imagery
See this word as a collocate cloud
to the eyes the weaving | imagery | appears here too with the |
work davidson brings in weaving | imagery | on this occasion he couples |
in the botanic gardens the | imagery | of exotic plants and flowers |
he couples it with musical | imagery | to good effect to feel |
the use of this musical | imagery | tends to underline the view |
formulaic patterns of word choice | imagery | and repetition and frequently involving |
and powerful the highly sexual | imagery | of words like drove suck |
me powerful too is the | imagery | which communicates the intensity of |
describe the landscape more military | imagery | comes into play anyone who |
heightened by the strong military | imagery | the starlings sidled with scarlet |
including the use of structure | imagery | and rhyme as appropriate at |
re presents femininity natural world | imagery | has also been regarded with |
nature in smith the sexual | imagery | is more covert perhaps even |
what validates the natural world | imagery | in this poem is its |
get davidson constantly foregrounds his | imagery | throughout his poem making the |
damascened attire this intense clothes | imagery | seems entirely out of place |
story with vitality and detailed | imagery | and are a true record |
are modifiers associated with battle | imagery | and in line 4 we |
as suggested by the rhetorical | imagery | most german translations on the |
dead but this time its | imagery | moves the preoccupation with country |
came next lack of visual | imagery | wrote dolly the words spewing |
music itself and the symbolic | imagery | of the chopin sand graves |
fading love is told through | imagery | of farm and kitchen garden |