[click]
See this word as a collocate cloud
these long complex continental histories | [click] | [inhale] now robert lindsay of |
histories in the sixteenth century | [click] | [inhale] now the prose writers |
the er scottish histories then | [click] | [inhale] [student cough] the sixteenth century |
histories by leslie and lindsay | [click] | so in fact the later |
histories [click] they tell stories | [click] | so you get the rise |
sixteenth century are the histories | [click] | they tell stories [click] so |
reliance on speech speech rhythms | [click] | [inhale] and the newer continental |
very much the continental model | [click] | [inhale] erm [click] leslie was |
continental model [click] [inhale] erm | [click] | leslie was a man of |
native or the continental camp | [click] | so they re either following |
this is a justified assassination | [click] | [inhale] knox of- often gets |
to pitscottie than to leslie | [click] | [inhale] knox s history this |
knox is trying to achieve | [click] | [inhale] so the murder of |
angels appear [laugh] m642: [inhale] | [click] | a hundred a hundred and |
a feminine complement [inhale] erm | [click] | and the prose style is |
s not valued at all | [click] | [inhale] and as i said |
the charters written in scots | [click] | [inhale] and at this point |
catholic campbell m608: mmhm m078: | [click] | [inhale] and ehm this sense |
actually blends the two styles | [click] | [inhale] and he blends the |
the prose for biblical translation | [click] | [inhale] and on your handout |
continent erm became the norm | [click] | [inhale] and one of the |
cast chests against the door | [click] | [inhale] and some of the |
read rather than listened to | [click] | [inhale] and the prose style |
the n plural for een | [click] | [inhale] and there are th- |
do the translation for him | [click] | [inhale] and this activity grows |
beginning of the seventeenth century | [click] | [inhale] and what i was |
the late fourteenth century on | [click] | [inhale] and when it starts |
of a multilingual linguistic situation | [click] | [inhale] as the merchant classes |
scribbles things in the margins | [click] | [inhale] at one point the |
re written to be read | [click] | [inhale] at their more at |
from old english prose writing | [click] | [inhale] before the norman conquest |
these great big long periods | [click] | [inhale] but staying in the |
what are called complex sentences | [click] | [inhale] but we don t |
s much looser poetic version | [click] | [inhale] chaucer uses a fair |
is what begins to happen | [click] | [inhale] ehm [click] something like |
became the word for cash | [click] | [inhale] er another interesting trivial |
rhythms and co ordinate clauses | [click] | [inhale] er c s lewis |
basically make me a bishop | [click] | [inhale] erm c s lewis |
for mary queen of scots | [click] | [inhale] erm he presented it |
is why should this be | [click] | [inhale] first of all er |
instead of the catholic case | [click] | [inhale] his ideology is different |
anglo saxon history before it | [click] | [inhale] however if you take |
pam to rain lightly f1024: | [click] | [inhale] i ve got drizzle |
round about the same time | [click] | [inhale] i want to point |
happens when people translate texts | [click] | [inhale] if you re taking |
a very sophisticated prose style | [click] | [inhale] if you ve done |
sermons were written in latin | [click] | [inhale] in england there are |
pitscottie writes prose in scots | [click] | [inhale] in pitscottie in particular |
this kind of history writing | [click] | [inhale] in this extract we |
a language of official record | [click] | [inhale] latin was also for |
to tell a good story | [click] | [inhale] now a couple of |
keeped twa handed and freend | [click] | [inhale] now as we said |
fy fy all is gone | [click] | [inhale] now if you take |
page [click] murder to read | [click] | [inhale] now one of the |
the speech of our ancestors | [click] | [inhale] now there are similarities |
because of his unrighteous deeds | [click] | [inhale] now you don t |
abroad in hotel bedrooms erm | [click] | [inhale] often you get this |
the protestant way of writing | [click] | [inhale] one of my favourite |
of colloquial co ordinate structure | [click] | [inhale] periodic sentences became more |
so that if given that | [click] | [inhale] so er the text |
write it in octosyllabic couplets | [click] | [inhale] so for various reasons |
to the reader as well | [click] | [inhale] so the complex period |
a nice long periodic sentence | [click] | [inhale] so the style shifts |
be influenced by the latin | [click] | [inhale] so these are the |
scotland round about 1577 79 | [click] | [inhale] so these are two |
is a scots erm feature | [click] | [inhale] so they re both |
the structure of the language | [click] | [inhale] so translated frenchified and |
sic thingis sould be knawin | [click] | [inhale] that s a fantastic |
the merchant classes can read | [click] | [inhale] the acts of parliament |
english and scottish written texts | [click] | [inhale] the french influence substantially |
intricate relationship between the clauses | [click] | [inhale] the idea about a |
have it read to them | [click] | [inhale] the romance would probably |
ye will not slay me | [click] | [inhale] the said johnne leslye |
of london rotting wanting out | [click] | [inhale] the scots activist a |
through the older scots period | [click] | [inhale] the second thing in |
much easier to listen to | [click] | [inhale] then the great batell |
red and head the nochtwithstanding | [click] | [inhale] there are scots grammatical |
eh the punctuation is modernised | [click] | [inhale] this is the kind |
that you associate with speech | [click] | [inhale] this kind of written |
so what could they follow | [click] | [inhale] well generally you can |
scots by the mid 1500s | [click] | [inhale] what i m suggesting |
a handout there you go | [click] | [inhale] what we re going |
one sentence half a page | [click] | murder to read [click] [inhale] |
to happen [click] [inhale] ehm | [click] | something like this process is |
er not just of the | [click] | sixteenth and seventeenth centuries but |
was going underneath the m608: | [click] | m194: people goin tae tae |
wages and that was- m608: | [click] | m194: uh that wasn t |
eh loch [inaudible] m608: mmhm | [click] | mm m194: so they could |
be a transit camp m608: | [click] | right m194: and that s |
the airforcemen slept there m608: | [click] | right m194: but then they |
just a wooden ramp m608: | [click] | right m194: the w- the |
in the the aircraft erm | [click] | the barges m608: yup m194: |
things like and or but | [click] | so that s one model |
er the history of scotland | [click] | erm he wrote this history |
scots five hundred years ago | [click] | you re getting these french |
the natural medium for writing | [click] | after the norman period begins |
and maths and so on | [click] | ehm so m608: mm m078: |
in ayr as well m642: | [click] | oh very much so m608: |
of of the time m608: | [click] | we re going to have |
er you know just erm | [click] | confrontation how ignorant then or |
t have been that important | [click] | erm i don t know |
the kind of the erm | [click] | the [?]delighten[/?] sound i think |
f1025: mmhm f1054: funny words | [click] | ehm what aboot er er |
of the queen s party | [click] | er the word sook might |
m078: from the norm ehm | [click] | so part of the er |
of of of 1798 ehm | [click] | eh james hi- quigley was |
m1007: somebody who is ehm | [click] | quick witted there s many |
reading scots m055: [tut] eh | [click] | i think th- there is |
it s because of subtitles | [click] | that is the kind of |
and round f1089: [cough] m1090: | [click] | cars f1089: don t go |
of the governance of princes | [click] | these treatises were translated from |
of word order for example | [click] | and eh y- do you |
wasn t working too well | [click] | so he writes a fourth |
take place at that time | [click] | now the tradition of scottish |
you much the same f1024: | [click] | i think i d be |
it was pretty good f631: | [click] | f689: and everybody was impressed |
pretty good f1009: [cough] m1055: | [click] | moody f1009: [um] i had |
f810: the [?]k-cards[/?] yeah f809: | [click] | that was quite a good |
than the anglo saxon text | [click] | it s interesting to take |
rather than listening to it | [click] | all thingis necessarie for the |
doing and i said well | [click] | i m bringing up the |
the people come to scotland | [click] | and then the ability to |
on modern irish poetry m741: | [click] | oh right cool m605: and |
f- to be a priest | [click] | and there would be some |
in many ways there are | [click] | direct references obviously to god |
in scotland become more powerful | [click] | there s an increasing demand |
that was fine but em | [click] | f631: and did you go |
just pick it up again | [click] | stick it on m819: i |
and when it s over | [click] | [clicks fingers] you get a full |
henryson s orpheus and eurydice | [click] | and you can compare it |
show you your snaps sam | [click] | he says i showed them |
aw that s cute f646: | [click] | but oh no i loved |
huh f646: [inaudible] the mowdy | [click] | but the man wi the |
crack a joke maybe f807: | [click] | f806: but in australia not |
does horsie say m1094: [click clock click clock] | [click] | f1093: i can see it |
s alright f809: okay f810: | [click] | and the uni s givin |
never forget it she says | [click] | willie he was sittin cradlin |
wheel kicked up on f643: | [click] | m642: to the kerbing f643: |
the air in ye know | [click] | that s why i say |
identified with an increasing anglicisation | [click] | that the reformers won significantly |