emotional
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an literature wi aw intellectual | emotional | aesthetic social an moral development |
language and literature including intellectual | emotional | aesthetic social and moral development |
it is the concept of | emotional | ambivalence however which has most |
characterised by feelings of profound | emotional | ambivalence within his patients in |
and sabbing the song s | emotional | impact derives also from its |
daylight lingering over the juicy | emotional | details i felt more like |
forced into the spatial and | emotional | bounds of a building commissioned |
freud affirmed the powerful undifferentiated | emotional | and sexual impulses within the |
scotland and produces some powerful | emotional | effects it concerns malcolm said |
the root of those powerful | emotional | fixations which the developing boy |
due to the prisoner s | emotional | state or if the prisoner |
victorian sentimentality and piousness the | emotional | impact of the song is |
yonder the eftercast o hir | emotional | eruction wis total seelance yid |
appearinlie ae parteeklar hert felt | emotional | place i yid s hert |
it and give it an | emotional | charge as well why not |
probably did not have the | emotional | charge they might have now |
gittin gey sair hert ruggit | emotional | an aw o ae suddent |
them associated scots with friendliness | emotional | warmth and ethnic solidarity whereas |
as the drawings progressed my | emotional | strength returned but a day |
not to mention the accompanying | emotional | maturity and a slightly improved |
the games sport too is | emotional | but in a different way |
and welcome converts to the | emotional | world of sport there can |
of a period of utter | emotional | chaos making me feel like |
through a distressing period of | emotional | strife all others beware of |
these are abstract and very | emotional | concepts but ones with immense |
because man is much more | emotional | than rational then become absorbed |
scots have a vigor and | emotional | quality in scots which was |
from the world and all | emotional | involvement he actually wrote the |
recorded on the list of | emotional | casualties i did not run |
his mother s physical and | emotional | remoteness and his father s |
she raised protective mental and | emotional | barriers to shield herself from |
it has a very different | emotional | flavor from english i believe |
man is as much more | emotional | than [?]ratch-[/?] because man is |
see why he gets so | emotional | i mean but at the |
people might m741: a bit | emotional | about it it can get |
he s very sort of | emotional | er you know f963: mmhm |
o furze it wis an | emotional | belch english was the censor |
least had confided in us | emotional | dramas far more traumatic than |
a- and people get really | emotional | about it and then it |
it can get a bit | emotional | about it as well especially |
through the deeper sensual and | emotional | channels so we get confused |
like having a bucket of | emotional | cold water thrown over you |
embarrassed about revealing their murky | emotional | depths or simply afraid that |
to herrien rustling robbing hertruggin | emotional | hez has hochs the shin |
she has an imaginative and | emotional | life of which she is |
taken up again with the | emotional | endorsement of but blessings on |
still as cliffs their short | emotional | seasons sulks frowns smiles dimple |