macdiarmid
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he assumed the macdiarmid mantle | macdiarmid | credits davidson with enlarging the |
grieve before he assumed the | macdiarmid | mantle macdiarmid credits davidson with |
a number of emulators of | macdiarmid | appeared on the scene archaic |
clay wi feck o swearin | macdiarmid | certainly introduced archaic words such |
1934 1989 scottish scene gibbon | macdiarmid | 1934 grey granite gibbon 1934 |
of the 20th century hugh | macdiarmid | douglas young maurice lindsay and |
the scottish literary renaissance hugh | macdiarmid | douglas young maurice lindsay and |
in our national life hugh | macdiarmid | 1892 1978 the father of |
tree is rescued by hugh | macdiarmid | along with so many of |
society milton c 1986 hugh | macdiarmid | and north east scots scottish |
having an official language hugh | macdiarmid | came up against that problem |
thegither ye know includit hugh | macdiarmid | eh robert garioch but also |
1969 p 419 17 hugh | macdiarmid | gairmscoile complete poems 1920 1976 |
and certain people like hugh | macdiarmid | gets exonerated i don t |
up mr monteith if hugh | macdiarmid | had been asked what language |
poetry in scots eg hugh | macdiarmid | hooanever accordin tae matthew fitt |
been david steel and hugh | macdiarmid | i was so intimidated at |
of assertions made by hugh | macdiarmid | in 1923 buthlay 1977 when |
and in poetry by hugh | macdiarmid | in his later poems in |
by c m grieve hugh | macdiarmid | in the 1920s this movement |
been honest english yet hugh | macdiarmid | is famed for his use |
anderson my jo 16 hugh | macdiarmid | said it s soon no |
and persuasive personality as hugh | macdiarmid | should have reached his peak |
the curious impression that hugh | macdiarmid | single handed created a language |
tongue o the fowk hugh | macdiarmid | the faither o the scots |
in our national life hugh | macdiarmid | the faither o the scots |
and in poetry by hugh | macdiarmid | the later poems in synthetic |
class or gender perspectives matthew | macdiarmid | argues that the best ballads |
available on these in matthew | macdiarmid | s tape clyde s water |
context liz niven takes on | macdiarmid | and his drunk man in |
chopped off 1987 as with | macdiarmid | in the interwar period liz |
man looks at the thistle | macdiarmid | 1987 it is impossible to |
pieces the language used by | macdiarmid | in his poems was very |
in which the language of | macdiarmid | s poems can be said |
work as glen stated to | macdiarmid | not only are all subjects |
noise glen muick which brings | macdiarmid | s water music to mind |
from barbour s brus to | macdiarmid | s drunk man that played |
the poetry of burns and | macdiarmid | and never go anywhere without |
most writers including burns and | macdiarmid | from the time of allan |
of male writers such as | macdiarmid | in the earlier part of |
reflect linguistic impoverishment and incompetence | macdiarmid | was about fifty years behind |
problems when we look at | macdiarmid | is that first of all |
had really big problems with | macdiarmid | like really big problems ah |
the fierce critique launched by | macdiarmid | in the second burns cult |
tree in this epic poem | macdiarmid | promotes his caledonian autisyzygy gleaning |
it was hugely important to | macdiarmid | for instance m741: yeah yeah |
a lot of the early | macdiarmid | m741: uh huh m605: when |
tomorrow s sequel to the | macdiarmid | talk [censored: forename] has been trying |
the second part of the | macdiarmid | talk in the afternoon self |
for my own language 5 | macdiarmid | is one of her heroes |
to his own natural speech | macdiarmid | appears to have developed a |
during the following two decades | macdiarmid | demonstrated in a number of |
i don t really like | macdiarmid | but i think he he |
and it s funny that | macdiarmid | kind of said something like |
scotland and eh he published | macdiarmid | s em the kind of |
views a long time before | macdiarmid | s negative view of regional |
circle so much derided by | macdiarmid | did a great deal to |
to be seriously reflective and | macdiarmid | was greatly influenced by the |
of ways and what what | macdiarmid | did admirable as it m- |
this how sensible how desirable | macdiarmid | and others tried it a |
scott s novels even stevenson | macdiarmid | there are people that can |
duncan collection in the northeast | macdiarmid | is not alone in rejecting |
because on the one hand | macdiarmid | undoubtedly is interested in ehm |
critics under the influence of | macdiarmid | to denigrate the activities of |
the sincerest form of flattery | macdiarmid | turns this tendency to good |