SCOTS
CMSW

imagery

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to the eyes the weavingimageryappears here too with the
work davidson brings in weavingimageryon this occasion he couples
in the botanic gardens theimageryof exotic plants and flowers
he couples it with musicalimageryto good effect to feel
the use of this musicalimagerytends to underline the view
formulaic patterns of word choiceimageryand repetition and frequently involving
and powerful the highly sexualimageryof words like drove suck
me powerful too is theimagerywhich communicates the intensity of
describe the landscape more militaryimagerycomes into play anyone who
heightened by the strong militaryimagerythe starlings sidled with scarlet
including the use of structureimageryand rhyme as appropriate at
re presents femininity natural worldimageryhas also been regarded with
nature in smith the sexualimageryis more covert perhaps even
what validates the natural worldimageryin this poem is its
get davidson constantly foregrounds hisimagerythroughout his poem making the
damascened attire this intense clothesimageryseems entirely out of place
story with vitality and detailedimageryand are a true record
are modifiers associated with battleimageryand in line 4 we
as suggested by the rhetoricalimagerymost german translations on the
dead but this time itsimagerymoves the preoccupation with country
came next lack of visualimagerywrote dolly the words spewing
music itself and the symbolicimageryof the chopin sand graves
fading love is told throughimageryof farm and kitchen garden

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