classical
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complex periodic sentences adorned with | classical | borrowings and latin tags harked |
slightly plainer diction but introducing | classical | gods and goddesses two routes |
much glossing as did the | classical | myths and allusions which inhibited |
references to the myths of | classical | sirens and folk tradition lorelei |
trans c h oldfather loeb | classical | library records the inscription on |
s flyin saunter along maybe | classical | music as well we start |
three different periods baroque and | classical | represented lovely pinks blues and |
addison or swift rather than | classical | authors as suitably elegant models |
intae the leid frae the | classical | greek latin an ither foreign |
i did greek that was | classical | greek so obviously f746: mmhm |
like an actor in a | classical | greek tragedy as a well |
to attempt to return to | classical | norms ditch rhyme and try |
of a latin and b | classical | studies are currently employed in |
offer a latin and b | classical | studies as examinable subjects s1w |
in a latin and b | classical | studies at the spring 2001 |
in a latin and b | classical | studies s1w 15011 mary scanlon |
awareness of and pride in | classical | scots literature appropriately simplified and |
tadpoles learnin the theory o | classical | music wi the object o |
remarks juan march had perfect | classical | beauty enhanced by a happy |
for apollonian beauty but the | classical | pitti palace and the formal |
back to the kind of | classical | metal er you kind of |
metal bands borrowed heavily from | classical | music which i found very |
all over europe to play | classical | and contemporary music patrick meadows |
beer and listenin to the | classical | music and stuff like that |
forms in literature folk and | classical | music and the movement from |
also had in common with | classical | music er f718: mmhm skill |
f718: hmm m734: still into | classical | music er much to the |
a lot or certainly the | classical | music that i liked and |
david cobb the english neo | classical | poetic tradition was long preoccupied |
use of scots in rendering | classical | texts has a long tradition |
into the whole rock and | classical | kind of ideal m734: er |
painters a covered walk in | classical | pillared style for wet days |
[inhale] leslie following a continental | classical | style influenced by french and |
and experience in scotland though | classical | and romantic cultural forms occupy |
is y- yours is more | classical | f1148: get- yeah more like |
my likes are pretty much | classical | things rocked up or rocky |
stage a full length traditional | classical | ballet and calls upon scottish |
mean obviously kind of the | classical | stuff i was being played |
would this be kind of | classical | arabic related to the koran |
platt englisch a kind of | classical | dignity for hecht these are |
violins and all kind of | classical | instruments going on in the |
horse into the age of | classical | reason and calm the age |
alasdair morrison it is not | classical | gaelic but it is good |
was the beautiful boy of | classical | antiquity incarnate whose image was |
submit to crash courses in | classical | scots and then use it |
saw the british embassy old | classical | building but did not call |
always ehm don t stigmatise | classical | vocabulary m741: mmhm m605: a |
cropped and feathered like a | classical | statue throughout the consultation she |
evidence mainly from semitic and | classical | sources to sustain this proposition |
poets knew the principles of | classical | metre which was based on |
you might say it has | classical | origins for the word totum |
fine story in weel kent | classical | mode the quest o a |
year were solemnly consecrated in | classical | times women bore lighted candles |
owes a debt to the | classical | writer horace 65 8 bc |
witty fountain the poem contrasts | classical | arcadia with the modern shopping |
i see that under the | classical | dome is an engraved frieze |