female
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| intuitive following of her own | female | perspectives in her extensive correspondence |
| ways in which little brings | female | perspectives into her poetry will |
| writers began to introduce new | female | perspectives into literary texts fair |
| in general do not present | female | perspectives on human life and |
| lowland scotland and on the | female | perspectives to be gained from |
| what about female partner f1006: | female | f1054: partner m1004: that s |
| oh friend did we do | female | partner did we f1054: i |
| know m1055: female partner m1008: | female | partner eh well wife partner |
| pal f1054: ehm what about | female | partner f1006: female f1054: partner |
| okay good what about eh | female | partner f1023: as in you |
| have a think at oh | female | partner f1043: i still had |
| m1019: we said skip m1022: | female | partner f1054: okay erm sleep |
| [inaudible] ehm what aboot ehm | female | partner f1145: well if it |
| wife m1021: you mean a | female | partner i ve got er |
| not married but just eh | female | partner is a as good |
| f1026: he s got a | female | partner it s female partner |
| ve done grandfaither freend baby | female | partner kit of tools yeah |
| aye mmhm f1053: what about | female | partner m1002: i just think |
| me too you know m1055: | female | partner m1008: female partner eh |
| nooadays isn t it ehm | female | partner m1013: i haven t |
| noo jimmy let s do | female | partner m1020: no no i |
| a female partner it s | female | partner not f1054: aye but |
| m1055: true f1009: this this | female | partner that ehm one i |
| s good ehm what aboot | female | partner what would you call |
| about the differing nature of | female | and male experience it relates |
| representation a fair representation of | female | and male judges and expertise |
| building 27 male cells 4 | female | cells here too are holding |
| the foul smelling male and | female | changing rooms we changed and |
| arabic er presenter male or | female | coming on air m608: mmhm |
| year old children the male | female | differences found by sociolinguists in |
| a nation which enshrines male | female | equality in its constitution the |
| divisions between male art and | female | folk art the one preserved |
| stage beyond f1001: male or | female | m1002: that s right f1001: |
| of younger poets writing today | female | or male and both bring |
| sort of all male all | female | or mixed and f1151: oh |
| insider criticism directed with a | female | perspective and without the male |
| conventional male seduction scene the | female | pool lies knowingly inviting winking |
| both goddesses having male and | female | priests the cow remained a |
| is the exploration o the | female | psyche fae a male author |
| by the demands of male | female | relationships outwith and within marriage |
| were a male and b | female | s1w 24077 mr brian monteith |
| were a male and b | female | s1w 24078 richard lochhead to |
| some english trekkers male and | female | stripped down to their bathing |
| apart of the male and | female | that we have what i |
| all the voices male and | female | the tv news is dominated |
| lookin at humanity male or | female | when when god looks from |
| heroic of a male and | female | worker brandishing a hammer and |
| presented in both poems are | female | centred domestic and humane as |
| death in battle is essentially | female | centred focusing on women s |
| what is suggested by the | female | centred nature of the ballads |
| most formally sophisticated of these | female | centred poems is given to |
| her back female problem faced | female | decision made i know it |
| sighs and straightens her back | female | problem faced female decision made |
| an unusual happening signalling a | female | to female transaction our first |
| happening signalling a female to | female | transaction our first in years |
| addressed so specifically from a | female | perspective before the twentieth century |
| no monument could raise a | female | perspective quickly establishes control the |
| of memory while her uncompromisingly | female | perspective since her first collection |
| rebecca wilson she acknowledges that | female | voices are the ones she |
| realize i was writing in | female | voices until recently it s |
| older sisters mothers aunts the | female | carriers of the tradition she |
| about the possibility of a | female | tradition and there is nothing |
| talk of anything approaching a | female | tradition in scottish poetry or |
| carswell s letters to her | female | friends and as in her |
| her letter writing to her | female | friends and her conversations with |
| s own letters to her | female | friends ellen s fictional correspondence |
| small group of letter writing | female | friends something which might suggest |
| girlfriends and boys who have | female | friends who are not romantically |
| the g nome needle a | female | voice hen wyfe gangril man |
| and sung by a young | female | voice in a more lively |
| the need to assert a | female | voice in pa- in erm |
| tea wyfe green leaf a | female | voice pepper the g nome |
| green leaf with a pleasant | female | voice pompitie pompitie tak tent |
| of activated bedsprings and a | female | voice the walls of the |
| writers so far as any | female | agenda is concerned all university |
| one to be suspicious of | female | writers ellen s whole upbringing |
| distinctively her own and assuredly | female | the situation of poetry in |
| m1055: i- interestingly enough the | female | equivalent of seanair is rarely |
| poems in addition to standing | female | nude in the other country |
| the modernist period interact with | female | experience in our own time |
| social commonplaces with regard to | female | experience in the modern world |
| distinguished by its focus on | female | experience it is also a |
| central characters both young and | female | with vivid openness to experience |
| freely her sense of her | female | nature and its difference from |
| especially when writing privately to | female | acquaintances although she tended to |
| from her letter writing to | female | correspondents therefore and from the |
| womanhood and especially of the | female | body which shows that the |
| especially in the form of | female | genital mutilation fgm commends the |
| traditions in favour of a | female | expression more true to her |
| the blame squarely on the | female | sex when apemantus his true |
| wife she was the first | female | that had iver done that |
| people of pensionable age are | female | because of women s longer |
| back to women and the | female | halves of themselves back to |
| renaissance period nor the specifically | female | identity explored by lochhead and |
| eighteenth century had she considered | female | poetic aspirations in that period |
| her name is an attractive | female | creature run up by dad |
| for her intuitive recognition of | female | difference on the other hand |
| has extended her exploration of | female | identity to the historical and |
| since her first collection standing | female | nude of 1985 has been |
| potential as a novel depicting | female | old age all her remaining |
| or subverting this genre for | female | purposes for after her apparent |
| between her recognition of her | female | self and her contrary wish |
| her sisters the myth of | female | solidarity is again broken in |
| writer still performed the accepted | female | task of typing her husband |
| contrast is iconoclastic inciting her | female | viewer in aggressive language and |
| f1023: eh there is a | female | f1027: uh huh oh aye |
| eh i can remember having | female | teachers all through our schooling |
| m635: and eh and retired | female | teachers were drafted in to |
| it it was a the | female | worker in the kitchen eh |
| is smiling a wise old | female | smile the tears have dried |
| and er you can have | female | mates you know might be |
| write fr- er from a | female | point of view erm pressured |
| past six months the lead | female | vocals er which is very |
| pleasantry over one young giggling | female | student then like a cat |
| i may be the first | female | to represent dumfries i am |
| what the percentage is of | female | officers at each rank within |
| executive what the percentage of | female | officers was at each rank |
| each cell and how many | female | protesters were released from police |
| two erm and from a | female | f963: oh right uh huh |
| from a man describing a | female | aye she s a dog |
| bow ties beside them their | female | colleagues looked dowdy apart from |
| and it s from a | female | point of view and it |
| the burns clubs and the | female | readers of excerpts from the |
| progresses this feminist agenda from | female | self recreation to the reconstruction |
| back to an unlovely blind | female | who dwelled in darkness seething |
| mm m762: takes its o- | female | bonding story [inaudible] she is |
| suggest that she found this | female | contact necessary and supportive and |
| mix recipe she muttered a | female | cyclist with a penchant for |
| to exaggeration it was a | female | failing but she did go |
| she was clearly the inferior | female | supplicant as this brief introduction |
| a more coherent text of | female | emancipation its prose also has |
| hell wi darts oh yes | female | beach volleyball bom that s |
| the general public was largely | female | and that what it wanted |
| what would you call your | female | friend margaret f1005: just pal |
| worried that they or other | female | family members may have osteoporosis |
| service cease while others particularly | female | gps may avoid out of |
| cellulite today i overheard two | female | colleagues talking about being on |
| i saw was that the | female | characters in it were were |
| were so big that a | female | farmworker called a striddler had |
| [note: photo: 'maisie greig, home farm in her land army uniform, 1941.'] [note: photo: 'maisie greig's personal message from the queen in 1946.'] [note: photo: 'madge greig, home farm in her land army uniform -1941.'] arbuthnott house | female | staff were called to join |
| on the one hand a | female | who has no personality who |
| in 1998 an investigation into | female | breast implants which was conducted |
| the power of gordon s | female | repertoire which tells dramatic stories |
| a genuine name right m762: | female | which is the queens of |
| a safer more familiar seductive | female | image you wish i d |
| contain boisterous secular life mainly | female | battle axes bullies and two |
| the academy it was all | female | and and when you move |
| they ve been seen as | female | and insignificant linked to this |
| some pop bands that have | female | vocals but they they ve |
| during the service like his | female | relatives and black eyeliner had |
| and several of mabel s | female | relatives had them finding them |
| 34 of plot holders are | female | and in glasgow 15 this |
| this was the decade of | female | anthologies culminating in the publication |
| this is sexist but the | female | beach bolleyball beach volleyball yes |
| composers and transmitters are predominantly | female | this neglect is not only |
| clothes and jewellery particularly a | female | a wee hairy [laugh] f1018: |
| story of a black adopted | female | child brought up in a |
| could be seen as a | female | companion to pope s rape |
| we decide that a mysterious | female | in love with the tsar |
| en maks aff wi the | female | lead at least for a |
| that is 95 per cent | female | many nurses need a level |
| a the odd canvas featuring | female | nudes the food is thoroughly |
| union congress to nominate a | female | representative to attend the stuc |
| reflexive in relation to the | female | speaker a use of silence |
| his muse a recovery of | female | subjectivity spoken by the cynical |
| hell an it s a | female | whit so it m815: yeah |
| that tend to be a | female | word f1024: i would say |
| and exasperation yet the scorned | female | author has the last word |
| jewish it goes through the | female | line and he s technically |
| industrial society unequal entrepreneurs why | female | enterprise is an uphill business |
| it is taking to promote | female | participation in engineering s1o 4657 |
| commentary on the lives of | female | agricultural workers in the borders |
| to reduce the number of | female | alcohol related deaths s1o 5372 |
| mr kenneth gibson condemnation of | female | circumcision that the parliament expresses |
| the actions of the principal | female | protagonists challenge conventional social mores |
| awareness that for the non | female | reader the contents of the |
| my mum s yo- the | female | side of it like my |
| earlier use of that enduring | female | symbol for plath mirrors are |
| issues raised by several interesting | female | character sketches such as that |
| year they hire some willing | female | to ride around campus wearing |
| f1027: normally applied to the | female | population then as if men |
| hid niver bin short o | female | company an ower the years |
| 2 sheela na gig celtic | female | fertility symbol the arch reflected |
| declarations form behind however the | female | official took pity on us |
| the few locally that used | female | operators gradually the nissen huts |
| to the papal visit the | female | tv announcer informed us anxiously |
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