ballad
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| innermessan in his poem the | ballad | of semmerwater sir william watson |
| unlike the semmerwater of the | ballad | of that name and other |
| the form that defines the | ballad | better for us it is |
| peter quince to write a | ballad | of bottom s dream revealing |
| despite its tragedy therefore this | ballad | is not entirely a victim |
| evermair the tragedy in this | ballad | is not entirely unrelieved however |
| and in particular on the | ballad | corpus of anna gordon mrs |
| element in anna gordon s | ballad | singing has been challenged by |
| of janet little and the | ballad | singing of anna gordon pagan |
| historicism and antiquarianism poetry and | ballad | revival and also of english |
| although some versions of the | ballad | show that willie recognises his |
| should be the most familiar | ballad | versions certainly the ones in |
| upon vernacular tradition in their | ballad | singing and song composition although |
| that the concepts of the | ballad | and even folksong itself are |
| our expectation of what a | ballad | should be the most familiar |
| in his important study the | ballad | and the folk david buchan |
| 1 11 david buchan the | ballad | and the folk london routledge |
| by john hearne s the | ballad | of the buchan lady performed |
| educated including upper class women | ballad | singers and song writers such |
| not overwell suit a popular | ballad | 4 187 but i cannot |
| in contemporary popular song a | ballad | is simply a slow song |
| another striking element of the | ballad | is maggie s devotion while |
| as with practical criticism the | ballad | represents the persistence of a |
| century so that its strong | ballad | tradition and the processes of |
| the frankenstein theme in the | ballad | o mary shelley s creature |
| worried about tailoring your own | ballad | from the version as available |
| in this version o the | ballad | the wumman is temptit to |
| the comparison of the traditional | ballad | jock of hasilgreen with scott |
| elphinstane institute rin bothy traditional | ballad | screivin wirkshops at cullerlie fowk |
| it is not unusual by | ballad | standards her immediate calm determination |
| in his writings in his | ballad | in blank verse of the |
| an impressive movement in the | ballad | she is more active than |
| this poem davidson uses a | ballad | form highly reminiscent of a |
| davidson s ballads in his | ballad | of a coward which is |
| disarray the universe in a | ballad | of hell davidson s heroine |
| the words of the old | ballad | in slightly amended form once |
| adventurous in the selection of | ballad | folk texts not always selecting |
| when we ask what a | ballad | is we should perhaps follow |
| wanted to know what the | ballad | meant sense she seems to |
| i sang tae pass the | ballad | on a gift frae ane |
| fishin ane o a radio | ballad | series makkit fur the bbc |
| does this count as a | ballad | o bessie bell and mary |
| and stay at home the | ballad | shows the mother s love |
| the old bog road irish | ballad | comin on tae the eyn |
| the centre o the scots | ballad | the daemon lover o where |
| basic questions what is a | ballad | where do i find them |
| offer the beauty of this | ballad | is that it matches the |
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