mime
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| return to scotland group 4 | mime | group 3 read mary marries |
| scenes 3 4 group 3 | mime | group 4 read mary marries |
| scenes 5 6 group 5 | mime | group 6 read mary marries |
| can take part in the | mime | described by narrators 9 and |
| follow the narrators with clear | mime | work with the musicians so |
| one stride back 3 times | mime | follow script narr 5 the |
| a mouse or other creature | mime | only narr 6 his father |
| an accomplice murder group 3 | mime | harp music for wedding and |
| the four marys group 4 | mime | harp music until rizzio is |
| cousin queen elizabeth group 6 | mime | music low harp for most |
| scenes 1 2 group 1 | mime | group 2 read james v |
| so they can follow your | mime | mill machinery and cart can |
| musicians mill machinery team start | mime | slowing down during speech mill |
| or despair music to accompany | mime | other actors come forward taking |
| 2 music again to accompany | mime | the family carry heavy belongings |
| on his back all in | mime | and walks across the stage |
| o three score an twal | mime | samuel smiles walks on and |
| for his contribution to science | mime | thomas walks to one side |
| banff that is aye stannin | mime | thomas puts an apron on |
| his head staggers and collapses | mime | after narration accompanied by music |
| the sun cam up music | mime | from st s 1 3 |
| o her life group 2 | mime | music french country dance music |
| orders her execution group 5 | mime | music percussion to suit darnley |
| the corn aa hersel music | mime | scene 2 the cows refuse |
| tae help her music and | mime | scene 5 the miller grind |
| out to play group 1 | mime | tape 16th century churh music |
| tae the miller music and | mime | with shakers scrapers scene 4 |
| pat him with a towel | mime | only while thomas still showing |
| up his love o nature | mime | thomas crosses the stage as |
| slowly loudly and expressively strong | mime | is essential a tape with |
| mary is crowned group 2 | mime | group 1 read mary and |
| castle but escapes group 6 | mime | group 5 read after the |
| come oot for a scientist | mime | the worker puts an arm |
| o maut cry out for | mime | and movement the burns federation |
| the play relies on strong | mime | body language and facial expression |
| several times mary and harper | mime | panic fear then pray by |
| mouth hand to mouth mute | mime | of poverty a man in |
| 5 10 and presented in | mime | by the rest of the |
| and goes through the shoemaker | mime | again the children and wife |
| her hands do a lively | mime | of twisting sheets of paper |
| squares for the lavy her | mime | shows the knife cutting sideways |
| but aye a muse a | mime | [laugh] i m not a |
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