drawing
See this word as a collocate cloud
does is papa good at | drawing | f1071: ehhhmmm m1070: is he |
and papa too m1070: play | drawing | with nana and papa f1071: |
mmhm ehm yeah we play | drawing | with nana and papa too |
and patrick m1070: you like | drawing | spongebob and patrick f1071: i |
drawing f1071: ehm i like | drawing | spongebob and patrick m1070: you |
ehm he is good at | drawing | so he is but nana |
of things do you like | drawing | f1071: ehm i like drawing |
s not very good at | drawing | is he f1071: no m1070: |
bubbles f1113: bubbles mum s | drawing | bubbles f1114: what s that |
and toozenbach remain in the | drawing | room irena masha s in |
seated at the table the | drawing | room is empty koolyghin irena |
wurk chebutykin comes into the | drawing | room with irena an the |
statutory body with responsibility for | drawing | up a strategy for gaidhlig |
the uk 5 responsibility for | drawing | up management plans carrying out |
body had lead responsibility for | drawing | up the management plan part |
in december 2001 responsibility for | drawing | up the new lanark management |
ye he comes into the | drawing | room ah forgot ti tell |
his glass goes into the | drawing | room and sits down in |
natasha runs out into the | drawing | room andrey follows her andrey |
thrie sisters act 1 a | drawing | room in the prozorov s |
the ballroom anfisa crosses the | drawing | room ma dears the r |
prepare for concerts in the | drawing | room next door our musical |
ye baron olga enters the | drawing | room oh thare ye ir |
to what had been the | drawing | room that had been turned |
edinburgh advocate lord cockburn whose | drawing | room was one of edinburgh |
aboot it soliony enters the | drawing | room with chebutykin soliony nou |
s room lilian has finished | drawing | the curtain at the window |
interest to the pupils and | drawing | upon authentic materials authenticity is |
interest to the pupils and | drawing | upon authentic materials the contexts |
six inch square coloured paper | drawing | books andy looks at the |
tins of crayons and the | drawing | books she reminds the children |
books andy looks at the | drawing | he did last week it |
s not very good at | drawing | and she can t draw |
i am quite good at | drawing | because i can draw a |
paid for to draw for | drawing | silly cartoon pictures it was |
the pupils create different versions | drawing | upon a range of devices |
how often the poets are | drawing | upon the literature of the |
the english language is structured | drawing | upon these two areas of |
made a start on his | drawing | holds it up pupils gasp |
looks like a baby s | drawing | all scrawly fiona s flower |
they re looking now at | drawing | a close to phase one |
saying she hung up thereby | drawing | to a close her first |
my time here is slowly | drawing | to a close i ve |
feared graeme s time was | drawing | to a close when his |
treating burns in the past | drawing | on my own experience of |
breaking a bone the nos | drawing | on the experience of members |
structures and functions of english | drawing | on their experience and knowledge |
hurry up now she said | drawing | back the curtains here comes |
bladder could be purified by | drawing | tepid water into the body |
picture you re good at | drawing | aren t you eh there |
that s f1121: yes f1122: | drawing | f1121: that s good though |
be a waste of good | drawing | paper saturday 4 50 a |
m no very good at | drawing | squirrels at all look i |
your teachers ll like that | drawing | that s really good well |
the clerks think is worth | drawing | from the paper gillian baxendine |
was revived in the next | drawing | every stone every rock terracotta |
he nailed her every look | drawing | her under the mantle of |
to see this is my | drawing | f1121: well done that s |
f1122: aye f1121: what about | drawing | the sky as well you |
and in the future without | drawing | everyone into the huge pool |
into the shadowy pine veil | drawing | in quick inhalations of scented |
simon had been totally engrossed | drawing | sucked him into a separate |
capacities and circumstances and potentially | drawing | them on into the mainstream |
went up for day for | drawing | great and so it was |
vividly remembers setting up a | drawing | office in the stranraer golf |
expression and returns to her | drawing | she picks up a yellow |
highlands have incurred expenses in | drawing | up applications to the agricultural |
industry with a view to | drawing | up proposals for the future |
august were you responsible for | drawing | up the agenda for that |
that sort of issue in | drawing | up the code of guidance |
your organisations when it was | drawing | up the financial memorandum alan |
in this he sets about | drawing | up the fr- the principles |
subtitle the jewel sets about | drawing | up the principles for a |
and we agree that in | drawing | up the remit we will |
to assist member states in | drawing | up their plans for the |
blind a militia lada slowly | drawing | up to the main road |
parliament has been involved in | drawing | up which as jim wallace |
my marks on the next | drawing | in black and white resemble |
says look at robb s | drawing | it is by far the |
t know what i m | drawing | look what they re doing |
for their very first life | drawing | session he was on first |
after the accident the first | drawing | shows a small figure me |
a few hours each day | drawing | and writing my way back |
this representation which is neither | drawing | nor diagram my car approaches |
on my hands are for | drawing | pictures i was just a |
between uncertainties i ve tried | drawing | with my charcoal and painting |
like supernatural forces were like | drawing | her towards the graveyard and |
fire a fragrant golden raquel | drawing | me to her that s |
where each child had a | drawing | book which was filled with |
had made his statement the | drawing | could not be improved on |
went there and you did | drawing | you did still life you |
s town i studied the | drawing | and decided i could deal |
we done f1135: you were | drawing | f1136: i don t know |
perhaps you should have a | drawing | of the place we were |
routes of enquiry were explored | drawing | on previous research studies in |
the comics eh they were | drawing | them and sent them in |
birthday dad f1114: he s | drawing | a picture f1113: drawin a |
so he s he s | drawing | on all these different voices |
bubble with kaleidoscoping rainbow patterns | drawing | him oot o da dark |
street with his iron shoes | drawing | sparks from the stones mrs |
f1111: i wonder- what about | drawing | round your buttons f1112: what |
mmhm f1123: right what ye | drawing | this time f1124: a big |
them go in silence malcolm | drawing | his sword nou ye hizzie |
painting and m608: mmhm f643: | drawing | people f641: mmhm f643: and |
scholars who have recently been | drawing | the map of scottish literature |
i mean i-i- i m | drawing | on people that i ve |
an object on to the | drawing | in a particular spot and |
should approach to commission a | drawing | of the spot on the |
the period became song composers | drawing | on existing folk song traditions |
stuff actually i wasn t | drawing | on i i i in |
taught in many scottish schools | drawing | on several origins the inglis |
is mainly a literary language | drawing | on several origins the inglis |
team within the scottish executive | drawing | on the resources of the |
get him to do a | drawing | and then try one last |
its millennium race and for | drawing | entries from all parts of |
s an awful lot technical | drawing | originally but it s changed |
the author s attitude by | drawing | our attention to the americans |
circumstances it is also worth | drawing | the member s attention to |
seed it was worked by | drawing | a rod over an opening |
to the grove to finish | drawing | a tree of peculiar strength |
beside me when i was | drawing | i thought i caught a |
started laudate domine the second | drawing | in the notebook includes a |
prepositions by displaying a large | drawing | of the classroom or a |
you to make a detailed | drawing | of this creature johnston you |
a phrase christine grahame is | drawing | out the correct issues we |
and make it shrink a | drawing | pencil can propel a hand |
of the united nations in | drawing | the matter to a conclusion |
presents parcels f1118: no [inaudible] | drawing | f1117: will i paint this |
somehow lest it overcome me | drawing | might help i remembered helping |
olive groves as i sat | drawing | of the silent solitary of |
rural areas therefore we are | drawing | together existing evidence however i |
drawn carriages you still see | drawing | tourists around palma or by |
benefit from scottish expertise in | drawing | down structural funding and from |
satchel in readiness to start | drawing | in the oppressive september heat |
tension or anticipation or ambivalence | drawing | the reader or listener in |
cutting class agriculture and geometric | drawing | class quoiting club social club |
the strange surreal architectural line | drawing | of nick mason pink floyd |