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janie

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of the high street shopjanieand gertie pretend to themselves
have a fight gertie prodsjanieexcitedly poll and battleaxe are
cruelty man whom liza andjanieboth see as the enemy
and a wonderful interlude withjanies mother when liza is
is going blind and wantsjaniereleased from the orphanage to
years to the day whenjaniewill leave the orphanage her
119 but now the stunnedjaniecannot find words to tell
future delight in the presentjaniegets maximum delight out of
habitually sends her on errandsjanieand her imagination make mountains
the force of her imaginationjanies basic affirmation is that
evidence in this narrative ofjanies vivid imagination flights of
mother that preoccupies the growingjaniewe concentrate on her imagination
but we are concentrated onjanies realisation that it was
come on p 3 butjaniebraves annie s door and
the lane tries to makejaniesee sense annie frigg s
admitted into the intimacy ofjanies thoughts here and to
in retrospect by an adultjaniebut we do not need
would not expect an adultjanieto make this claim although
is a useful foil forjaniein the lane tries to
fear it is a fearjanietries not to look at
thus revealed the narrator commentsjanieemerged as always empty handed
out for yourself p 7janiecan make a wonderful dream
the tormented situation that threatenedjanies well being but she
p 4 and one ofjanies basic qualities is thus
the lane but the childjanieis not even introduced until
home for her p 80janiefears this too she confides
shilling p 59 and asjaniein the white bird passes
of thought yet p 105janies worst pain begins when
make her bear comparison withjanieas a potential poet indeed
poet indeed but for nowjanieis to work at the
had seen in story booksjanies fear was never for
had found an echo injanieherself her pain became submerged
but that will never happenjanievowed to herself because i
i do going and dyingjanietells no one but hugs
rare moods of communication betweenjanieand her mother more than
her mother by legal processjanies emotions are chaotic verge
protective love for her motherjaniewas a fearty feared of
furious and whirling like witchesjaniehad seen in story books
we are definitely seeing throughjanies eyes but it is
literature is more apparent thanjanies because she is not
the longer first part whenjanieis a child with her
of death had clutched atjanies mind you re not
of the novel is complexjanies future is left open
aware of the precariousness ofjanies security and the frightening
mind from this dreaded prospectjaniehas to resort to an
lot she s lost thatjanieit ll be a home
as kesson put it 4janieis looking forward to going
and full of colour tojaniethat she felt suddenly and
on and watch come onjaniedon t be such a
been so much easier forjaniein the years to come
modes one is focalised throughjanieand it often provides the
wouldn t of course butjaniehad learned to enjoy the
walsh s suicide in whichjanieis inadvertently involved and mysie
forgetful streams at the endjanies status as an outsider
the last known landmark injanies world screaming out of

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