novel
See this word as a collocate cloud
insist that in an autobiographical | novel | nothing is any good until |
the completion of her autobiographical | novel | open the door provide some |
april 1916 about the autobiographical | novel | she was working on i |
of the forest in his | novel | sunset song as a signifier |
disguised as kinraddie in his | novel | sunset song for this his |
had already begun as the | novel | sunset song they only met |
again is trust greig s | novel | doesnae sae muckle pit its |
131 2 the andrew greig | novel | is easier tae read an |
the ethos o greig s | novel | pynts mair towards social inclusion |
an extract from the class | novel | converted into mainly one clause |
in the case of the | novel | extract they can compare their |
on different characters her last | novel | another time another place published |
or two characters in a | novel | even simple counting can be |
the characters from the classic | novel | fear and loathing in las |
traditions of the drama and | novel | and romance and a great |
drama 2 in her second | novel | glitter of mica for example |
whin he writes aboot d | novel | beloved toni morrison s genius |
he writes about morrison s | novel | beloved toni morrison s genius |
to national epic and historical | novel | in the light of this |
matrix for the nineteenth century | novel | not just scott s historical |
the trilogy notably the historical | novel | spartacus and the superb scots |
five year eftir buchan s | novel | as awbodie weel kens the |
harvie says buchan yaises his | novel | tae bandy about whit i |
the henner o buchan s | novel | this time agin ane estate |
is in an ian rankin | novel | erm f606: [audience laugh] m954: i |
m954: and in the first | novel | he s being sent picture |
m954: it was the last | novel | it was fleshmarket close f606: |
of a character in a | novel | and a report on a |
character in an iris murdoch | novel | has to say but here |
i hadn t read that | novel | before i wrote psychoraag erm |
this before i wrote the | novel | now i m going to |
strip jack erm a a | novel | that i wrote in france |
the room with a class | novel | a p7 or s1 class |
certainly wasnae a working class | novel | and i ve learned from |
was a working class scots | novel | and you d lost the |
m gonna write a crime | novel | and the fi- knots and |
cop it was a crime | novel | erm and the only reviewer |
grimaced it s a crime | novel | she remarked all that remains |
young adulthood this second epistolary | novel | might well be seen as |
her daughters the nineteenth century | novel | provides many examples of second |
found also in her second | novel | the camomile with its epistolary |
her readers in this second | novel | the sexual theme appears more |
has written plays and a | novel | and has published several poetry |
feeling in arbuthnott when the | novel | was first published leading leslie |
modernism periodically to reassess the | novel | and question the nature of |
the radical nature of the | novel | which in a society still |
re writing you know a | novel | about a particular thing don |
if you re writing a | novel | then of course they they |
that the writing of this | novel | was for its author in |
of it for me of | novel | writing you know erm f963: |
by women to the developing | novel | form in the eighteenth century |
of that kind of english | novel | and and f963: right m762: |
s it s a wonderful | novel | f963: mm m762: erm f963: |
s a male viewpoint this | novel | f963: right yeah yeah m762: |
that that is a fantastical | novel | in that sense f963: yes |
s that s an interesting | novel | isn t it f963: yes |
m going to write a | novel | that s very f963: right |
wanted to evince in this | novel | this link between f963: right |
at at points in the | novel | you perhaps f963: mm [laugh] |
right yeah mmhm m762: a | novel | and a stage play and |
not have read a rebus | novel | will be intrigued or interested |
upon this first grassic gibbon | novel | his unique powers as a |
for this his first scottish | novel | leslie adapted the name of |
glasgow writer and his first | novel | psychoraag is set in an |
fish benjie i the first | novel | still an aw her oncomin |
the two parts of the | novel | the longer first part when |
his mind in his first | novel | the north wall his first |
her first and best known | novel | the white bird passes kesson |
the plot o the first | novel | thrie cast doun cronies a |
letters plans for a third | novel | this was never written her |
great tradition of the english | novel | on the grounds that he |
s like a pure romance | novel | though great gatsby f807: is |
a snowbank but it was | novel | and exciting although by the |
his wark amen although this | novel | might now be seen as |
the development of the english | novel | a force of influence to |
poetry periodical journalism and the | novel | matched or outweighed their english |
the best romantic era scottish | novel | not by hogg scott or |
this idea of where the | novel | might go in terms of |
proper he conceived his own | novel | alphabet using a series of |
the hinnermaist phrase in the | novel | is his richt name benjamin |
complete stranger i accepted his | novel | proposition and asked him him |
booker prize yesterday for his | novel | testament of gideon mack which |
in scotland fir his remarkable | novel | under the skin set in |
has been scrievin her ain | novel | an is blesst wi a |
she partially did in her | novel | buddha da wull she continue |
the paix machine is a | novel | in scots containing three books |
be sae heich i this | novel | eftir aw a copywriter saloon |
i have just finished the | novel | yes i think it is |
dickey also author of deliverance | novel | film which i was presenting |
it is an enormously ambitious | novel | which also sympathetically discloses the |
that voice that sets the | novel | in time and place in |
introduction of that power is | novel | and has no precedent that |
indecently outspoken about sex the | novel | has no chapters just floating |
to distance themselves from the | novel | [note: photo: 'telegram from ray to mr and mrs gray notifying them of leslie's death on 8th february 1935.'] however as time has |
distinctive stylistic characteristic of the | novel | is its potential for polyphony |
films the setting of the | novel | hi fidelity is changed from |
study of the preparation of | novel | milk protein fractions from skim |
based on sentences from a | novel | or topic cut into cards |
changed from london in the | novel | to chicago in the film |
not in a jim kelman | novel | now p 101 the return |
more often associated with the | novel | enables the reader to enter |
was the more radical and | novel | views expressed by smith which |
yourself in a very nice | novel | 44 scotland street as a |
finished reading the pd james | novel | a grim entertainment in the |
adolescent hero in a french | novel | but when i tried to |
i have a a new | novel | coming out pff naw i |
offers much potential as a | novel | depicting female old age all |
likely subjeck maitter fir a | novel | in fack it s a |
is margaret elphinstone s seventh | novel | it s a fine story |
but i have a new | novel | it s a sequel to |
[censored: surname] lent me a scottish | novel | magnus merriman by eric linklater |
electric organ an as the | novel | progresses a key ward that |
glad to hear of the | novel | i firmly believe in it |
scrievit fully in the victorian | novel | tradeetion influenced by novelists sic |
in woolf s roughly contemporaneous | novel | yet while women s lives |
122 the end of the | novel | is complex janie s future |
i if you took the | novel | i was readin at the |
most memorable passages of the | novel | because of the intensity of |
of innovative culinary provisions and | novel | beverages not to mention their |
and literature discourse and the | novel | rabelais and the concept of |
on reality and that the | novel | shows the people of arbuthnott |
affairs the genetically modified and | novel | foods labelling scotland regulations 2000 |
the day an unironic scottish | novel | wi fower tory heroes cud |