andy
See this word as a collocate cloud
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| and lauderdale ld kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab lamont johann |
| east scotland con kerr mr | andy | east kilbride lab livingstone marilyn |
| east scotland con kerr mr | andy | east kilbride lab livingstone marilyn |
| and lauderdale ld kerr mr | andy | east kilbride lab livingstone marilyn |
| and lauderdale ld kerr mr | andy | east kilbride lab livingstone marilyn |
| works of maintenance are mr | andy | kerr 10 in section 11 |
| insert their section 11a mr | andy | kerr 11 in section 11a |
| of authority section 18 mr | andy | kerr 12 in section 18 |
| 11 leave out attributable mr | andy | kerr 13 in section 18 |
| subsection 1b section 19a mr | andy | kerr 14 in section 19a |
| scottish parliament section 23 mr | andy | kerr 15 in section 23 |
| subsections 5a and 5b mr | andy | kerr 16 in section 23 |
| fire occurs section 7 mr | andy | kerr 17 in section 7 |
| be 18 section 25a mr | andy | kerr 18 in section 25a |
| 3a 9 section 25f mr | andy | kerr 19 in section 25f |
| or otherwise section 25g mr | andy | kerr 20 in section 25g |
| in particular make provision mr | andy | kerr 21 in section 25g |
| case after section 25i mr | andy | kerr 22 after section 25i |
| scottish parliament section 25j mr | andy | kerr 23 in section 25j |
| made to local authorities mr | andy | kerr 24 in section 25j |
| made to local authorities mr | andy | kerr 25 in section 25j |
| 1 b of that mr | andy | kerr 26 in section 25j |
| made to local authorities mr | andy | kerr 27 in section 25j |
| fit before section 26 mr | andy | kerr 28 before section 26 |
| into force section 27a mr | andy | kerr 29 in section 27a |
| subsection 5 section 29 mr | andy | kerr 30 in section 29 |
| parliament after section 29 mr | andy | kerr 31 after section 29 |
| under section 1 above mr | andy | kerr 32 after section 29 |
| that respect section 30b mr | andy | kerr 33 in section 30b |
| to subsection 5a below mr | andy | kerr 34 in section 30b |
| of the scottish parliament mr | andy | kerr 35 move section 30b |
| section 25j section 30c mr | andy | kerr 36 in section 30c |
| act 2002 asp 3 mr | andy | kerr 37 in section 30c |
| insert subsection 1 above mr | andy | kerr 38 in section 30c |
| to subsection 5a below mr | andy | kerr 39 in section 30c |
| of the scottish parliament mr | andy | kerr 40 in section 30c |
| stage 2 section 6 mr | andy | kerr 41 in section 6 |
| expenditure insert reasonably incurred mr | andy | kerr 41 move section 30c |
| with section 1 and mr | andy | kerr 42 in section 6 |
| section 27a section 30d mr | andy | kerr 42 move section 30d |
| section 25j section 30e mr | andy | kerr 43 move section 30e |
| 40 and insert it mr | andy | kerr 43 move section 6 |
| section 27 section 34 mr | andy | kerr 44 in section 34 |
| section 23 section 9 mr | andy | kerr 44 move section 9 |
| section 30 section 23 mr | andy | kerr 45 in section 23 |
| act 1967 c 77 mr | andy | kerr 45 in section 34 |
| to subsection 6a below mr | andy | kerr 46 in section 23 |
| and insert part 1 mr | andy | kerr 46 in section 34 |
| under section 21 above mr | andy | kerr 47 in section 23 |
| after 2 insert 4b mr | andy | kerr 47 in section 34 |
| insert and section 23a mr | andy | kerr 48 in section 34 |
| scottish parliament section 34 mr | andy | kerr 48 in section 34 |
| stage 3 section 11 mr | andy | kerr 49 in section 11 |
| stage 2 section 6 mr | andy | kerr 49 in section 6 |
| stage 3 section 10 mr | andy | kerr 5 in section 10 |
| relevant profit sharing agreements mr | andy | kerr 50 in section 11 |
| case may be 18 mr | andy | kerr 50 in section 6 |
| those operations section 23a mr | andy | kerr 51 in section 23a |
| be 18 section 9 mr | andy | kerr 51 in section 9 |
| may be 18 above mr | andy | kerr 52 in section 23a |
| may be 18 above mr | andy | kerr 53 in section 23a |
| above after section 25e mr | andy | kerr 54 after section 25e |
| fit after section 31 mr | andy | kerr 55 after section 31 |
| stage 3 section 11 mr | andy | kerr 56 in substitution for |
| to society section 33 mr | andy | kerr 59 in section 33 |
| time amended section 11 mr | andy | kerr 6 in section 11 |
| or divided section 34 mr | andy | kerr 60 in substitution for |
| matters and section 23a mr | andy | kerr 61 in substitution for |
| transport authority section 35 mr | andy | kerr 62 in section 35 |
| words which follow it mr | andy | kerr 7 in section 11 |
| 35 leave out or mr | andy | kerr 8 in section 11 |
| be provide a service mr | andy | kerr 9 in section 11 |
| central scotland ld i thank | andy | kerr and kate maclean for |
| comments that were made by | andy | kerr and kate maclean the |
| committee following the appointment of | andy | kerr as the minister for |
| this course s1m 2626 mr | andy | kerr budget scotland no 3 |
| bill s1m s1m 2674 mr | andy | kerr budget scotland no 3 |
| 4 bill s1m 3785 mr | andy | kerr budget scotland no 4 |
| 4 bill s1m 3886 mr | andy | kerr budget scotland no 4 |
| eadie robin harper janis hughes | andy | kerr convener des mcnulty murray |
| brian monteith s1m 3203 mr | andy | kerr criminal justice scotland bill |
| brian adam s1m 3102 mr | andy | kerr debt arrangement and attachment |
| achieve a level playing field | andy | kerr doubted that local authorities |
| colleagues will join me mr | andy | kerr east kilbride lab given |
| the snp 10 01 mr | andy | kerr east kilbride lab i |
| jackson glasgow govan lab mr | andy | kerr east kilbride lab mr |
| west of scotland snp mr | andy | kerr east kilbride lab mr |
| roadmen and the fencers mr | andy | kerr east kilbride lab rose |
| north east fife ld mr | andy | kerr east kilbride lab shona |
| private sector shona robison will | andy | kerr give way mr kerr |
| given with great passion by | andy | kerr he expressed no faith |
| maclean dundee west lab like | andy | kerr i find the decision |
| scotland bill supported by mr | andy | kerr iain gray allan wilson |
| in the name of mr | andy | kerr insert at end but |
| in the name of mr | andy | kerr insert at end but |
| approach s1m 3228 2 mr | andy | kerr investment in public infrastructure |
| amendments s1m 3228 2 mr | andy | kerr investment in public infrastructure |
| two and a half years | andy | kerr is widely recognised as |
| irene mcgugan s1m 3652 mr | andy | kerr local government in scotland |
| to it supported by mr | andy | kerr lodged on 29 january |
| mr murray tosh convener mr | andy | kerr michael russell mr gil |
| trish godman margaret jamieson mr | andy | kerr mr kenneth macintosh tricia |
| question s1w 33523 by mr | andy | kerr on 14 february 2003 |
| by cathy jamieson and mr | andy | kerr on 15 november 2002 |
| question s1w 30870 by mr | andy | kerr on 15 september 2002 |
| question s1w 20339 by mr | andy | kerr on 17 december 2002 |
| question s1w 28604 by mr | andy | kerr on 17 september 2002 |
| question s1w 25820 by mr | andy | kerr on 18 june 2002 |
| 10 march 2000 and mr | andy | kerr on 20 february 2003 |
| question s1w 30906 by mr | andy | kerr on 21 november 2002 |
| 2 genetically modified organisms mr | andy | kerr on behalf of the |
| than happy to write to | andy | kerr on behalf of the |
| comments of kate maclean and | andy | kerr on that point it |
| in the name of mr | andy | kerr on the financial resolution |
| role that the previous convener | andy | kerr played over the past |
| scotland bill s1m 3729 mr | andy | kerr public appointments and public |
| scotland bill s1m 3224 mr | andy | kerr public appointments and public |
| scotland bill s1m 3349 mr | andy | kerr public appointments and public |
| john mcallion alex neil mr | andy | kerr r elaine smith robert |
| questions that arise from it | andy | kerr referred to the tendering |
| robin harper can we acknowledge | andy | kerr s contribution which was |
| everybody s support i commend | andy | kerr s honesty it is |
| talked about the honesty of | andy | kerr s presentation and called |
| in i pay tribute to | andy | kerr s speech it takes |
| june supported by scott barrie | andy | kerr s1m 33 richard lochhead |
| to it supported by mr | andy | kerr s1m 3806 national holocaust |
| peter peacock s1m 2625 mr | andy | kerr scottish public sector ombudsman |
| authority bill s1m 2884 mr | andy | kerr scottish qualifications authority bill |
| correspondence on the matter as | andy | kerr succinctly put it the |
| budget bill introduced by mr | andy | kerr supported by mr jack |
| line 18 long title mr | andy | kerr supported by peter peacock |
| section 16 section 17 mr | andy | kerr supported by peter peacock |
| paragraphs 3 and 4 mr | andy | kerr supported by peter peacock |
| schedule 3 schedule 4 mr | andy | kerr supported by peter peacock |
| lines 36 and 37 mr | andy | kerr supported by peter peacock |
| in a material regard mr | andy | kerr supported by peter peacock |
| to 23 section 15 mr | andy | kerr supported by peter peacock |
| section 18 section 19 mr | andy | kerr supported by peter peacock |
| and 2 schedule 1 mr | andy | kerr supported by peter peacock |
| end of line 32 mr | andy | kerr supported by peter peacock |
| section 19 section 21 mr | andy | kerr supported by peter peacock |
| section 17 section 18 mr | andy | kerr supported by peter peacock |
| of scotland schedule 2a mr | andy | kerr supported by peter peacock |
| committee is repealed and mr | andy | kerr supported by peter peacock |
| lines 21 to 28 mr | andy | kerr supported by peter peacock |
| line 11 section 13 mr | andy | kerr supported by peter peacock |
| as regards the code mr | andy | kerr supported by peter peacock |
| stage 3 section 2 mr | andy | kerr supported by peter peacock |
| 14 5 section 23 mr | andy | kerr supported by peter peacock |
| section 15 section 16 mr | andy | kerr supported by peter peacock |
| leave out line 31 mr | andy | kerr supported by peter peacock |
| and insert are repealed mr | andy | kerr supported by peter peacock |
| end of line 10 mr | andy | kerr supported by peter peacock |
| those terms schedule 3 mr | andy | kerr supported by peter peacock |
| the house schedule 2 mr | andy | kerr supported by peter peacock |
| conveyancing and executry services mr | andy | kerr supported by peter peacock |
| specified authorities section 4 mr | andy | kerr supported by peter peacock |
| line 5 section 3 mr | andy | kerr supported by peter peacock |
| end of line 9 mr | andy | kerr supported by peter peacock |
| i remember some of what | andy | kerr talked about under the |
| i note that my colleague | andy | kerr the minister for finance |
| government fund s1m 3150 mr | andy | kerr the modernising government fund |
| reduction scheme s1w 19634 mr | andy | kerr to ask the scottish |
| development s1o 3778 10 mr | andy | kerr to ask the scottish |
| should follow the approach that | andy | kerr took with a relatively |
| peter gibb robin callander and | andy | wightman land reform scotland professor |
| main thing as for you | andy | andy i ken mr beaumont |
| the day efter the morn | andy | but sir beaumont the day |
| she follows jack beaumont sink | andy | comes in from outside andy |
| deana adopted daughter of beaumonts | andy | dockyard foreman caird beaumont s |
| beaumont betty mrs beaumont or | andy | either beaumont andy whit do |
| beaumont how do you mean | andy | even an auld working man |
| bottom wi all hands beaumont | andy | god be here whit gars |
| co operate you get feart | andy | i am feart mr beaumont |
| beaumont angrily whit s ado | andy | i just wanted to ken |
| thing as for you andy | andy | i ken mr beaumont i |
| to say beaumont hm weel | andy | i m heart sorry that |
| her sewing andy comes in | andy | morning sir beaumont good morning |
| can quit this very minute | andy | mr beaumont hae ye ever |
| taen a strunt at them | andy | mr beaumont i m nearhaun |
| caird oh you re there | andy | mr beaumont sent for me |
| the day efter the morn | andy | mr beaumont ye micht as |
| surely you could see by | andy | s looks beaumont andy s |
| by andy s looks beaumont | andy | s reassured me completely i |
| the indian girl will sail | andy | the morn beaumont aye andy |
| andy the morn beaumont aye | andy | very weel he nods and |
| me tell me mrs beaumont | andy | was as feart as i |
| the parting of the ways | andy | we re no parting beaumont |
| the poor humble folk beaumont | andy | we ve been ower all |
| beaumont or andy either beaumont | andy | whit do you ken o |
| guid and proper weel goodnicht | andy | andy good nicht sir and |
| goes out with her sewing | andy | comes in andy morning sir |
| andy comes in from outside | andy | excuse me sir can you |
| the parting o the ways | andy | forgie me please andy whit |
| and proper weel goodnicht andy | andy | good nicht sir and thank |
| i want andy i want | andy | i can hear my daddy |
| with my fists i want | andy | i shout i want andy |
| andy i shout i want | andy | i want andy i can |
| s yer name he asked | andy | i whispered back andy whit |
| i whispered back andy whit | andy | robb listen then yer name |
| asked andy i whispered back | andy | whit andy robb listen then |
| ways andy forgie me please | andy | whit but the ship didny |
| wi your place in society | andy | it s no that sir |
| s to be done richt | andy | it will be sir and |
| a trace of menace sir | andy | macphail is coming round if |
| mastering courage sir i said | andy | macphail sir no no no |
| no think o that caird | andy | disny hold wi capital mr |
| ask such a daftlike question | andy | i want tae ken mr |
| he exits in one direction | andy | in the other mr rowland |
| why i sent for ye | andy | mr caird said something yesterday |
| scotland mr ian fraser smith | andy | o neill cosla pat watters |
| the mattress miss wood sends | andy | back to his seat fiona |
| perfect but even bigger fiona | andy | can see has finished a |
| arrives at the door carrying | andy | fiona turns her head with |
| shutting the gate so that | andy | is well past fiona s |
| see your little friend fiona | andy | lets himself be dressed without |
| has almost bitten in half | andy | looks to his left fiona |
| my thoughts about fiona seventhly | andy | macphail i feel bad about |
| back to fiona at once | andy | refuses to part with the |
| say goodnight to fiona says | andy | s mother be a good |
| maker smack smack repeats fiona | andy | s shoulders can be seen |
| beside fiona and let wee | andy | see her he carries on |
| no strap at sunday school | andy | sees the pencil fiona gave |
| all copy cat whispers fiona | andy | sits down that s guid |
| glances at fiona and geordie | andy | tries several deep breaths as |
| so will fiona and wee | andy | under the duvet they ll |
| themselves be honest fiona but | andy | why did i tell mournful |
| of smile and becomes wee | andy | again where has this magic |
| into her canvas holdall wee | andy | and i twist our necks |
| and i can hear wee | andy | applying himself to his rhythmical |
| fists and then producing wee | andy | as if she was shelling |
| mum suddenly i hear wee | andy | bawling i wake and find |
| known very well as wee | andy | bryce o the [?]seabies[/?] hotel |
| then to the ladies wee | andy | doesn t mind when i |
| careful not to distract wee | andy | from his exertions the tee |
| now i am bouncing wee | andy | from side to side as |
| red ring on which wee | andy | has been chomping his gums |
| again close up against wee | andy | i m not sure if |
| at this precise moment wee | andy | interrupts by snorting and twitching |
| far as we know wee | andy | is entire and hetero you |
| as i write that wee | andy | is learning that his mother |
| look and see that wee | andy | is playing a game a |
| i can ever remember wee | andy | is positioned between us armed |
| away from her ears wee | andy | puts his thumb into his |
| the hummock that is wee | andy | putting out the rubbish bags |
| my feelings and probably wee | andy | s and the studio and |
| all is not eden wee | andy | s eyes are darker every |
| to plan except that wee | andy | s eyes open just as |
| are yer kids then wee | andy | s in australia very busy |
| too my responses to wee | andy | s raging being more complex |
| to i go to wee | andy | s room and he is |
| from the direction of wee | andy | s room the noise is |
| and takes them into wee | andy | s room where there is |
| across the studio to wee | andy | s room with one hand |
| hands are over ears wee | andy | sees her and reveals that |
| attempts are interrupted by wee | andy | showing signs of having finished |
| rocks if they did wee | andy | smells okay missing his bath |
| re arranging ourselves and wee | andy | starts his rhythm again he |
| all round i bring wee | andy | to the table sit him |
| says to me instantly wee | andy | turns to her voice his |
| anything else is unthinkable wee | andy | twitches again turns towards his |
| velux window and hold wee | andy | up so that he can |
| jejune she said but wee | andy | was home from australia and |
| that i never could wee | andy | wee drew melanie klein and |
| i actually threatened our wee | andy | with oot the windae before |
| and juice while mother sits | andy | firmly on the floor he |
| change your underpants says mother | andy | goes upstairs and sits on |
| mother returns to the sink | andy | puts his left thumb in |
| and it stops mother inspects | andy | s head and knees for |
| have to complains mother for | andy | s rhythmical sucking can be |
| oh no shouts mother for | andy | s stink is indeed filling |
| back father doesn t smack | andy | says mother hastily he just |
| open tin selfies says mother | andy | seems to ponder for a |
| phimister can t write but | andy | takes no notice mother says |
| hesitating then goes quickly after | andy | as if to call him |
| tell the rector about him | andy | goes blind and deaf with |
| the cross goes away and | andy | goes on thinking about his |
| and stand on the floor | andy | goes out and stands by |
| the door on the left | andy | goes to knock on it |
| thing and gives it to | andy | who goes quiet she strokes |
| she goes past looks at | andy | with wide open eyes is |
| can see it she says | andy | can t tell how angry |
| writing jotters she says it | andy | is good at writing not |
| late for school she says | andy | rushes off one hand in |
| guid says geordie looking at | andy | s apple and dribbling his |
| wood says wake up robb | andy | stands up but he has |
| hurry there s your old | andy | then he says trying to |
| that yourself says miss wood | andy | tries still holding his breath |
| edinburgh i m scared too | andy | but not so scared i |
| too like a school jotter | andy | dawdles along opening it and |
| too but there are limits | andy | how dare you give it |
| coming over the partition but | andy | is in too much of |
| usually the glasgow bulletin and | andy | isn t too happy about |
| ll be too stewed for | andy | now and i ll go |
| her fat legs moving fast | andy | runs too he can t |
| and koo stark too somehow | andy | s foetid nearness and our |
| slip down and run after | andy | too he is dodging and |
| like those girls i believed | andy | too when he started to |
| a lady smell too so | andy | tries to hold his breath |
| to settle in the new | andy | usual all too familiar routine |
| irrelevant too but comforting oh | andy | we are going to see |
| runs away home still holding | andy | away from her as if |
| dead obviously they ve taken | andy | away so the other bed |
| brother has just shoved him | andy | gallops away to where geordie |
| her shiny pen knife sharpens | andy | s pencil and moves away |
| big brother away much quicker | andy | sees a gap under the |
| feels so he turns away | andy | sits up as properly as |
| bear thinking about right away | andy | started to work up some |
| away and looking uncertainly from | andy | to me i m awaa |
| i widny care to name | andy | aye it s true enough |
| have for this creature if | andy | has a name for it |
| listen then yer name s | andy | macphail that s whit us |
| legs is the polite name | andy | s parents and older brother |
| yer name s macphail randy | andy | that s me i said |
| seeven whit aboot me demanded | andy | in a squeaky voice ach |
| she always knows christ said | andy | wiping his bum whit s |
| wha s forced my hand | andy | you re asking for whit |
| hair and said nice work | andy | after looking confused for a |
| businesslike well after midnight dear | andy | i don t know what |
| geordie turns and runs and | andy | runs after him the pain |
| geordie sits down he gives | andy | a dig with his elbow |
| on to her second calmly | andy | also starts on his bs |
| bell it must ring soon | andy | breaks his pencil again but |
| they had been switched off | andy | brushes his lips across the |
| his tennis ball faster than | andy | can run weaving in and |
| him round his neck is | andy | catatonic i whisper of course |
| front of the class so | andy | finishes his line of 7s |
| to join me in thanking | andy | for his substantial work on |
| and dirty and sun burned | andy | glances down at his own |
| cry then i see that | andy | has longley under his arm |
| his big brass bell and | andy | has to fight for his |
| of his jotter and writes | andy | he does it again and |
| somebody s great granny now | andy | is glad to remember his |
| it s easy to spell | andy | is lost in his secret |
| his pee make a froth | andy | is sure that geordie s |
| sighs he smells of vinegar | andy | lifts his hand off the |
| to be seen in it | andy | lifts his head and toddles |
| under the desk at playtime | andy | puts his note book under |
| if he had clean underpants | andy | remembers his saturday penny and |
| you supposed to stay sane | andy | rubbed his arm and grinned |
| a special favourite of his | andy | runs as fast as he |
| of capital a so does | andy | s big brother his big |
| t be in his book | andy | s mind if that s |
| it s home time and | andy | straps up his school bag |
| boys in class by class | andy | swings his arms very stiffly |
| pocket in his khaki jersey | andy | takes it it smells nice |
| his pencil my big brother | andy | thinks writes his figures very |
| it sounds awful as if | andy | was going to die his |
| and got a haud o | andy | we went out in his |
| miss wood who made him | andy | wishes with all his heart |
| the tin from him but | andy | wraps his arms tightly round |
| solemn still the same old | andy | effect you look stunning in |
| he is still a friend | andy | hasn t dared to tell |
| loo still taking no notice | andy | mutters the archetypical obscenity a |
| last glimpse and whiff of | andy | still sitting on the po |
| am and maybe both together | andy | the hard man i still |
| me reminding me somehow that | andy | was still locked up in |
| stood still fir chris sake | andy | we ve nae time tae |
| be there she s pregnant | andy | you still there yes i |
| s gone they start again | andy | has got to pee so |
| the front again watching her | andy | notices that her long thin |
| answering again works she gives | andy | stewed apples and creamola another |
| you 5 35 a m | andy | you again writing to you |
| now at last mummy catches | andy | and carries him past our |
| arms round him she likes | andy | and wants to steal him |
| giving him a few shakes | andy | continues to kiss the face |
| to hop and skip and | andy | copies him the pain just |
| gladys i thocht mary mairried | andy | farquhar him that played golf |
| na he used tae tak | andy | farquhar roon wi him when |
| on me she picks up | andy | round the waist holds him |
| jean at all she takes | andy | s haipny and gives him |
| words at a meal before | andy | the other two call him |
| farquhar roon wi him when | andy | was a loon bessie oh |
| wha d shopped him when | andy | went on to moan about |
| considerable in a formal way | andy | did an extremely good job |
| why dae ye dae that | andy | for the good o the |
| is up to he writes | andy | is a good boy right |
| about jesus dying for us | andy | is not good at listening |
| ve not had that yet | andy | it s a good one |
| her head through and shouts | andy | robb is no good chop |
| the good friend he is | andy | starts to read but not |
| executive s proposal to nominate | andy | baird proposed by stuc professor |
| executive s proposal to nominate | andy | baird proposed by stuc professor |
| upside down by one leg | andy | creates a diversion he throws |
| by yet more screams from | andy | he is trying to wrench |
| usually bide by my word | andy | then by the morn i |
| t want me to see | andy | any more i don t |
| get to know the new | andy | but i haven t summoned |
| grown ups have boring secrets | andy | can t run as fast |
| it worked very well as | andy | couldn t thole any silence |
| expression or saying anything but | andy | doesn t care the note |
| the other two mind you | andy | doesn t like being laughed |
| wet get a biccy yourself | andy | doesn t understand he knows |
| one of their tea breaks | andy | doesn t understand the jokes |
| i haven t forgotten about | andy | either i start to shout |
| very angry if she caught | andy | fighting she doesn t even |
| for security mum pondered and | andy | for kicks i wouldn t |
| the man wasn t looking | andy | gives up the chase and |
| doesn t care every time | andy | has to turn a page |
| but you can t see | andy | he s being a bad |
| no i m not protested | andy | i bet she can t |
| don t understand i want | andy | i say quietly but loud |
| who won t like that | andy | is a bad boy i |
| t tell cross my heart | andy | is forced to tell it |
| course because of the strap | andy | isn t noticing that he |
| i probably caught it from | andy | macphail if it isn t |
| pencil but he can t | andy | needs to go to the |
| is daddy long legs but | andy | pretends he can t say |
| can t teach you much | andy | the point of your shoulder |
| i wasn t the right | andy | then what would happen as |
| don t believe it but | andy | was street wise i m |
| and i love you saturday | andy | why didn t you just |
| didn t look at you | andy | you remember morag i said |
| very unhappy i must see | andy | i throw myself out of |
| put yeah f1054: very sedate | andy | yeah eh what aboot er |
| through in a satisfactory mainner | andy | you gied me very little |
| i ll swop her for | andy | and ee do jobbie comments |
| will have her eye on | andy | because he lost the place |
| and takes out her strap | andy | can now see and hear |
| her that was mairried tae | andy | farquhar gladys aye bessie she |
| have had miss wood and | andy | feels safe enough in her |
| continues quietly with this game | andy | is glowering fixedly at her |
| her along to see how | andy | is okay give in to |
| boss in her own classroom | andy | just carries on writing it |
| forward and counting the pencils | andy | knows from her strict voice |
| sweet smile on her face | andy | knows that it is not |
| she murmurs disengaging her leg | andy | makes a half hearted attempt |
| on to the handle while | andy | rushes at her as fast |
| she is stuck up but | andy | secretly worships her he wouldn |
| her steady slobbering of it | andy | sits and glowers at her |
| aye been a guid maister | andy | all the waur for me |
| planning deep down inside me | andy | i called out come on |
| told me to tell ye | andy | i d raither see the |
| your reliability what with brother | andy | letting me down and mum |
| be gieing you your books | andy | me laughs you re joking |
| else to say to me | andy | naething else i ken o |
| me on my mattress to | andy | on the loo which of |
| me it canny be done | andy | wi the number o men |
| that if i were you | andy | ye couldny turn me aff |
| you re a thrawn man | andy | you re standing forenenst me |
| mind i said kiss me | andy | your face was plastered with |
| be nae progress at all | andy | i want progress as weel |
| i want to meet them | andy | so we had that quarrel |
| quarrel you re a liar | andy | maybe i am why can |
| you think you can promise | andy | the indian girl will be |
| easy man to work wi | andy | the palm tree can sail |
| round capital a a for | andy | a for apple he writes |
| white glare ye re no | andy | at aa he cried the |
| true he s fashious is | andy | aye steirin up trouble but |
| when he speaks to caird | andy | betty less so with jack |
| hear he s my business | andy | but if i agree to |
| pencil in the top corner | andy | gets excited for he realises |
| bocht that he asks yes | andy | has to answer ye re |
| a real hot rod eh | andy | he asked eagerly monosyllables seemed |
| from my going out with | andy | he s like left over |
| yer face tae the waa | andy | i did as he commanded |
| will break up the community | andy | i dinna mean what he |
| what about joe you asked | andy | i said he was my |
| your profile he s the | andy | i ve always known but |
| square coloured paper drawing books | andy | looks at the drawing he |
| bed here s the real | andy | mcphail he tumed to my |
| my alter ego this is | andy | robb he s been mistook |
| of the sweetie shop attracts | andy | s attention and he forgets |
| with first of all were | andy | s complaints he was full |
| of biscuit crumbs and slime | andy | s glower becomes inward he |
| geordie takes no notice of | andy | so he gallops on but |
| about letting the class out | andy | thinks he is going to |
| an hour late that s | andy | where was he supposed to |
| who were the hardest men | andy | whoever he was came from |
| are going to a funeral | andy | wishes he could hide them |
| scheme it s your choice | andy | ah weel if that s |
| to your lean and alabaster | andy | but what will dad say |
| as weel but ye haveny | andy | but ye could pit your |
| go up to your room | andy | climbs the first few steps |
| not raising your head but | andy | i could feel tears coming |
| play a learie nancy willy | andy | lily bring your whip and |
| enough of your dirty ways | andy | puts the smacked hand to |
| then back at miss wood | andy | drifts off into a day |
| s hats and everyone but | andy | has gone back to them |
| back at the the place | andy | knows what she s doing |
| s back and picks up | andy | quite roughly but she doesn |
| the two mothers look at | andy | s back which conveys to |
| go mad first back to | andy | s chatter the more i |
| should learn to write properly | andy | snatches it back and crawls |
| better than flesh and blood | andy | and you re insisting on |
| man okay ye re randy | andy | that sexy ye cannae wait |
| need to tak anither gait | andy | ye dinny mean ye re |
| cannae yaise that nooadays listen | andy | ye re no to think |
| o things at the yard | andy | you re nae further forward |
| group of girls who see | andy | looking and turn to each |
| hall in glesca tae see | andy | williams in concert at the |
| it s time you went | andy | i said saturday 6 a |
| silly i said you know | andy | indeed i do she murmured |
| eh afore ye were mairied | andy | how would she hae described |
| when will she move another | andy | into the other bed i |
| write apple underneath she asks | andy | is not happy about this |
| be ready will she no | andy | she ll be ready but |
| kind of an affectionate one | andy | she s nuts she is |
| swop the little b for | andy | the day she s born |
| ribs but oh my darling | andy | i was also desperate to |
| call you anything in particular | andy | m1014: no but that s |
| an enormous slamming noise and | andy | nearly faints but it is |
| just talking about them makes | andy | s fingers seem smaller but |
| going out to ballyhillock with | andy | this morning but there was |
| up and gives it to | andy | and the screams stop as |
| up giddy up giddy up | andy | is not allowed to go |
| up there is no choice | andy | s like a brother you |
| letting go of the handle | andy | stops screaming reaches up and |
| pilot began to girn so | andy | summoned up the smeddum in |
| to have a fierce friend | andy | thinks getting fed up with |
| it will be safe for | andy | to walk up and down |
| cases outside the grand cinema | andy | gallops in and out of |
| gives the magic signal and | andy | marches out with the others |
| it out and hide it | andy | s commode would be a |
| way of overcoming it which | andy | am i writing about there |
| these kinds of questions about | andy | and not all of them |
| ve been ower all that | andy | aye then the indian girl |
| that solution myself especially the | andy | bit i m not that |
| what i m thinking o | andy | for it would create ill |
| 4 50 a m dear | andy | i have changed my mind |
| saturday 5 15 a m | andy | that phone call yesterday was |
| july 4 45 a m | andy | why the hell did you |
| goods or music hall jokes | andy | has another go at sucking |
| now as you well know | andy | has been misbehaving ha ha |
| everybody in the whole world | andy | knows that there has been |
| fashion has been heard telling | andy | that it must have been |
| faced skinny carroty curly haired | andy | who has been such a |
| and reaches for the handle | andy | who has been watching intently |
| the men on saturday evenings | andy | i thocht my free time |
| plenty oh my innocent innocent | andy | it s not as simple |
| daddy wants to know if | andy | is all right now as |
| it could if it was | andy | robb morag s wasted no |
| like being touched girls continued | andy | were snobs if they did |
| f1054: where did you go | andy | m1014: i went around the |
| who should go and chase | andy | they were so angry with |
| for its nasty nuances foetid | andy | and i had another silence |
| i share with the current | andy | and two other ancients it |
| wait till doomsday and beyond | andy | broke the silence i wish |
| is going to bed with | andy | i really truly wish i |
| peat smell sexy now oh | andy | i whispered trying to dry |
| it i have tae say | andy | m1014: been on holiday yes |
| aboot a kit of tools | andy | m1014: i ve just got |
| any ither bother bein understood | andy | m1014: oh often yes i |
| video the modern equivalent of | andy | stewart i am not envisaging |
| the yard for five weeks | andy | the american boat i took |
| caird i canny credit that | andy | wid dae sic a thing |
| wives and their queer ways | andy | willie i mean adds a |
| joe i answered it s | andy | you i snapped irritated at |
| removing beastie s lacy knickers | andy | crawls behind the sofa puts |
| the twa lassies gladys nae | andy | farquhar s wife bessie na |
| let s start wi you | andy | for that m1014: for what |
| into a kind of dare | andy | knows it s a dare |
| parked outside somebody s house | andy | likes cars much better than |
| when it s raining heavily | andy | m1014: oh it s pourin |
| what a tide mark is | andy | s feelings are confused they |
| impatiently wrenching the tin from | andy | s grasp and putting it |
| comes into the room with | andy | s outdoor clothes come on |
| nicer than the effluvia from | andy | s rotten guts and from |
| on or off the throne | andy | s voice was high pitched |
| you are a quiet child | andy | s wailing crescendoes to a |
| repairs hae been done richt | andy | the weather s guid and |
| asked for our just deserts | andy | comes in from the garden |
| learned it from that wet | andy | robb room at the top |
| rowland is reading to them | andy | the foreman from the shipyard |
| friend from down the street | andy | the stick insect is standing |
| had to be you grotty | andy | robb of all people as |
| wha- when dae they graduate | andy | you ve seen it all |
| being dragged through the glaur | andy | it ll no harm you |
| listen there is no problem | andy | may be like a brother |
| it ower looks like new | andy | had been working on it |
| wheen o scribes went hungry | andy | would you hae been pleased |
| only twelve of them including | andy | and geordie and of course |
| at the class room door | andy | breaks into a run and |
| macafee dauvit horsbroch gavin falconer | andy | eagle er ian parsley and |
| books and find the place | andy | finds the right page puts |
| lucky not getting the strap | andy | forgets the girls and the |
| really must selfies selfies shouts | andy | grabbing the plastic potty and |
| muckle time reading and thinking | andy | it ll dae ye nae |
| the insanitary and obscene object | andy | never shows it any attention |
| streak and a long stalk | andy | opens the dusty little crayon |
| neither of those we d | andy | the brawler and desmond the |
| tools skills and feeling small | andy | tries to copy the figure |
| perfect red heart and as | andy | watches writes a l p |
| clobber and dance along to | andy | williams and shirley bassey desperate |
| continued until the late 1980s | andy | winning butcher and game dealer |
| might just say it to | andy | as a sister to brother |
| eh f1054: just keep fillin | andy | until [inaudible] m1014: nothing else |
| while they are at school | andy | retires behind the sofa clutching |
| inch long stub properly sharpened | andy | takes it not looking at |
| bright yellow pigtails together oh | andy | do you have to complains |
| speak aboot gutties would you | andy | m1014: pardon f1054: gutties gutties |
| maister wants you to hear | andy | the maister wouldny hae put |
| o those you know the | andy | warhol marilyn monroe thing m942: |
| other girls join in so | andy | runs to the front of |
| dashes mum mutters gabrielle grumbles | andy | asks what the time is |
| wire helen tells morag black | andy | is three days drunk aucholzie |
| that the stalk is green | andy | stands there unable to think |
| in a tv thriller hey | andy | c moan in shouted a |
| gate in the privet hedge | andy | slows to a walk that |
| adult in the building when | andy | was admitted jimmy a queer |
| enterprise john mason scottish executive | andy | bishop scottish executive claire smith |
| it a l p means | andy | loves pamela girls are always |
| aboot the opposite lackin money | andy | m1014: pardon f1054: lacking money |
| 10 other members were professor | andy | mcmillan of the mackintosh school |
| eddie bain cosla legal adviser | andy | o neill cosla policy officer |
| it must be nearly over | andy | remembers that it will be |
Top

