character
See this word as a collocate cloud
| woman moll moll cut purse | character | in 17thc drama placket apron |
| passages of narrative about a | character | called the admirable crichton a |
| this amazing story about a | character | called the admirable crichton and |
| the first appearance of this | character | the admirable crichton who later |
| and serious dramatic presentation of | character | narrative skills technical agility with |
| p magoun jr oral formulaic | character | of anglo saxon narrative poetry |
| 8 preserve or enhance the | character | or appearance of the site |
| the 1920s pompitie the main | character | is a gnome with the |
| a reader for the main | character | judy blatt who is at |
| to that s the main | character | mr pip f807: mmhm f806: |
| an mary cairrin the main | character | o the new testament in |
| it be- because the main | character | was a cop it was |
| r 1895 thistledown scotch humour | character | folklore story and anecdote paisley |
| folk fairy tales the grisly | character | of the story is mitigated |
| it gives you insights into | character | and into history and history |
| are part of our national | character | andrew wilson central scotland snp |
| are explorit mark the central | character | fins himself oan a parallel |
| most loved by the central | character | our lady s lane that |
| pygmalion in which the central | character | who is a professor of |
| would have become a major | character | and that would have upse- |
| are of an entirely different | character | they are major and quite |
| m762: this sort of stronger | character | but if she had f963: |
| huh m762: potentially a powerful | character | i think f963: mm m762: |
| huh m762: she is the | character | in that actually so erm |
| education sport the arts and | character | building activities s1w 29302 donald |
| sense but also in the | character | building sense because they they |
| order to maintain the traditional | character | of the building during these |
| the snp of an eccentric | character | called anthony j c kerr |
| we know about bruce s | character | that he should have called |
| in the development of the | character | it also makes the warnings |
| of imagination almost every important | character | makes reference to dreams or |
| that in general the male | character | in the buik disnae come |
| of a general or specific | character | with regard to the discharge |
| of a general or specific | character | with regard to the discharge |
| civilisation and that its unprecedented | character | and horror will always hold |
| she would speak like the | character | did and i always thought |
| always have to determine the | character | of the person who is |
| denotin o a person s | character | ava although eh [laugh] ehm |
| area has both a distinctive | character | and a coherent identity there |
| and both very henrysonian in | character | when they indulge in what |
| because because she became that | character | in the book you know |
| of the year award his | character | is flawed because he stands |
| girl who through strength of | character | endeavour and personality had been |
| it who s a supporting | character | in it who s erm |
| s er there s one | character | who comes from er aberdeen |
| the name that suggested his | character | f718: uh huh f1077: and |
| an extra point if the | character | s name and adjective begin |
| of govan she s the | character | f963: mm yes yeah right |
| wager agin a rael life | character | hrh prince charles hissel aw |
| quebec skyline old quebec has | character | romance life bohemian craziness and |
| world war ii indicates the | character | of the reaction in some |
| ye micht hae reformed ma | character | whyle the war still tyme |
| drinks and get him in | character | as it were erm f606: |
| more like the erm the | character | of the american private eye |
| might predict how such a | character | would behave at that point |
| here he s quite a | character | and i ll miss him |
| her her former friend the | character | of puck also deserves some |
| written something distinctive of our | character | and climate and possessing the |
| our bus was a gentler | character | and one of the few |
| mean it s a fictional | character | for god s sake ehm |
| mean the whole the whole | character | of glasgow and glasgow people |
| affections 31 his don juan | character | 32 his idleness and dissipation |
| that you re constructing a | character | and you don t know |
| f646: oh he was a | character | the things like i don |
| more than his empire this | character | frequently referred to under the |
| has got a lot more | character | than majorca people here say |
| she more than just a | character | you know is is she |
| becomes a sort of vampiric | character | doesn t she yeah yeah |
| a guide to someone s | character | she apparently decided to talk |
| the play has a gothic | character | and raises important moral questions |
| am easily put upon my | character | has frequently been stained at |
| is mitigated by its folk | character | it has been publicly read |
| it has retained its victorian | character | up to the present day |
| you like tom jones one | character | asks another as we proceeded |
| really a bit of a | character | f631: that s the one |
| revenge killings and treachery one | character | hobie noble actually turns up |
| tip toeing heavily joined suspicious | character | number one saying nothing the |
| added of course the one | character | you have not really drawn |
| and music but for creating | character | and emotion through the sound |
| backwards slowly like a cartoon | character | aw graham said billy shaking |
| you i gritted like a | character | in a pulp magazine robb |
| i was writing about a | character | in something like barchester towers |
| go any lower if that | character | wants to murder you like |
| 44 scotland street as a | character | yeah m954: yeah well that |
| buiks that hae the selsame | character | a composite pauchler or poacher |
| airlier hrh is a minor | character | an the narrator echoes anither |
| often given to a secondary | character | and enobarbus describes the scene |
| made bi the knicht a | character | athin the tale itsel at |
| weep it s out of | character | but a relief i seem |
| a technical and cleaning up | character | but i do not accept |
| direct speech to localise a | character | by region if not yet |
| her grandfather wis a hardy | character | he thocht naething o walkin |
| a rough devil may care | character | he would be a roch |
| on the experiences of a | character | in a novel and a |
| cordelia alone stands out her | character | is idealistic a true romantic |
| christian kay iia a picturesque | character | miss gracie paterson may be |
| you re a soap opera | character | no f1023: i would just |
| force or energy strength of | character | the concise scots dictionary a |
| endearing peculiarities is a lovable | character | though at times a trifle |
| da quoys is a fictional | character | though lots of us knew |
| champion and a very formidable | character | to the brigadier s amazement |
| uncommonly intimations of a profound | character | will arise intensified by the |
| uncommonly intimations of a profound | character | will arise intensified by the |
| of a p- of a | character | you know and and the |
| of assault or defamation of | character | or abuse and that s |
| to understand and evaluate the | character | and work of the early |
| on the impression of the | character | being conveyed e g cocky |
| [censored: forename] [censored: surname] for defamation of | character | do i want to end |
| undoubtedly attractive and of fine | character | he took her to miramar |
| jekyll and hyde kind of | character | in that he seems to |
| scottish reformation in which the | character | of lord littlewit uses keerates |
| how they cope with the | character | of rebus m954: [cough] f606: |
| and how incomers influenced the | character | of social groups and organizations |
| scottish reaction to predominantly cockney | character | of the bbc is exactly |
| to be consistent with the | character | of the oe poetic vocabulary |
| even in this class the | character | of the writer is clearly |
| they almost explain the entire | character | of what s hap- what |
| raised by several interesting female | character | sketches such as that of |
| seen as their shallowness of | character | this contrasts sharply with the |
| circumstances including the applicant s | character | and the applicant s conduct |
| tae peint the chiel s | character | aricht sae i gaed ram |
| he doubted brian s good | character | for an instant after all |
| structure to best display the | character | s and their inmost feelings |
| and i say that this | character | s going to be checked |
| later on when the same | character | s head is compared to |
| circa 1952 strongly scots in | character | there s unco little freedom |
| my thing as some fraught | character | in an iris murdoch novel |
| caledonian antisyzygy in scottish literature | character | and influence 1919 supplied hugh |
| thochts to irena but your | character | is mair easy gaun nor |
| we write to this miller | character | can we do that the |
| 47 but those bitterly vindictive | character | distortions perhaps serve only to |
| an the narrator echoes anither | character | bi sayin i the hinnermaist |
| to frame hersel to my | character | lilian hm beaumont at the |
| for an internally conflicted national | character | the caledonian antisyzygy in scottish |
| i suppose it was in | character | for you to be so |
Top
