crosses
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| i think movin knots and | crosses | down to london and they |
| the first book knots and | crosses | k n o t s |
| the very when knots and | crosses | was published i got an |
| and the fi- knots and | crosses | was specifically consciously a-a-a- an |
| really [laugh] m954: knots and | crosses | was translated into welsh but |
| in the next room natasha | crosses | the ballroom wearing a fur |
| samovar to the ballroom anfisa | crosses | the drawing room ma dears |
| to plead his case teenie | crosses | to ronnie looking tearful he |
| twa touers cam doon hate | crosses | ilkie boundary it disna weir |
| into categories and if someone | crosses | over one or more categories |
| inta dis category writin dt | crosses | boarders writin dt allows d |
| looking at andrey who again | crosses | the stage with the pram |
| the land of cacti and | crosses | a small white donkey wearing |
| wearing a straw hat koolyghin | crosses | the stage calling yoo hoo |
| walking firmly and soberly he | crosses | the room stops looks round |
| gown carrying a candle she | crosses | the stage and stops by |
| into this category writing that | crosses | borders writing that allows the |
| rubicon hate needs no passport | crosses | checkpoints daily it has no |
| harry enters from the garden | crosses | to call betty through the |
| recognised as a language which | crosses | international boundaries peer pressure was |
| a roman catholic bishop dispensin | crosses | his gollach intimmers snod in |
| the spray where gulls like | crosses | flex angelic wings sky sea |
| the air bird of passage | crosses | a cloudy castle sun streams |
| from palma the visitor first | crosses | a rich alluvial plain planted |
| love o nature mime thomas | crosses | the stage as though going |
| suggesting adventure spiral shells two | crosses | black and red and an |
| and a cap with red | crosses | on them i must have |
| blue lump and red criss | crosses | would soon go away and |
| kelly given that the nasuwt | crosses | the border do you have |
| ah l be savit he | crosses | himself thorfinn whit dis that |
| looks right and left and | crosses | the tarred road prayers to |
| inside e byre door five | crosses | made o twigs three o |
| the door on the right | crosses | the stage and goes out |
| o the twa muckle black | crosses | ootlined wi white aneath the |
| progress by the large stone | crosses | that mark the stations of |
| lassie we aw hae oor | crosses | ti beir whyles ah hae |
| aff lang years wi lanely | crosses | foo weel they dug a |
| for us ti juidge she | crosses | herself malcolm we maunna speak |
| fae mrs swanson s she | crosses | to the bowl you re |
| of the home as he | crosses | the school threshold and the |
| the cushion or antimacassar she | crosses | to the table where she |
| wee drappie for you she | crosses | to toots and pours some |
| that war hung up on | crosses | alang wi the son o |
| ye are the gene that | crosses | the generations cairryin pouer an |
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