narrative
See this word as a collocate cloud
sexual awareness this time the | narrative | is virtually all focalised through |
unexpected there are two main | narrative | modes one is focalised through |
seems a more distanced objective | narrative | vor manchen manchen jahren als |
love or work they are | narrative | as opposed to lyric in |
had a mixed repertoire of | narrative | lyric comic and serious songs |
are personal recount imaginative recount | narrative | personal description imaginative description the |
is even more cavalier the | narrative | covers the day of arrival |
as closely as possible the | narrative | and descriptive details in the |
too can be descriptive or | narrative | or even feature discussion many |
precise nature of descriptive or | narrative | or explanatory writing or whatever |
and deliberately chosen similarly the | narrative | is subtle and unexpected there |
but also contains passages of | narrative | about a character called the |
various retrospective passages the whole | narrative | is contained between these two |
stories frequently combine description and | narrative | advertisements too are often description |
poems begin as description or | narrative | but end as reflective discussion |
with description and past tense | narrative | features into an informative description |
a past tense 3rd person | narrative | also to develop genre awareness |
use past tense verbs in | narrative | and present future in direct |
the past tense of much | narrative | or how instructions often use |
threats or comments and the | narrative | which is past tense and |
imitate the many variations of | narrative | form they encounter and internalise |
are mixed comically with a | narrative | relating a sexual encounter the |
in this passage the dominant | narrative | is english as is the |
passage is fascinating the dominant | narrative | is in english as is |
the process of the fictional | narrative | lawrence wrote to her in |
a move away from fictional | narrative | writing in the target language |
cure is whit drives the | narrative | o andrew greig s the |
20th century novels greig s | narrative | perspective sclithers this gate and |
the noun is often in | narrative | forms in the stories we |
the noun is often in | narrative | forms in the stories we |
carswell the savage pilgrimage a | narrative | of d h lawrence 1932 |
delivery of an heir the | narrative | begins with dramatic immediacy as |
serious dramatic presentation of character | narrative | skills technical agility with words |
formulaic character of anglo saxon | narrative | poetry speculum xxviii 1953 5 |
halloween night this is a | narrative | of companionship as well as |
elternhaus our parents house the | narrative | of a cultured merchant family |
struggle with the land given | narrative | form in lewis grassic gibbon |
called logopandocy is eh the | narrative | of what happens to thomas |
him in to the developing | narrative | of what s what happens |
style the presence of a | narrative | even while a poem is |
poem is not conventionally a | narrative | poem the capacity to create |
of cultural history like any | narrative | it has its arcs of |
integration that support the single | narrative | of a unified british history |
go about constructing a national | narrative | of cultural history like any |
are good at my muscular | narrative | style has gone i m |
away the skeleton of the | narrative | and recreate the song anew |
a fixed version of a | narrative | song instead they stored away |
ll lose whatever muscularity your | narrative | has keep it moving in |
range of genres for example | narrative | short story and report writing |
to the unvaried diet of | narrative | writing which was observed in |
the governing form of western | narrative | for the next hundred years |
of the family as a | narrative | of a desperate journey it |
know that bits of the | narrative | are pretty much standard english |
don t fit the english | narrative | in which romanticism bursts from |
relevant paragraphs within a larger | narrative | can also be developed through |
for us it is usually | narrative | verse in two or four |
the events alive [inhale] the | narrative | is driven along by reasonably |
gets down to business his | narrative | is free from rhetoric and |
on and look grandpa the | narrative | is mainly conveyed in terms |
is pit ower at different | narrative | levels in the twae tales |
is enough evidence in this | narrative | of janie s vivid imagination |
in mairriage is that the | narrative | situations is unco complicatit in |
wi a strang tale the | narrative | vyce employed is in the |
could be converted into a | narrative | about going out in those |
turning our trek into oral | narrative | in his own head in |
place and this frees the | narrative | to pursue more objectively a |
the world if the creation | narrative | of genesis teaches us anything |
we have a quiet unobtrusive | narrative | voice apparently omniscient as we |
plaque which incorporates both the | narrative | which the guild had planned |
gies closure tae this freudian | narrative | o neuroses sublimated an sorted |
with its symbol and the | narrative | on the back it gives |
sections of text with floating | narrative | that focalises in turn on |
in some sort of seamless | narrative | you know [laugh] erm f963: |
country orphanage expecting the coherent | narrative | of a child s life |
at the centre of the | narrative | one would hesitate to cite |
a muckle pairt o their | narrative | interest houanever lookin for a |
and avoid holding up the | narrative | i have to thank charlie |
remained cloistered p 1 the | narrative | method remains very fluid there |
for the structure for the | narrative | you need to do it |