SCOTS
CMSW

emotional

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an literature wi aw intellectualemotionalaesthetic social an moral development
language and literature including intellectualemotionalaesthetic social and moral development
it is the concept ofemotionalambivalence however which has most
characterised by feelings of profoundemotionalambivalence within his patients in
and sabbing the song semotionalimpact derives also from its
daylight lingering over the juicyemotionaldetails i felt more like
forced into the spatial andemotionalbounds of a building commissioned
freud affirmed the powerful undifferentiatedemotionaland sexual impulses within the
scotland and produces some powerfulemotionaleffects it concerns malcolm said
the root of those powerfulemotionalfixations which the developing boy
due to the prisoner semotionalstate or if the prisoner
victorian sentimentality and piousness theemotionalimpact of the song is
yonder the eftercast o hiremotionaleruction wis total seelance yid
appearinlie ae parteeklar hert feltemotionalplace i yid s hert
it and give it anemotionalcharge as well why not
probably did not have theemotionalcharge they might have now
gittin gey sair hert ruggitemotionalan aw o ae suddent
them associated scots with friendlinessemotionalwarmth and ethnic solidarity whereas
as the drawings progressed myemotionalstrength returned but a day
not to mention the accompanyingemotionalmaturity and a slightly improved
the games sport too isemotionalbut in a different way
and welcome converts to theemotionalworld of sport there can
of a period of utteremotionalchaos making me feel like
through a distressing period ofemotionalstrife all others beware of
these are abstract and veryemotionalconcepts but ones with immense
because man is much moreemotionalthan rational then become absorbed
scots have a vigor andemotionalquality in scots which was
from the world and allemotionalinvolvement he actually wrote the
recorded on the list ofemotionalcasualties i did not run
his mother s physical andemotionalremoteness and his father s
she raised protective mental andemotionalbarriers to shield herself from
it has a very differentemotionalflavor from english i believe
man is as much moreemotionalthan [?]ratch-[/?] because man is
see why he gets soemotionali mean but at the
people might m741: a bitemotionalabout it it can get
he s very sort ofemotionaler you know f963: mmhm
o furze it wis anemotionalbelch english was the censor
least had confided in usemotionaldramas far more traumatic than
a- and people get reallyemotionalabout it and then it
it can get a bitemotionalabout it as well especially
through the deeper sensual andemotionalchannels so we get confused
like having a bucket ofemotionalcold water thrown over you
embarrassed about revealing their murkyemotionaldepths or simply afraid that
to herrien rustling robbing hertrugginemotionalhez has hochs the shin
she has an imaginative andemotionallife of which she is
taken up again with theemotionalendorsement of but blessings on
still as cliffs their shortemotionalseasons sulks frowns smiles dimple

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