janie
See this word as a collocate cloud
of the high street shop | janie | and gertie pretend to themselves |
have a fight gertie prods | janie | excitedly poll and battleaxe are |
cruelty man whom liza and | janie | both see as the enemy |
and a wonderful interlude with | janie | s mother when liza is |
is going blind and wants | janie | released from the orphanage to |
years to the day when | janie | will leave the orphanage her |
119 but now the stunned | janie | cannot find words to tell |
future delight in the present | janie | gets maximum delight out of |
habitually sends her on errands | janie | and her imagination make mountains |
the force of her imagination | janie | s basic affirmation is that |
evidence in this narrative of | janie | s vivid imagination flights of |
mother that preoccupies the growing | janie | we concentrate on her imagination |
but we are concentrated on | janie | s realisation that it was |
come on p 3 but | janie | braves annie s door and |
the lane tries to make | janie | see sense annie frigg s |
admitted into the intimacy of | janie | s thoughts here and to |
in retrospect by an adult | janie | but we do not need |
would not expect an adult | janie | to make this claim although |
is a useful foil for | janie | in the lane tries to |
fear it is a fear | janie | tries not to look at |
thus revealed the narrator comments | janie | emerged as always empty handed |
out for yourself p 7 | janie | can make a wonderful dream |
the tormented situation that threatened | janie | s well being but she |
p 4 and one of | janie | s basic qualities is thus |
the lane but the child | janie | is not even introduced until |
home for her p 80 | janie | fears this too she confides |
shilling p 59 and as | janie | in the white bird passes |
of thought yet p 105 | janie | s worst pain begins when |
make her bear comparison with | janie | as a potential poet indeed |
poet indeed but for now | janie | is to work at the |
had seen in story books | janie | s fear was never for |
had found an echo in | janie | herself her pain became submerged |
but that will never happen | janie | vowed to herself because i |
i do going and dying | janie | tells no one but hugs |
rare moods of communication between | janie | and her mother more than |
her mother by legal process | janie | s emotions are chaotic verge |
protective love for her mother | janie | was a fearty feared of |
furious and whirling like witches | janie | had seen in story books |
we are definitely seeing through | janie | s eyes but it is |
literature is more apparent than | janie | s because she is not |
the longer first part when | janie | is a child with her |
of death had clutched at | janie | s mind you re not |
of the novel is complex | janie | s future is left open |
aware of the precariousness of | janie | s security and the frightening |
mind from this dreaded prospect | janie | has to resort to an |
lot she s lost that | janie | it ll be a home |
as kesson put it 4 | janie | is looking forward to going |
and full of colour to | janie | that she felt suddenly and |
on and watch come on | janie | don t be such a |
been so much easier for | janie | in the years to come |
modes one is focalised through | janie | and it often provides the |
wouldn t of course but | janie | had learned to enjoy the |
walsh s suicide in which | janie | is inadvertently involved and mysie |
forgetful streams at the end | janie | s status as an outsider |
the last known landmark in | janie | s world screaming out of |