ballads
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| become a wife lyle scottish | ballads | 79 in this version o |
| emily b lyle s scottish | ballads | published by canongate the greig |
| an kerr s buchan bothy | ballads | alang wi ford s vagabond |
| by tam reid singing bothy | ballads | and reciting scots poems his |
| separate genres the border riding | ballads | and the north east bothy |
| and the north east bothy | ballads | each of them reflects a |
| countryside willie kemp on bothy | ballads | in a funny kyn o |
| similar charge at the bothy | ballads | many of them immortalise masters |
| some scots songs and bothy | ballads | the school had available poetry |
| she thinks that reciting russian | ballads | to me will give me |
| the dean and these gaelic | ballads | are written [tut] in a |
| dean of lismore the gaelic | ballads | in the book of the |
| hamish henderson says the riding | ballads | are a bit like damon |
| biggest problem with the riding | ballads | is that they can become |
| hardihood of the border riding | ballads | there s lots of help |
| ford s vagabond songs and | ballads | of scotland were tae become |
| while james reed the border | ballads | london 1975 is also useful |
| 1971 james reed the border | ballads | london 1975 there are many |
| of german folk songs and | ballads | and his demonstration of the |
| educated women who had learned | ballads | and scots songs in their |
| the various traditional forms while | ballads | and songs are discussed primarily |
| the radical horizon of lyrical | ballads | and songs of innocence and |
| nature of that culture with | ballads | oral tradition folk songs and |
| folk or traditional song the | ballads | are probably the oldest group |
| that anna gordon recreated her | ballads | at each singing in the |
| for buchan mrs brown s | ballads | constitute the oldest extant corpus |
| female centred nature of the | ballads | in anna gordon s repertoire |
| macdiarmid argues that the best | ballads | are so good they must |
| ballads and indeed of all | ballads | adolescent groups might find willie |
| the most beautiful of our | ballads | and indeed of all ballads |
| in their singing of these | ballads | or in the composing of |
| preserving and promoting the traditional | ballads | of the north east this |
| the english and scottish popular | ballads | a five volume compendium published |
| childe english and scottish popular | ballads | but an easily available collection |
| of oral composition by which | ballads | were once created and transmitted |
| a minister who learned her | ballads | partly from her mother and |
| the psalms and the scottish | ballads | as well as the poetry |
| may the women of the | ballads | and their undertakings often present |
| of the best transmitters of | ballads | seem to have been women |
| of fairy tales myths and | ballads | with women at their centre |
| ibid p 64 13 both | ballads | are in catherine kerrigan ed |
| general knowledge text and various | ballads | which ira is working on |
| child 83 child maurice the | ballads | are something are something to |
| one of the difficulties the | ballads | present to modern readers may |
| is probably through the magical | ballads | like thomas the rhymer or |
| or nae scots ava the | ballads | are screived in fit s |
| wrang auld scots lays an | ballads | can richt weel express the |
| about these loosely as scots | ballads | even where versions of many |
| storytell bi brakkin up scots | ballads | like a daud o shortbreid |
| there are many selections of | ballads | the main reference being made |
| must be historical and that | ballads | are long very very long |
| just cardboard stereotypes one thing | ballads | are good at is striking |
| anyone who contemplates teaching the | ballads | is quickly going to ask |
| question of who wrote the | ballads | is that it doesn t |
| on the rhythm of the | ballads | she s offered also to |
| husband and her nephew two | ballads | fair mary of wallington and |
| actually turns up in two | ballads | in one jock o the |
| of suicide in davidson s | ballads | in his ballad of a |
| of the context of the | ballads | she hardly had the word |
| recognised as the transmitters of | ballads | the material of which could |
| have been the originators of | ballads | this is certainly what is |
| 1882 1898 which drew together | ballads | from earlier printed collections and |
| mind in dealing with the | ballads | is why teach them or |
| is doing research on the | ballads | and she obviously sees me |
| wedding and fortune that other | ballads | and the happy ever after |
| is ironic that when the | ballads | began to be collected and |
| i loaned neil [censored: surname] lyrical | ballads | three years ago when he |
| if we believe that real | ballads | date from the 1600s they |
| retell it efter aa the | ballads | aye deal wi love daith |
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