and being a Maſter in Iniquity, he can reveal its manifold Myſteries, and give admirable Rules to his Pupils, how to make Proficiency in ſo hopeful a Trade. The original Concert of his own Mind is broken, and Confuſion and Riot introduced. No wonder then if he can paint feelingly the Havock which Paſſions let looſe muſt make, the Pangs and Agonies of a Mind at variance with itſelf, diſguſted with Nature, and hoſtile to Mankind. But pray, AGORETES, can he teach others how a broken Conſtitution is to be repaired, how diſordered Paſſions are to be calmed and moderated, how the governing, Judgment and Taſte of Life is to be rectified, in ſhort, how internal Freedom and Self command are to be reſtored? Therefore if the unhappy Patient gain nothing, by his Experience of the Power of Vice, but a Capacity of deſcribing more feelingly the Miſeries that accompany it, without any Knowledge of the Method of Cure, the Truth of my Concluſion is ſtill more manifeſt, that the good Man alone can be an able and well-qualified Preacher. But have we not ſeen, Sir, ſaid I many Men who talked with great Pomp and Zeal of the Beauty of Virtue, of Integrity, Honour, and what not; and have we not heard others preach eloquently and pathetically of its Power and happy Effects, whom yet we knew to be falſe and worthleſs at bottom? Nay, do we not daily ſee many Men, who can declaim warmly in favour of certain Virtues, as Charity, Humility, and Contempt of the World, who yet are notorious for the oppoſite Vices? What Connexion then is there between Speaking or Preaching, and Doing well? It muſt be confeſſed, ſaid THEODORUS, that the Corruption of the Heart does not deſtroy, however it may impair, the natural Powers of the Underſtanding, nor efface the Knowledge a Man has acquired. Nay, the greateſt Villains have had ſometimes the higheſt Tones of Action, and an infinite deal of Eloquence and Addreſs. for the ſame Fire of Genius, and Strength of Mind, which fit a Man for being an Hero in Virtue, qualify him likewiſe for being a Giant in Vice. A vicious Man may, no doubt, know the Theory of the Paſſions, and the ſeveral ways of addreſſing to them. He may be acquainted with the Powers of Rhe. toric, and be able to embellih even moral Subject in a ſprightly and fanciful manner: but then, wanting a good and honeſt Heart, he wants the Life and Soul of all. Conſcious of his own Hollowneſs and Falſehood, I do not ſee how he can praiſe, or even talk of Virtue, with that Confidence and Boldneſs, with which an Advocate for it ought. Can he paint Virtue with Expreſſion and Majeſty, who beholds her with a Mixture of Averſion and Remorſe; or recommend her with real Warmth to others, who pines at his own Loſs; or deſcribe with proper Life the Raptures ſhe beſtows, to which he is an entire Stranger? As is a Man's internal Character and Taſte, ſuch will his Sentiments and Conduct be. For from what other Fund does he think, ſpeak, and act? If his Taſte be vitiated, his Sentiments and Language will favour ſome how of that inward Corruption; and his Conduct and Manners will betray, as well as partake of, the Depravity of his Heart. Whereas if he is conſcious of native Honour and Integrity, his Sentiments will be great and worthy, his Language animated and clear; and every Part of his Behaviour will diſcloſe the Rectitude of his Mind, and appear with that Dignity which is the natural Attendant of Goodneſs. — But ſuppoſing the bad Man endowed with ſuperiour Talents of Reaſon, Fancy, and Elocution, that hismoral Senſe is not quite depraved, and that being aware of the fatal Influence of Vice upon Society, and of its dangerous Conſequence to one's Reputation, he can counterfeit an high Eſteem for Virtue, and paint its Power and Effects in ſtrong Colours; yet the Preſumption which his Hearers have, that he is deſtitute of all Pretenſions to it, will leaven his fineſt Compoſitions, and throw an unſurmountable Bar in the Way of their Succeſs. for I doubt not, Gentlemen but you have often obſerved how wonderfully the Mind is pleaſed with tracing Similitudes, and making Compariſons between Objects which have often little Connexion, or Affinity to each other. Thus we not only compare the Picture with the Original, but ſometimes with the Painter too; at leaſt in moral Painting, as in drawing Characters, and deſcribing Virtues and Vices. Let any Teacher there undertake to delineate a Character morally excellent, we do not ſtop at inquiring whether it is juſt, or conformable to the Idea we have of that particular Species of moral Excellence as we would do with regard to a common Piece of Painting: but we naturally go on to make Compariſons between the Picture and the Painter we are curious to know from what Fund of Senſe and Manners he draws, and are impatient to trace the Connexion, if there be any, between the Life he repreſents, and that which he practiſes. If we find an Incongruity between theſe, it is ten to one but we are more ſhocked with that Deformity, than pleaſed with the Beauty of the Picture. The more ſplendidly Virtue is drawn by any Man, the more deeply will the Attention of the Audience be fixed on his Character; and the ſounder his Inſtructions are, they will only ſerve to make the Corruption of his Life the more glaring. The ſillieſt Critic will take an ill-natured Pleaſure in obſerving the Inconſiſtency. The Unthinking will be ready to join with the vicious Part of the Audience in believing, that Virtue is a mere Name, ſince it has ſo little Effect upon a profeſſed Teacher of it. And as Men are more affected by Example than Inſtruction, they will be more prone to imitate the Villain, than to mind the Preacher. The Good will be ſcandalized, to ſee the Wretch's Life bely his Profeſſion, and the Vices he commits baffle the Effect of thoſe Doctrines which he preaches. His very Breath will appear infected by the Foulneſs and Rottenneſs that is within him, and the Subject itſelf ſeem polluted, coming through ſuch defiled Hands. Whereas, when a good Man opens his Mouth in the Cauſe of Virtue, we acknowledge him to be Maſter of his Subject, and pay a Deference to his Authority, as believing that he ſpeaks from ſure Experience. We are highly charmed, when we can diſcover a full Conformity between the Counſels and the Manners of our Teacher; when we perceive all his Addreſſes animated with a real Paſſion, and every Feature of Virtue which he draws, exhibited more ſtrongly in the Innocence and Goodneſs of his Life. His Words are pure and tranſparent, like his own Mind; and his honeſt Sentiments, though expreſſed in the moſt artleſs and ſimple Language, will move the Judicious more than the fineſt Turns of a ſtudied and artificial Eloquence. Even a common Subject will receive natural Graces from his Touch, becauſe of the Sincerity of his Meaning: but, when raiſing his Voice, he launches out into the higher Themes of Religion, the Love of GOD, and of Mankind, and diſplays theſe in all their Energy and Beauty, his Eloquence will riſe with the Grandeur of the Subject: his own Worth will add Weight to every Argument, give Dignity and Luſtre to his Countenance; Life and Expreſſion to his Action; and being deeply affected himſelf, he can hardly fail of affecting others. For of all the Forms which draw the Mind's Attention, Virtue is the lovelieſt; and of all the Pictures of this lovely Form, that which is copied warm from the Life, or from a good Heart, is the moſt engaging. For here, beſides the Beauty of the Picture, Virtue herſelf becomes viſible, as it were, in the Perſon of the Preacher; and therefore, in conſequence of this joint Attraction, muſt allure and captivate an ingenuous Spirit, with a Force that is inexpreſſible. This lovely Form I ſpeak of, is grown ſo familiar to him in all her Aſpects and Attitudes, that he has an inward Teſt ſtill at hand, ready to aſſiſt him in making the proper Diſtinctions between Right and Wrong, Good and Ill; and is therefore qualified to mark with Preciſion the Characteriſtics of each. He cannot readily be impoſed on by a falſe Appearance of Virtue; whilſt every Feeling that ſtirs within him reflects its true Image, and not an Affection riſes which does not call up the fair Idea. Such a Speaker, when he makes the Deity his Theme, is in a manner tranſported beyond himſelf: for being poſſeſſed with the nobleſt Sentiments of the ſupreme Parent, formed into a near Reſemblance of his moral Attributes, and, to uſe the ſublime Language of an inſpired Author, "filled with all the Fulneſs of GOD," he can in ſome ſort copy out the divine Character from within, and will paint every Perfection which belongs to it, with ſuch Enthuſiaſm and Majeſty, as muſt not only command the Attention of all who hear him, but kindle in each ſuſceptible Mind the ſtrongeſt Fervour of Veneration and Love. In ſhort, it is he only who feels with Spirit, that can paint with Spirit; nor can any Man communicate a Paſſion to others, till he has firſt felt it himſelf. Therefore though an artful Hypocrite may counterfeit the outward Appearances of Worth, he can never juſtly expreſs the inward Temper, nor inſpire others with Sentiments to which he is an utter Stranger. Something hollow and artificial will appear, ſome time or other, in his Manner of thinking, or expreſſing himſelf, that will ſhew the Force put upon Nature: it is almoſt impoſſible to carry on the Diſguiſe through Life: in ſome unguarded Hour the Maſk will fall of; or he will lay it aſide, when a ſuperior Bait from Intereſt or Paſſion bids him ſhew his Face; and when the Knave ſtands once detected, his Character is blown, and all his Eloquence and Succeſs gone with it, irretrievably gone. — Here THEODORUS pauſed, and gave AGORETES room to ſay, it is very poſſible, Sir, that we may be much miſtaken in the Eſtimate we make of Mens Charcters, and may, through an Ignorance or Miſrepreſentation of Facts, reckon thoſe, who are pretty univerſally eſteemed good Preachers, bad Men; or we may be impoſed on by a ſpecious Parade of Eloquence, in thoſe of a ſuſpected Character. But be that as it will, we muſt certainly allow, that the good Man has great Advantages over the bad, in recommending Religion and Virtue. But pray, THEODORUS, what would you reckon the next Qualification of an able Preacher? Another eſſential and indiſpenſible Qualification, replied THEODORUS, is the Knowlege of human Nature, and of Life. The End of Preaching, which may be conſidered as the Art of ſpiritual Medicine, is to remove a vicious Temperament of Mind, to introduce a good one, and to confirm it by proper Applications and a right Regimen. But it is evident, that this End can never be attained, without a thorough Knowlege of the Heart of Man, of the Diſorders which ariſe there, and the various Appearances which theſe put on in the Characters of Men, and the Conduct of Life. In order to acquire this neceſſary Branch of Knowlege, the Paſſions muſt be accurately ſurveyed, becauſe theſe are the grand Springs of Action: the Motives and Cauſes which influence them, thoſe Species of Good and Ill which impel or reſtrain their Motions, their mutual Connexions and Dependance, together with thoſe Circumſtances and Relations in Life that contribute to their Growth or Decay, muſt be carefully ſtudied. For it is from a full and exact Detail of the Proceſs of Nature in the Structure and Operations of its leading Powers, that we muſt deduce the true healing Art, or the ſureſt Rules for reſtoring and perfecting the human Conſtitution. Therefore a Preacher muſt ſtudy his own Heart well, and be much converſant with Mankind, with thoſe eſpecially who reſign the Health of their Souls to his Care, if he would practiſe with Succeſs upon ſuch nice Subjects. By the way, I cannot help obſerving, that the Truth of this Maxim we were lately eſtabliſhing, I mean the Neceſſity of being a good Man, in order to be an able Preacher, appears ſtrongly in this Inſtance. for I ſcarce conceive how a bad Man can know his own Heart, or think juſtly on that prime Subject MAN, or human Life. How ſhould he know himſelf who finds no pleaſure in Self-Inſpection, who has no Sentiments worthy of his Attention, who dares not to aſcertain thoſe he has, without Shame, nor canvaſs his own Paſſions, for fear they ſhould turn like Furies upon him. But if any Accident or Calamity ſhould force him to turn his Eye inward, how is it poſſible for him to judge coolly of his Temper and Conduct, whilſt all is in a State of Confuſion and Violence within; Reaſon at War with Paſſion, and one Paſſion claſhing with another; new Impreſſions aſſaulting him from abroad, and freſh Wants importuning him at home? To be tolerably eaſy and pleaſed with himſelf in ſuch a caſe, he muſt either bribe his Judgment to palliate his Views, and diſguiſe his Inclinations, or debauch his Senſe of Right or Wrong, that he may reconcile his Conduct to that Standard. In either caſe, he muſt impoſe upon himſelf as to the Scope and Tenor of his Actions, and continue as ignorant of his real Character as ever. Beſides, how can he underſtand the true Meaſures of Life, when his own is a continued Piece of Incoherence, governed by no Rule but Fancy, and ever varying in its Ends, and the way of coming at them? How can he judge ſoundly of human Nature in general, who blunders in the moſt important Subject relating to it, his own Happineſs; who imagines that it is to be found in the Road to Vice, or the uncontrouled Indulgence of Appetite? How diſtorted muſt that Turn of Thought be, which fancies that Health may conſiſt with a broken Conſtitution and diſordered Affection, and that we may enjoy ourſelves amidſt Sickneſs, Remorſe, and Pain? Whereas the good Man knows himſelf, being daily converſant with himſelf. He is encouraged to turn his Attention within, by the Conſciouſneſs of inward Rectitude: he watches over the various Turns of his own Humour, and obſerves the Play of the ſeveral Paſſions: therefore he cannot be a Stranger to the Order and Revolutions of the Affection, or to the Anatomy of human Nature. Having gone through the moral Diſcipline, and born the Severities neceſſary for eſtabliſhing the virtuous Principle, he can beſt deſcribe the various Struggles of the Soul, give the moſt proper Rules for Self-correction, and point out the Road, by which Religion makes its way into the Heart. his own Mind has been a Theatre, on which different Paſſions and Characters have been acted; and therefore he can eaſily give Speech an Action to theſe, when he repreſents them to others. Now he who can draw Voice and Accent from the Heart, make the Affections ſpeak the genuine Language, and in ſhort hold out as it were a Mirrour to us, in which we cannot avoid ſeeing ourſelves, has hit upon the true Art not only of intereſting but perſuading us, and conſequently bids faireſt for being the moſt powerful and ſucceſsful Preacher. You ſeem, Sir, ſaid AGORETES, in the hit Part of your Diſcourſe, to have mentioned a very material Branch the Preacher's Buſineſs: We ſhould be glad to hear it explained at mo Length, and to know what are the beſt Methods for carrying on the Cure of diſeaſed Minds. For my part, AGORETES, replied THEODORUS, I know no certain or univerſal Recipe's for the Recovery of mental Diſorders. After the utmoſt Care that Mortals can take of them, they muſt be left at laſt in the Hands of the almighty Phyſician of Souls, who knows their inmoſt Frame, and can apply ſovereign and infallible Remedies. Different Minds muſt be treated differently, according to their ſeveral Conſtitutions. We ſhall, however, apply the healing Art the more ſucceſsfully, if we remember what is the immediate Cauſe of moſt Diſtempers that attack the human Conſtitution. Now by obſerving the various Complexions and Characters of Men, and analyſing the ſeveral Diſorders to which they are obnoxious, we ſhall find, that it is generally ſome miſtaken Opinion of Right and Wrong, of GOD or Religion, or the Admiration of ſome partial, and generally of ſome external Good, that miſleads and governs the Bulk of Mankind, and gives Riſe to all the irregular Paſſions which diſquiet their Minds, and to all the wild Diſorders which deform their Lives. Some falſe Species of Good, borrowing deluſive Colours from the fair and genuine Forms of Virtue, Beauty, or Happineſs, and having paſt into the Region of Fancy, unexamined and undiſtinguiſhed by the judgment, firſt raiſes Admiration, then Paſſion; which, being ſucceeded by Choice, gives birth to Reſolution, and that iſſues in a wrong Conduct. for I can hardly think it compatible with the Conſtitution of human Nature, to purſue Ill as ſuch, or to take pleaſure in Deformity and Vice, unleſs under ſome Maſk of Good. See, for inſtance, how the Caſe ſtands with reſpect to PLEASURE. It offers itſelf to Mankind in various Forms and Poſitions: But whatever theſe are, it ſtill appears as a natural, or a moral, or a mixed Good. And when Men purſue any particular Species of it, they do it, either becauſe they think it more worthy and honourable, or greater in Quantity than any other, or becauſe being preſent and of eaſy Purchaſe, it fills the Eye more than thoſe which are future, and harder to come at; or over-balances, in their Account, the Pains and Inconveniencies conſequent to it. Now where ſo many Things muſt be taken into Conſideration, it is eaſy to ſee how poſſible it is for giddy, thoughtleſs, and fallible Men to be miſtaken in their Calculations. In order to ſet them right, when they are deceived by a wrong Choice, there will be need for all that Goodneſs of Heart, and Acquaintance with human Nature and Life, which we thought neceſſary to furniſh out a Chriſtian Orator. From theſe beſt of Sources he may draw the nobleſt Colouring, to paint the ſuperior Plealures of Religion, Purity, friendſhip, and Humanity; and by confronting theſe with the inferior Kinds, ſhew the Meanneſs, Hollowneſs, and dire Effects of the laſt in the moſt convincing and lively Manner. Again, if the Mind be upon the cooler Key of INTEREST, and be deceived by ſome ſordid Species of Advantage or Gain; then the true and laſting Good of Man is to be diſplayed; and it muſt be made appear how far that is from lying in Riches, or Fame, or Pomp, or Power, or in any of thoſe external Acquiſitions which are purſued, with ſuch Contention and Ardour, by the Generality of Mankind. And here there will be large room for a juſt Calculation of the different Rates and Proportions, the various Mixtures and Abatements of Good, for ſtrong and affecting Pictures of Life, and the different Purſuits of Men, of their Conſequences, and the Cauſes of Happineſs and Miſery. Let us next ſuppoſe, what is very poſſible, that our Patient, whoſe Diſorder we want to remove, is miſled by ſome partial View of VIRTUE itſelf. The Mind, whoſe Conceptions have not been ſufficiently opened, by being taught or accuſtomed to attend to one particular Appearance or Form of it, has been ſo captivated and engroſſed by that, as to deſpiſe, at leaſt to neglect other Views of it, equally intereſting, and far more noble. Thus, for inſtance, many place all Virtue in a certain Politeneſs and Decorum of Behaviour, which teaches a Man to moddel his outward Carriage, with a eaſy Accommodation to the Humours and Characters of others, without any Re gard to the Temper of the Mind or the Conduct of the Affections. Others make it to conſiſt in a ſcrupulous and delicate Senſe of Honour, or an elated Conſciouſneſs of one's own Rank, Fortune, Merit, or Dignity, which ſpurns at the meaner Kinds of Vice, and can not brook the leaſt Affront or Injury; but which can, without any Remorſe, trample on the moſt ſacred Laws of Religion, Juſtice, and Humanity. Some there are, who contract all Virtue to a cold, dry, rigorous Honeſty, that will do nothing actually unjuſt, violate no Promiſes, and break no Engagements, but will not exert one kind Affection or do one generous Deed, though Miſery were to ſolicit it in the moſt importunate and piteous Shape. Others from a narrow View of public Good think the Sum of Virtue compriſed in Zeal for a Sect or Party, and an entire Devotion to its Intereſts; which is often excluſive of Benevolence, nay, ſometimes of Juſtice to one's Country, and Mankind. This is generally a Source of the moſt inveterate Antipathies and cruel Feuds that happen among Men. Now as Virtue is ſo glaring and commanding an Object, even thoſe partial Aſpects of it muſt have a powerful Effect, and often produce very irregular and exceſſive Paſſions. In order to moderate and rectify theſe, the Mind muſt be gradually opened to larger Views: the more grand and elevated Forms of Goodneſs muſt be exhibited before it; our more extenſive Connexions, and higher Obligations, ſhewn; the Rank and Value of the ſeveral Virtues determined, the unhappy Conſequences of a lame and partial Virtue pointed out, and what is principal and moſt excellent in each Kind explained. In fine, if the Patient is deluded by falſe Species of RELIGION, whether that conſiſts of ſuperſtitious Fears, childiſh Ceremonies, a blind and furious Zeal for Opinions, extatic Impulſes, a total Receſs from the World, Monkiſh Auſteries, or even an aſſiduous and ſtrict Devotion, ſeparated from Practice, and an active Commerce with Mankind; a more genuine and excellent Form of Religion muſt be held up to View, and aſcertained to the miſtaken Votary, from the Conſtitution of Man, the Nature of GOD, the Revelations He has given, and the Inſtitutions He has appointed; and the Diſagreement of the falſe kinds with theft, muſt be ſtrongly marked. The Objects about which Religion is con verſant are of the vaſt and majeſtic kind, and therefore apt, unleſs they are guided by juſt and proportioned Views, to raiſe the moſt imperious and overſtrained Paſſions, ſuch as Bigotry, amazing Panics, and the wildeſt Sallies of Enthuſiaſm: therefore in order to cure theſe moſt dangerous ſpiritual Diſtempers, the Conſtitution of the Patient had need to be carefully ſtudied, and the Sources of thoſe Diſtempers nicely examined; whether they ariſe from narrow Conceptions of Religion, Miſtakes concerning the Character of GOD, natural Melancholy, Diſappointments in Life, the Prejudices of Education, Aſſociations with other miſguided Votaries, or from whatever other Cauſes. By obſerving theſe accurately, the moſt proper Methods of Cure may he diſcovered. One thing in general is to be remarked of thoſe religious Paſſions, as well as of many others that prevail among Mankind, that it is beſt to ſet upon them indirectly, and by Sap, rather than Battery: As in ſome bodily Diſeaſes, let a Revulſion be made to another Part, and what is peccant be thrown off, by giving vent to the Paſſion in an innocent manner, and employing it upon a nobler Object. Thus that violent Zeal for mere Opinions and Forms, may be converted into a more juſtifiable Ardour for the fundamental Truths and important Duties of Religion: the ſlaviſh Dread of GOD into a filial Reverence; an Attachment to a Party, and Rancour againſt different Sects, into a more enlarged Benevolence, and a greater Severity againſt Vice, among whatever Denominations of Men it is to be found. But theſe mental Applications muſt be made and conducted with a very ſoft and tender Hand: Prejudices muſt be gradually unravelled, and Truth let into the Mind by ſlow and gentle Steps: for Men may be perſuaded and reaſoned out of their Errors and Vices; but they will not be ſcolded and beaten out of them. It appears then, Gentlemen, by this Detail, that thoſe who are under the Influence or Dominion of any Vice, are deceived by ſome falſe Species or another, according to which they regulate their Character and Conduct; and that it muſt therefore be of the utmoſt Conſequence to expoſe that falſe Species, by ſhewing that the Opinion itſelf is ill founded, or the Paſſion built upon it faulty, either in Excels or Defect; and to paint this Paſſion in all its Appearances and Forms ſo exactly, that no Man, who attends without Prejudice to the Picture, may miſtake his own Features. The Effect of ſuch a Delineation will be, that he muſt take part one way or other, and either approve or condemn himſelf. for hardly can any human Creature behold a juſt Repreſentation of his own Character with Indifference: therefore when one diſplays to him the Images of himſelf, and preſents him with his own Views, Sentiments, and Paſſions, he muſt either love or lothe the Draught. And this Affection or Averſion muſt be excited, in proportion to the Likeneſs of the Picture, and the Attention with which it is ſurveyed. This, I apprehend, is the firſt Step towards the Recovery of a Mind enſnared by Vice. But it is eaſy to ſee that he muſt not be unacquainted with the human Heart, and the various Diſeaſes to which it is ſubject, and muſt be no mean Artiſt in moral Painting, who can thus make us paſs in review before ourſelves, reflect ſeriouſly on our own Diſpoſitions and Conduct, and by ſo doing, intereſt every ſenſible, ingenuous, and humane Principle about us. I much fear, Sir, ſaid AGORETES, this Method which you propoſe, how juſt ſoever it may appear, is hardly practicable in Preaching. The Gravity and Solemnity of that, will ſcarce admit of ſuch moral Painting, ſuch Exhibitions of human Characters and Paſſions, or, in ſhort, thole minute Deſcriptions of the ſeveral Phantoms which delude Mankind into ſo many Mazes of Vice and Folly. But though it ſhould I much doubt whether mere Deſcription will anſwer the End propoſed. To make Men know themſelves, and diſtinguiſh their own Faces, Perſons muſt be introduced, acting, and ſpeaking, ſuitably to their reſpective Characters; and theſe Characters muſt be marked with ſuch Truths and Expreſſions, as none may take them for what they are not. This, perhaps, can only be performed by the Drama, that faithful Mirror of Men and Manners. Whereas the Painting, which is conſiſtent with the Gravity of Preaching, will appear only faint Sketches, or general and unaffecting Delineations of this or the other Character and Diſpoſition; which, if beautifully turned, may indeed make the Hearer attend to what is ſaid, but will hardly ſuggeſt to him his own Feelings and Paſſions, or accuſtom him to that uſeful Habit of Self-inſpection. for who will think himſelf intereſted in the cold Definitions, and dry Deſcriptions, of a formal Preacher, let him define or deſcribe ever ſo well? From what other Cauſe ariſes that frequent Complaint of Preachers, that no Man applies what is ſpoken to himſelf, but every Man to his Neighbour? — And were they to attempt the dramatic way in Preaching, they would not only deſcend from the Dignity of their Character, but convert Preaching into an inconſiſtent Medley of Solemnity and Farce, quite remote from Nature, and unfit for the Purpoſes of Inſtruction. Your Scruples, AGORETES, replied THEODORUS, are very ingenious, and ſhew that you are no Stranger to the Subject we are upon. No doubt the Drama has its Advantages, and can deſcend to the Correction of leſſer Enormities and Follies, which fall not within the Cognizance of the Chair. But that the lasſt entirely excludes Perſonating or Characterizing Men and Manners in the trueſt Senſe, I cannot allow. It does not admit the Introduction of real Perſonages; and yet their Sentiments, Manners, and Language may be repreſented in Narration: the ambitious, the voluptuous, the covetous Man may be exhibited, and made to talk in character: the Maxims and Diſpoſitions of the Villain, the Bigot, the Enthuſiaſt, may be detected: the Hypocrite, the Formaliſt, the Self-deluded may have their Countenances plainly expoſed to view, and their various Arts of Falſehood and Self-deceit laid open; ſo that they than be forced to feel, if they will not confeſs a Likeneſs, and to abhor the mean, the falſe, the odious Forms, which they have worn, whilſt they juſtify and approve their Contraries. It muſt be confeſſed, however, that there is ſomething in the Genius and Style of Preaching peculiar to itself, and diſtinguiſed from all other kinds of Compoſtion. It is not ſo minute and particular as the Drama, nor ſo general and abſtracted as a philoſophical Diſcourſe, nor ſo looſe and declamatory as a popular Harangue. "It is rather "a fober and ſerious, yet a moſt "awakening and pathetic Addreſs to "the HEART of Man, or to his Rea"ſon, Imagination, and moral feelings, "accompanied with Circumſtances of "the greatſt Solemnity and Awe, being "delivered in a Place commonly re"garded with religious Veneration, in "the immediate Preſence of the beſt "and greateſt Being in the Univerſe, "and by Perſons of a ſuppoſed Sanc"tity of Character, concerning Sub"jects which are generally believed by "the Audience to affect their higheſt "Intereſts." In this Method of Addreſs, a pointed and awful Appeal is lodged to the Conſcience; the inward Character, Principles, and Springs of Action are laid open to view; the habitual Tenour of one's Life is canvaſ ſed; the Mind is arraigned, interrogated, and tried, in the Preſence of GOD, and of one's fellow-creatures, a Circumſtance which rouſes Attention, and adds not a little to the Solemnity of the Proceſs; and in conſequence of the Whole, the Sinner is condemned or acquitted, not by the Speaker only, but, which is of infinitely greater Moment, by a Sentence which he paſſes on hinsſelf. Who that has Eyes, or Ears, or any remaining Ingenuity of Mind, can ſtand by unconcerned and unmoved, whilſt this Home-trial is carrying on? And who can forbear recognizing himſelf, and making perſonal Application, whilſt the Workings of his own Mind are exhibited, his moſt natural Senſe and intimate Convictions appealed to, and he himſefl actually engaged as a Party in the Trial? If this be fo, I fear, AGORETES, the Ground of that Complaint you mentioned as familiar to Preachersmuſt be charged, not upon the Hearers, but on their Incapacity or Neglect who draw Characters which none can apply, and launch out into general Deſcriptions, and vague Obſervations, which have no Connexion with Life and Nature, and in which no one finds himſelf concerned. Pray, Sir, ſaid I, will you be ſo good as to explain to us, yet a little more particularly, how this Buſineſs of drawing Characters is to be managed, and how that kind of moral Painting, which is allowable in Preaching, is to be diſtinguiſed from the other Kinds of it. There is without queſtion, ſaid THEODORUS, a ſingular Delicacy and Caution required in the Management of this Affair; and perhaps, like all the reſt of the Art, it is better learned by Practice than by any Rules. I ſhall, however, frankly tell you what occurs to me at preſent on the Subject. — I ſaid before, that the Method of Characterizing proper to Preaching, was not ſo minute and particular as the Drama, nor admitted of ſuch direct Imitation. There are peculiar Humours, Oddities of Character, and little Specks of human Folly, which become the Stages well enough, and furniſh out agreeable Portraits of ordinary Life. Theſe ſuit not the Genius of Preaching; nor even thoſe Draughts of rare and extraordinary Characters, which lie beyond the Reach of common Obſervation. Man muſt be painted more in the Groſs, according to his ordinary Size and Meaſures, and with thoſe more ſtriking Features and Proportions, in which he uſually appears, and which are obvious even to a vulgar Eye. Though our graver Corrector of Manners, had need to know, the general Boundaries of Virtue and Vice, yet it is not neceſſary, that he ſhould be able to determine preciſely in every Caſe, where one ends, and the other begins. But he ſhould, I think, underſtand in the main, what Degree of Imperfection is, or is not, reconcileable with the virtuous Character, and what Meaſures of Virtue may be found where Vice has the aſcendant; ſſſo that whilſt he is exhibiting the Out-lines of both, the loweſt Degrees of Goodneſs may not be diſcouraged, nor the Vicious have their Indolence, or their Preſumption, fed with the View of any thing ſhort of real Virtue, or a prevailing Piety. To proceed, however, with the greater Caution in this Affair, the moral Painter muſt draw thoſe Contraſts and Alloys which are to be found in the ſame Character, thoſe Struggles of interfering Principles and Paſſions, which often ariſe in the Breaſts of good Men, but eſpecially of thoſe in whom the Seeds of Virtue are but juſt forming; the Defects which are obſervable in fome Affections, and the Exceſſes of others; the frequent Variations of Characters in the ſame Perſon, owing to the different Circumſtances in which he is placed, and the Influence of different Principles which govern him in their turn. for there are few of a Character ſo ſteady and uniform, as not to differ often from themſelves. And nothing is more notorious, than that great Virtues are frequently allied to great Imperfections and ſome of the fineſt Diſpoſitions do, by a native Vigour and Impetuoſity, run up ſometimes to the higheſt Exceſſes, as we ſee the richeſt Soils produce the rankeſt Weeds. Therefore, when the virtuous Character is not too much raiſed on one hand, nor the vicious too much ſunk on the other, but when the features of each are marked with their proper Shades and Softenings, the Picture will have a much ſtronger Effect on every intelligent Spectator; becauſe it approaches. nearer to the general Rate of Men, and to what we feel ourſelves in the common Run of Life. But beſides thoſe Contraſts of Character in the ſame Individual, there are Diverſities in that of the ſame Claſs of Men, which ought to be nicely diſtinguiſhed; leſt Characters which are really diſtinct, be confounded by the Similarity of their Appearance. Thus there are Hypocrites of very different kinds: there are ſeveral Sorts of Superſtition, according to the Turn of the Temper, the different Aſpects of the Deity, and of Religion, or the various Circumſtances of Mens Education, Buſineſs, and Life. In short, Selfiſhneſs, Ambition, the Love of Pleaſure, of Praiſe, and of Wealth, may appear in a Variety of Shapes, and form very different Characters, as they operate more or leſs powerfully; as they are influenced by the Mixture of other Paſſions, or employ different Means to come at their reſpective Ends. Unleſs then this Diſtinction of Characters be maintained, and the Peculiarities of each, though reducible to the ſame general Claſs, be accurately marked, particular Characters may be overcharged, and diſcordant features of different Perſons may be patched together, in ſuch a manner, that all real Likeneſs ſhall be loſt, and no Man be knowable either by himſelf, or by any body elſe. Such an uncertain and undiſtinguiſed kind of Limning can anſwer no moral Purpoſe it intereſts no particular Perſon, and leaves the Spectator juſt where it found him. How then is the Pencil to be guided, ſo as to mark the peculiar Colour of a particular Temper or Affection, and to preſent a full and diſtinct Image of any Character, without falling into that Minuteneſs and Nicety of Deſcription, which we thought was to be avoided? — This, I imagine, is to be done by tracing every Man's predominant Paſſion through his Life and Manners, not by diſcuſſing nicely, how his Paſſions are ranged with one another, or in what Proportions they are ballanced; but by exhibiting the Man entire and at full length, ſpeaking and acting in the View of all preſent. I would give a Plan of his Life, of his Principles, his Ends, and the general Courſe of his Actions: I would purſue the favourite Inclination through all its Doubles and Windings, ſhew how it exerts itself in Youth, and a more advanced Age, in. Proſperity and Adverſity; what Forms and Diſguiſes it puts on in different Circumſtances and Relations, and by what Maxims it is governed in all theſe. I would particularly exhibit the Man in thoſe grand and intereſting Lights, in which the peculiar Turn of his Character, or Strength of his ruling Paſſion, appears moſt conſpicuous. And becauſe no Man is invariably guided by one Principle, I would take notice of thoſe ſubordinate and interfering Paſ ſions, that govern him by turns. If Nature is faithfully copied in ſuch a Detail as this, and the principal Lines of his Life expoſed clearly to view, I do not ſee how the Perſon or Perſons aimed at, and included in, ſuch a Character, can fail of diſtinguiſhing their own faces, or forbear honeſtly juſtifying the Draught, or Charge, call it which you will. This, I think, is ſomething more than cold Deſcription, or looſe Obſervation; and if it is not Imitation in a dramatic Senſe, it is at leaſt an hiſtoric Painting and charactrizing of Men and Manners; and if well executed, may fully anſwer the End of moral Delineation and Inſtruction. It differs, indeed, from Hiſtory, in not ſufficiently particularizing Facts and Circumſtances: nor is it the ſame with Poetry, which conſiſts chiefly of Fiction: yet by the Truth of its Repreſentations, it appeals to every Man's Experience of his own Conduct, and Obſervation of that of others. And this moral Painting of particular Characters, will both be better underſtood, and have a more powerful Effect, if Characters of an oppoſite kind are placed by them, as Foils, to ſet them in a ſtronger Light. Thus if over-- againſt the ſelfiſh griping Miſer, we ſet the generous and diſintereſted Friend of Mankind, if we confront the haughty and double-minded Sinner with the humble and ſingle-hearted Chriſtian, the Lines of each Character will appear much brighter, and be more ſtrongly felt. But beſides theſe particular Draughts now mentioned, there are more general Characters of Virtue and Vice, peculiar to certain Times, Ages, Ranks, Conditions, and other Circumſtances of Life, which muſt be carefully obſerved, and diſtinctly drawn by a profeſſed Corrector of Manners. Or if I may uſe the Words of an able Maſter in his own way, "Virtue muſt be ſhewn "her own feature, Scorn her own "Image, and the very Age and Body "of the preſent Time his form and "Preſſure." Some Vices are faſhionable in certain Seaſons, and ſeem to dare the Attack of a public Cenſor, as ſheltering themſelves under fome ſpecious Maſk of Virtue, or triumphing in the Number and Rank of Offenders. Theſe, if he would be faithful to his Truſt, he muſt drag forth into the Light, diveſt of their borrowed Colours, and brand with juſt Infamy. But even here a diſcreet Delicacy is very neceſſary; and the Satire will be fo much the more piercing and effectual, the more artfully it is couched, and the greater Mildneſs that is mixed with this Severity. Again, there are certain Enormities, which ſeem to grow out of particular Profeſſions, and are the natural Product of ſome Periods and Situations of Life. Thus Fraud is peculiarly apt to enter into ſome Employments, Love of Gain into others: Pride and Statelineſs are the Attendants of ſome Conditions, Meanneſs and Servility of others. Againſt theſe the Chriſtian Orator is to point his Thunders: yet it ſhould be done with ſo cautious an Hand, as to appear to level at the Vices, not the Perſons or Reputations of Men. But beſides this general Acquaintance with Characters, and the prevailing Corruptions of certain Times and Profeſſions, he who would wiſh to ſucceed in the preaching Art, had need to be no Stranger to the particular Characters and Manners of his Audience, or the People who are his immediate Pupils, that he may know how to rank them into their ſeveral Claſſes, and addreſs to them in a manner ſuitable to their reſpective Capacities and Tempers. He ſhould know not only the Size of their Underſtandings, but the Variety of their moral Bent and Complexion, that he may copy exactly from the Life, paint ſuch Characters as they are acquainted with, apply thoſe Arguments which are proper to perſuade, and excite thoſe Convictions which are neceſſary to reform them. It is very evident that different moral Diſpoſitions muſt be treated in as different a manner, juſt as various bodily Conſtitutions require different Applications. Sullen and ſtubborn Minds muſt be wrought upon by more harſh Methods, than the Gay and the Gentle: the Humble ſhould be encouraged, the Melancholy comforted, the Grounds of their Dejection tenderly canvaſſed and carefully obviated, and the Sources of true Joy opened: the lethargic Sinner muſt be awakened, and the haughty and preſumptuous one humbled and terrified. In ſhort, Hearers of every Rank and Character are to be diſtributed and applied to, according to their reſpective Genius, Tempers, Paſſions, and Foibles, if the public Teacher would play the Part either of a ſkilful Phyſician or an able Painter. I ſhould think it no ill Method of enforcing theſe moral Paintings, and making the general Delineations more palpable and affecting, to ſelect from Scripture, or from proper Books of Biography, the moſt ſingular and ſtriking Characters of the virtuous or vicious kind, whoſe Hiſtory and Actions convey the moſt inſtructive Leſſons, and are told with the moſt beautiful Simplicity. Such are thoſe of ABRAHAM, JOSEPH, JOB, MOSES, BALAAM, SAUL, DAVID, PETER, JUDAS, PAUL, and ſeveral others in holy Writ. Whatever Inſtructions are thus borrowed from Life, and whatever Models are drawn from thence, be it done in ever ſo plain and artleſs a manner, are the beſt adapted to touch the Heart of Man, and to ſet in motion every Power and Spring of Action. But now, Gentlemen, how much ſoever I approve of this characteriſtical Method of Preaching, of which I have given you my Sentiments: I muſt frankly confeſs to you, that I do not believe either this or any other Method whatever, will be ſufficient, tho' ſupported with the utmoſt Force of human Eloquence, to produce real and laſting Reformation, unleſs the great Father of Spirits concur with a divine Energy, and transfuſe Life and Vigour into thoſe Pictures of the Heart and Manners. It is but too evident from Experience, that thouſands return from the juſteſt Repreſentations of the Theatre, either without diſcerning their own Follies, or being in the leaſt diſpoſed to mend them; and that as many more peruſe the fineſt Productions of Poetry, Hiſtory, and Philoſophy, without any Conviction or Concern. And we daily ſee, that higher kinds of Inſtruction are no leſs inſufficient; ſo that after the laſt Efforts of human Skill, we moſt have recourſe to a ſuperior Hand, to open the inmoſt Springs of the Soul, and to carry along every Sentiment and Paſſion with a Current of irreſiſtible Perſuaſion. We are much obliged to you, Sir, ſaid AGORETES, for having ſatisfied us fo fully upon a ſubject that had ſo much engaged our Curioſity, and which, as eſſential as it is to the Buſineſs of Preaching, ſeems to be very little minded now-a-days. But pray, Sir, does this moral Painting you talk of conſtitute the whole of Preaching? Or is it not connected with other Methods of Addreſs, which at once. ſupport and ſtrengthen it? The Method I have been recommending, ſaid THEODORUS, is far from being the Whole of Preaching: there are others alike Important, and from which that Method borrows its moſt powerful Reinforcements. Therefore, I was likewiſe to have mentioned theſe: for it would require more time, than I am now maſter of, to do more than mention them, or to ſpeak of them as their Importance and Dignity deſerve. — It is from REVEALED RELIGION as diſplayed to us in the ſacred Writings, and thoſe grand Views which it opens of the Origin, Connexions, and Obligations of Man, as well as thoſe Diſcoveries it contains relating to GOD, to Providence, and a future Life, that the peculiar Tenour and Efficacy of Preaching are to be derived. There the vaſt and complicated Scheme of the divine Adminiſtration as it reſpects Mankind, is unfolded in a plain and ſimple, yet a moſt marvellous and affecting Story of its principal Periods and Revolutions, from it firſt Opening to its laſt Reſult. The ſeveral States of Man, his orginal Rectitude, his Degradation, and his final Reſtoration, are all diſtinctly deſcribed. The principal Agent by whom, and the ſeveral Steps by which, the great Plan of Redemption was carried on from the Beginning, is gradually advanced, and will be at laſt accompliſhed in the Reſtitution of the Sons of GOD, are exhibited at full length. Now, I apprehend, it will be a main Part of the Buſineſs of a chriſtian Preacher, to trace thole glorious Deſigns of Wiſdorn, Juſtice, and Mercy, which appear in the divine Diſpenſations, to vindicate the Ways of Providence, as to the Choice of the Inſtruments that have been employed, and the Methods that have been taken, to execute theſe Deſigns, and particularly to explain what has been done by the great Meſſenger and Miniſter of Heaven, and what muſt be done by his followers in concurrence with the Intentions of the benevolent Father and Ruler of all; in a word, to ſhew how Purity and Love are to be reeſtabliſhed in the Hearts of Men, and Order and Happineſs in the Creation of GOD. Theſe ſublime and intereſting Subjects will afford a Preacher the moſt admirable Topics of Perſuaſion, and the moſt powerful Machinery to affect and raiſe the human Mind. They will enable him to preſent to the Hearer the moſt majeſtic and commanding Exhibitions of the Deity, to diſplay in the nobleſt Lights the various Relations which he bears to us, and the extenſive Connexions which he has formed between us and other Beings; to point out, in conſequence of thoſe Views, the moſt auguſt and amiable Forms of Religion and Virtue; and laſt of all, to open the moſt enlarged and ſtriking Proſpects of an inviſible and eternal World, and of the Solemnity and Grandeur of thoſe Scenes that will bring on the general Conſummation. Theſe, AGORETES, theſe are Topics the niceſt adapted of any in the whole Compaſs of Nature to rouſe and fix the Attention of Mankind, to awaken and exalt their Reaſon, to alarm their Conſcience, to seize their Imagination, to excite their Hopes and their Fears, and, by conſequence, to reclaim them from Impiety and Vice to the Love and Practice of univerſal Righteouſneſs. When thoſe affecting Topics are employed as Enforcements to the aforeſaid Repreſentations of Virtue and Vice, in the Characters of particular Perſons, theſe will appear of vaſtly greater Moment, with regard as well to our preſent, as to our future Happineſs. Our inward Senſe and feelings, relating to our Conduct, will be wonderfully quickened, when it is viewed in a Connexion with Deity, an all-ſuperintending Providence, the Plan of our Recovery, the awful Proceſs of a future Judgment, and an Immortality of Happineſs and Miſery. And this inward Senſe, thus enlivened by ſuch a Combination of grand and ſolemn Views, will raiſe quite other Affections, and inſpire more active and vigorous Reſolutions than the moſt elaborate Reaſonings, and beautiful Paintings, could do without them. On theſe Accounts, as well as on many others, a Chriſtian Orator had need to be much converſant with his Bible, as the great Treaſury of divine Knowlege and Wiſdom, from which he may draw the ſublimeſt Lights, the pureſt moral Precepts, the moſt ſimple and lofty Repreſentations, the richeſt Variety of Characters, and the moſt natural and affecting Eloquence. You have ſuggeſted ample Materials, Sir, ſaid I, to furniſh out a never-failing Fund of Preaching to the brighteſt Genius: but how theſe are to be digeſted, ranged, and ſet off, and in what Manner the whole ſhould be delivered, ſo as to produce the ſtrongeſt and moſt laſting Effect, we are ſtill to learn. Could you condeſcend to give us a few Hints on this Head likewiſe, you would complete our Obligations. In theſe Points, Gentlemen, replied THEODORUS ſmiling, your own Senſe of what is decent, orderly and fit, and your Experience of what you find moſt efficacious, will be your ſureſt Guides. Every Book on the Subject of Eloquence is full of Rules: but the leſs you are cramped and fettered by theſe, your Eloquence will be the more natural, maſterly, and original. The grand Secret lies in following Nature in every Part, in the Method and Connexions, the Sentiments and Languages, the Voice, the Action, and the whole external Manner. Be Maſter of your Subject, and as it were inſpired with it; and then Light and Order will naturally dawn upon it: every thing will fall into the Place which becomes it beſt: one Part will introduce another, juſt at the time that the Minds of the Audience are prepared to receive it; and what follows will ſupport and fortify that which went before: the more plain and ſimple Truths will pave the Way to the more. abſtruſe and complex ones; and the Proofs or Illuſtrations will ſtill riſe, one above the other, in a regular and eaſy Gradation, till the whole Force of Conviction breaks upon the Mind, and now allows you fair Scope to play upon every tender and paſſionate String, that belongs to the Heart of Man. Then be ſure to feel every Sentiment yourſelf, and to enter firſt into every Paſſion you want to communicate to others: and unleſs your Imagination plays its Part very ill, the boldeſt Figures, the ſtrongeſt Images, and the moſt moving Expreſſions will pour in upon you, and animate your whole Diſcourſe and Manner with ſuch Life and Spirit, as cannot fail of winding up the Hearer's Mind to the utmoſt Pitch of Attention and of Paſſion. If you are thoroughly touched with the Importance and Dignity of the great Subjectof Religion and Virtue, you will not be ambitious of the Reputation of fine Speakers, nor ſtudy the little Ornaments of a gaudy Eloquence, ſuch as pretty Similes, ſtrained Antitheſes, poliſhed Periods, and the Play of Wit or Words. I am far from diſcouraging the cloſeſt Study and Application of Mind to one's Subject, previous to the appearing in public: but a great deal muſt be left to the extemporary Efforts of Nature, when the Speaker is enlivened with all the animating Circumſtances which attend public Speaking. That Man who has ranged every Thought, meaſured every Sentence, Tranſition, and Circumſtance of his Diſcourſe, and ſettled the whole Method of his Delivery in his Cloſet, may be indeed an elegant and correct Speaker; but I will venture to ſay, he can never be a popular and powerful Orator: he will fall into a cold phlegmatic manner of Speaking; or if he throw himſelf into a forced Heat, it will appear artificial, or elſe evaporate in a tedious inſipid Sameneſs of Voice and Action; either of which are the dead Weights of genuine Eloquence. Whereas if the Speaker be thoroughly enlightened and warmed with his Subject, and feels himſelf the Paſſion he means to inſpire, Nature, in that caſe, will, ſuggeſt the moſt becoming Ornaments, and ſignificant Phraſes; will vary the Tone of the Voice according to the Riſes and Falls, and different Turns of the Paſſion; and, in fine, will animate with the moſt expreſſive Air, Look, and Action, according to the ſeveral feelings and Movements of the Mind. for Nature and Paſſion are more able Prompters than the moſt eminent Maſters of Elocution. — Such a Speaker, with all his Repetitions, Breaks, Inaccuracies, and Chaſms in Diſcourſe, will force his way, through all Oppoſition, into the Bowels and Soul of the Hearer, and will kindle and ſet on fire his whole Frame; whilſt your ſmooth and ſtudied Declaimer will fend him away as cool and unmoved as he found him. But what need I enter farther into the Detail of Pulpit eloquence? If you want to ſee the whole Machinery and Apparatus of it, diſplayed in the compleateſt Manner, I refer you to the great and good Prelate of Cambray's Dialogues on that Subject; who was himſelf the juſteſt Critic, and one of the beſt Models, of Eloquence that I know. — But indeed, Gentlemen, there is a much higher Example than any merely human one, which I would recommend to you, even the divine Teacher and Saviour of Mankind, who ſpake as never Man ſpake. Study his Diſcourſes, imitate his Practice theſe you will find all the Maxims and Principles I have propoſed, executed in the higheſt Perfection: you will find the moſt ſenſible and palpable Manner of Inſtruction, clothed in the very Garb of Nature, and admirably proportioned to the rude and low Underſtandings of Men; the moſt juſt, and ſimple Paintings of the Heart and Life, borrowed from common Experience; the moſt pointed, and awful Appeals to the Conſcience; the ſtrongeſt Addreſſes to the Hopes and Fears of Mankind; the moſt ſublime and comprehenſive Views of GOD and Religion, Providence, and another World; the moſt ſevere and exquiſite Satire againſt the Vices of the Time; and the moſt gentle and alluring Applications to the Modeſt, the Fearful, and Singlehearted — all delivered with a Simplicity, Vehemence, and Majeſty, which are truly wonderful, and which, however they may be imitated, can never be equalled by mortal Men. We thanked the amiable Divine for his uſeful Inſtructions, and walked home to our reſpetive Dwellings. THE END. ERRATA. P.16. l. ii. Draugh read Draught. 120. l. 2o. is be done, read is to be done. 135. l. 16. for any, read many. 175. l. 11. Knowlege, read Knowledge. Books printed for R. Dodſley. 1. POlymetis: or, An Enquiry concerning the Agreement between the Works of the Roman Poets, and the Remains of the ancient Artiſts. Being an Attempt to illuſtrate them mutually from one another. By the Rev. Mr. Spence. [The Subſcribers Books not yet taken up, are ready to be delivered.] 2. An Eſſay on Mr. Pope's Tranſlation of Homer's Odyſſey, in five Dialogues, by the Rev. Mr. Spence 2d Edit. 12mo. bound 3s. 3. Odes of Pindar, with ſeveral other Pieces in Proſe and Verſe, tranſlated from the Greek. To which is prefixed a Differtation on the Olympick Games. By Gilbert Weſt, Eſq; L.L.D. Quarto. Price bound 15s. 4. Obſervations on the Hiſtory and Evidences of the Reſurrecttion of Jeſus Chriſt. By Gilbert Weſt, Eſq; 8vo. Bound 5s. Fourth Edit. 5. Obſervations on the Converſion and Apoſtleſhip of St. Paul, in a Letter to Gilbert Weſt, Eſq; 1s. 6d. Fourth Edit. 6. The Letters of Pliny the Conſul: With occaſional Remarks. By William Melmoth, Eſq; 2 vols. 8vo. Price bound 8s. Edit. 7. The Letters of Sir Tho. Fitzoſborne, on ſeveral Subjtcts. By the Tranſlator of Pliny's Letters. 3d Edition. Price bound 5s. 8. The Pleaſures of Imagination, a Poem, in three Books. By Mark Akinſide, M.D. 4to. Price 4s. 8vo. 2s. 9. Odes on ſeveral Subjects. By the Author of the Pleaſures of Imagination. 4to. 1s. 6d. 10. An Ode to Lord Huntingdon. By the ſame. 1s. 11. A Collection of Old Plays, from the earlieſt Account of the Eighth Stage to the Death of Charles the Firſt. Selccted, according to the Order of Time, from our beſt dramatic Authors, ſerving to ſhew the gradual Improvement of our Language, and the Taſte, Humours, and Manners of the Times in which they were written. In 12 Pocket Volumes. Price 2l. 2s. N.B. To each Play is prefixed (where any Materials were to be had) a brief Account of the Life and Writings of its Author; alſo, by Way of Preface, an hiſtorical Deducton of the Riſe and Progreſs of the Engliſh Stage. 12. Les Avantures de Telemaque, Fils d'Ulyſſe, in two neat Pocket Volumes, printed on a ſuperfine writing Paper, with an Elzevir Letter, and a complete Set of new Cuts, 26 in Number, done from the Deſigns of that fine Edition printed in Holland, and engraved by the beſt Maſters. Being a very handſome Preſent for young Gentlemen or Ladies at Boarding Schools. Price 14s. 13. The Complaint: Or Night-Thoughts, on Life, Death and Immortality, 8vo. Price bound 5s. 12mo. 3s. 14. The Life and Exploits of the ingenious Gentleman Don Quixote de la Mancha. Tranſlated from the original Spaniſh of Miguel Cervantes de Saavedra. By Charles Jarvis, Eſq; beautifully printed in two Volumes Royal Quarto, adorned with 69 ſine Copper Plates, engraved by Vandergucht from the humourous Deſigns of Vanderbank: Together with the Life of Cervantes; written by Don Gregorio Mayans and Siſcar, his Catholick Majeſty's Library Keeper, and tranſlated from the Spaniſh Manuſcript, by Mr. Ozell. Price bound 2l. 10s. 15. The ſame Book in two Volumes, 8vo. with good Copies of the Prints. Price bound 12s. 16. The Life of Socrates, collected from the Memorabilia of Xenophon, and the Dialogues of Plato, and illuſtrated farther by Ariſtotle, Diodorus Siculus, Cicero, Proclus, Apuleius, Maximus Tyrius, Boetius, Diogenes Laertius, Aulus Gellius, and others. By John Gilbert Cooper, junior, Eſq; 8vo. Price bound 3s. 6d. Third Edition. 17. Leonidas, a Poem, Fourth Edition, 12mo. Price bound 3s. 18. The Hiſtory of Pompey the Little, or the Life and Adventures of a Lap-Dog, 12mo. Price bound 3s. Third Edition.