mcseveney
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slimmersuit tc 12 13 but | mcseveney | s girls are more vulnerable |
relation to kay jamie and | mcseveney | clanchy s confident voice is |
of grace nichols one of | mcseveney | s heroines co 65 angela |
s heroines co 65 angela | mcseveney | contributes a strong new voice |
into what the poet angela | mcseveney | in a different context calls |
pp 102 100 13 angela | mcseveney | in talking verse p 131 |
very different writer is angela | mcseveney | who came to prominence in |
of the adult world in | mcseveney | s scenarios for her speakers |
trauchle co 23 60 26 | mcseveney | s writing style is harsh |
autobiographical poet in the 1970s | mcseveney | acknowledges that many of her |
of the later 1970s so | mcseveney | says that if she had |
with it in some respects | mcseveney | s poetry returns to the |
poems this might suggest that | mcseveney | s poetry is therapy not |