poem
See this word as a collocate cloud
poem this is a horticultural | poem | about horticultural things of reeds |
you not ecstatic the horticultural | poem | this is a horticultural poem |
173 74 4 liz lochhead | poem | purpose and place p 204 |
of irony liz lochhead in | poem | purpose and place shaping identities |
galloway liz niven s first | poem | since our linkage is a |
a liz lochhead play or | poem | wid it be waater t |
ava poem train the next | poem | coming is due to stop |
poem like just a wee | poem | f1054: do you want to |
poem s style the lofty | poem | has a few native words |
no it s a wee | poem | like just a wee poem |
an absolute guarantee of a | poem | s style the lofty poem |
s nae a worry ava | poem | train the next poem coming |
scottish women writers the title | poem | is a witty debunking of |
title came from the burns | poem | to a mouse of course |
first two stanzas of the | poem | to a mouse the title |
be laid out as a | poem | with a title here perhaps |
lines quote from a browning | poem | about the loss of eden |
lines of tom leonard s | poem | all livin language is sacred |
lines o tom leonard s | poem | all livin language is sacred |
on p 584 that the | poem | is possibly the first lines |
first 1300 lines of the | poem | where rond is the most |
weather conditions or a descriptive | poem | about that kind of weather |
instance a weather report a | poem | on weather an entry from |
of weather she attracted this | poem | was entered for and won |
being later in the same | poem | davidson refers to the throbbing |
of their suffering in this | poem | davidson s narrator tells of |
own poetic technique in this | poem | davidson uses a ballad form |
of my thought davidson s | poem | in praise of perversion rises |
davidson uses it in this | poem | is a metathesis of the |
view that davidson in this | poem | is making a symphony out |
to the confidentiality of the | poem | the way that davidson directly |
feint a care he wrote | poem | an caimbed his hair he |
fun m1012: i wrote a | poem | caed doon oor close an |
the same drawer as the | poem | my father wrote when i |
forty years wrote his epic | poem | the brus in inglis in |
legions of fleas the shy | poem | do you write many poems |
little prancing poems from his | poem | factory and if he smiles |
of the workshop is the | poem | fish and poems produced with |
772 840 ma frein s | poem | nae new poems his brush |
awa you an write a | poem | and play yersels [laugh] and |
do you write a new | poem | every day stafford replied sometimes |
pretend to write out a | poem | in creative calligraphy while she |
to write either a short | poem | in scots any length up |
asked me to write a | poem | jl114 15 writing in iambic |
i cam ta write da | poem | somethin related tae da pictirs |
would like to tell this | poem | why i write this paper |
a story a recipe a | poem | or a reference book this |
rhyme and so on the | poem | or story becomes a sort |
see the reading of any | poem | or story or chapter or |
a text before teaching a | poem | or story the teacher should |
a wasted life the shy | poem | stars stripes undergrowth story time |
is the images in this | poem | which bring the tragic story |
reading oot a george stephen | poem | on radio a wikk bi |
at that moment declaiming a | poem | with some vigour reading from |
reading people occasionally did that | poem | you read the one about |
ironic registers of the short | poem | arraheids where oor gret museums |
on short sections of the | poem | rather than on the work |
doon wi ian middleton s | poem | teen short i needna explain |
five times in this short | poem | thus giving her back her |
is difficult to read this | poem | aloud without falling into some |
he had read that very | poem | at a small literary gathering |
chamber tom fleming read a | poem | by iain crichton smith which |
cherry i thought of a | poem | i d read in modern |
is more obvious if the | poem | is read aloud indeed it |
gaun tae read ye a | poem | o my faither s f1054: |
his real father in the | poem | after having first adopted the |
it and my father s | poem | the first two documents relating |
piece of paper with the | poem | written in father s copperplate |
1 iii where burns s | poem | appears anonymously and it is |
had himself translated burns s | poem | john anderson my jo under |
we did was the burns | poem | m055: aye f785: once a |
trophies of success writing a | poem | s like that like going |
writing an essay on a | poem | that doesn t have a |
i still love writing a | poem | though more than anything else |
deid feet ticking clock this | poem | is written in the form |
scots like mysel in the | poem | written in her honor he |
in german blank verse the | poem | written on seeing the royal |
foregrounds his imagery throughout his | poem | making the reader stop and |
the effect of making the | poem | more acceptable to the reader |
it was my money making | poem | the one that [inaudible] [laugh] |
and later in the same | poem | and thus are men supreme |
the language later in the | poem | he mentions my income comes |
line verbatim later in the | poem | we never do find out |
instead he made a little | poem | about the things inside his |
i would wish for all | poem | fishers little lights set out |
it was a friendly little | poem | he grew to love it |
of hair in pope s | poem | is trivial but little s |
is trivial but little s | poem | is ultimately warm hearted its |
in janet little s verses | poem | this content although relating to |
an she d fand a | poem | bi a alexander scott continent |
haes decidit the mooth watterin | poem | cried chocolate cake bi [censored: forename] |
bi the wirds o the | poem | sae raxxed his airm aroon |
my entry into a long | poem | competition m608: mmhm m078: and |
i knew that a long | poem | had to have a structure |
always have a l- long | poem | in mind when you started |
a it is a long | poem | m078: er yes erm i |
of the english modernist long | poem | m608: mm m078: particularly basil |
this occasion is the long | poem | ulysses by tennyson the old |
less latinate words in the | poem | have positive connotations fair fresche |
words occurs elsewhere in the | poem | nor are there any other |
and latinate words in the | poem | pultron poltroon from fr poultron |
this way 304 of the | poem | s content words excluding prepositions |
eighth line of the same | poem | he uses the word frith |
foregrounds the whole of the | poem | in the very first line |
symon the line o the | poem | reads that sownock fae the |
take a line from a | poem | that ian jenkins quoted i |
seemed ta en wi ee | poem | o mine da cockle shall |
i could jöst recite da | poem | or maybe hae a converstion |
they believed described the scots | poem | and e beside those which |
nicht is neir gone this | poem | exemplifies the scots practice of |
similarly in the scots language | poem | halloween jl168 70 the emphasis |
which consisted of the scots | poem | its english equivalent and the |
a scots owersettin o the | poem | lost frae the north west |
purity o scots in his | poem | pure border scots in his |
insistit we aa screive a | poem | usin scots wirds he photocopied |
65 for duffy in this | poem | all childhood is an emigration |
and sandal shoon in this | poem | as in on a hill |
about eh wh-wh- where that | poem | came from and this is |
that i made up this | poem | coming upon a queue of |
dog is lolling across this | poem | hospital waiters and watchers hand |
the light however my favourite | poem | in this context and for |
hale o scotland an this | poem | is a memorial tae a |
when i hear it this | poem | is a moving apt and |
being evermore self knowledge this | poem | is arguably the most sickening |
natural world imagery in this | poem | is its freshness the specific |
leaves us with in this | poem | is perhaps that of the |
cosmic tree in this epic | poem | macdiarmid promotes his caledonian autisyzygy |
know it man this rich | poem | plays with sexual and intertextual |
it unsuccessfully as this wee | poem | prophesied black snaw flakes birlin |
with one stroke in this | poem | reference is again made to |
to represent this man s | poem | somehow eh eh you achieve |
was the writer of this | poem | the street is now protected |
male chauvinistic pig in this | poem | the woman is not portrayed |
they had done of the | poem | this showed some kind of |
romuli nepotum catullus addressed this | poem | to cicero noli admirari oxters |
a few verses of this | poem | to recite make cue cards |
them all even in this | poem | which seems at first to |
the gallant weaver treat this | poem | with a pleasant tone and |
fair bit about what the | poem | should kind of look like |
s okay typing up a | poem | that s kind of part |
he used to quote a | poem | about a teacher who would |
course it s also a | poem | about dying and m608: mmhm |
t laldy tartan baldy a | poem | about famous doorknobs their owners |
in 1991 opens with a | poem | about intuition sisters tells how |
thame thay tak from a | poem | about pedlar rogues in the |
erm and part of the | poem | at least is about the |
week william mcilvanney in a | poem | talked about the scottish lion |
s m608: mm m078: the | poem | s yes [inaudible] m608: but |
is very important to the | poem | as it sets the mood |
the very fact that the | poem | because of its length must |
john barleycorn a very popular | poem | for translation appearing in 1799 |
ambition the metre of the | poem | which is very close to |
inch copper tube the wee | poem | above was dashed off in |
you find an absolutely original | poem | being composed verse forms the |
just sitting there being a | poem | just sitting there i think |
s described in say a | poem | without the outcome being involved |
revisited there aince wis a | poem | aboot fame writ by percy |
eilidh ah ve wrutten a | poem | aboot him eilidh aboot the |
shall hit s a praise | poem | aboot shetland knitters set i |
anaw mebbe a bit pairtin | poem | ah winna threip on aboot |
translations into english of the | poem | and try to sort of |
which applied to the english | poem | or e and s if |
the language back to the | poem | what what do see the |
practices not only is the | poem | a parody but at the |
twelve synonym sets in the | poem | beowulf the poet is found |
is unread there is one | poem | however that most literary scholars |
saddest thing which is a | poem | in the memory of the |
no longer a person the | poem | is a complex of contradictory |
other with their gloves the | poem | is a parody of the |
part of the th-th-th- the | poem | is an attempt to come |
the last bit of the | poem | is is is headed where |
that the person in the | poem | is me always but she |
a narrative even while a | poem | is not conventionally a narrative |
king s flyting such a | poem | is obviously more circumspect than |
out of context the whole | poem | is one of rls s |
the operating metaphor of the | poem | is our common fear of |
take the matter personally a | poem | is passing by crunch time |
to be learned from the | poem | is surely that love and |
the structuring metaphor of the | poem | is the coup the dump |
of captivity permeates throughout the | poem | it is captivity in both |
maun learn tae share blues | poem | rockabye baby your cradle is |
is not conventionally a narrative | poem | the capacity to create characters |
box is was in the | poem | there a faither s tuil |
displacement is communicated in the | poem | to her daughter eilidh i |
a dramatic scene within a | poem | all qualities which led eventually |
the rhythm of a bonnie | poem | and then he d come |
i but we learnt a | poem | at broomhill that went there |
the attempt by a milkmaid | poem | books to print marked by |
in their comprehension of the | poem | by establishing a train of |
the following stanzas from a | poem | by montgomerie exemplifies the court |
an ageing director translated a | poem | called if i had a |
the dream sequence in the | poem | can be seen as a |
poet composed a different oral | poem | for each occasion working swiftly |
anchor books anthology a bedtime | poem | for every day of the |
drummond of hawthornden performed a | poem | forth feasting to welcome the |
an imaginative input that a | poem | has not landed flat on |
the keekeiad was not a | poem | he had contemplated taking along |
a jesus sandwich the telling | poem | i would like to tell |
relation to identity in the | poem | in my country a suspicious |
instance in 1572 in a | poem | in the bannatyne ms the |
aw at aince a lousum | poem | kyths afore me but whan |
the column cam fae a | poem | o david grant gyan back |
folk tradition lorelei suggest the | poem | offers a reversal of the |
much the keynote of the | poem | on a visit to mr |
then there s a breakthrough | poem | or a breakthrough piece or |
say whether you like a | poem | or not the voice that |
sound the rest of the | poem | outlines a vision of a |
state of the world the | poem | presents a courtier narrator discussing |
fleeting insights haiku moments a | poem | s meaning may be obvious |
things animate or inanimate a | poem | s meaning may be obvious |
on granda owersett o a | poem | screived by tone pavcek 1928 |
the slanted one for the | poem | shower in booklet a what |
glories of feminine thatch the | poem | signed off with a plea |
echt o them inno a | poem | the drap in wye o |
he have done made a | poem | those who move others and |
the brig o balgownie a | poem | to be whispered behind wheelie |
reflect these different purposes a | poem | too can be descriptive or |
say whiider doo liks a | poem | ur no d voice dt |
regaird tae chynges in his | poem | walter gies a leet o |
slave owning fife doctor that | poem | was jist a bit o |
at the hinneren o his | poem | it s the variety that |
have corrected and revised the | poem | substantially shortly before his death |
town of innermessan in his | poem | the ballad of semmerwater sir |
it since forby the tither | poem | there his last will and |
alive in her memory the | poem | ends with her sending in |
can only watch and her | poem | mirror moves from the unemotional |
in dreaming frankenstein 1984 her | poem | mirror s song offers an |
emptiness in her memory the | poem | s power comes from the |
class tables in her dedicatory | poem | to the countess of loudon |
in her poetry her dedicatory | poem | to the countess of loudon |
became er an irish er | poem | [inhale] er delighted me tremendously |
occurred only once in the | poem | 84 in section 1 47 |
in us elsewhere in the | poem | although still upholding the opinion |
t think it diminishes the | poem | at all in terms of |
in the witty fountain the | poem | contrasts classical arcadia with the |
painful emigration as in the | poem | gone wrong but in the |
found in alastair mackie s | poem | in absentia syn god said |
its tunes growe better mind | poem | in the lenses of the |
single manuscript exists of the | poem | in what rds jack describes |
welcome the king home the | poem | in which the river forth |
designed by charles rennie mackintosh | poem | path in the botanics slates |
at one point in the | poem | recurrence was felt to be |
as in charles murray s | poem | richt ower the tap o |
the values endorsed in the | poem | s closing stanza as opposed |
century for example in the | poem | the blythsome bridal attributed to |
occurred too frequently in the | poem | to make their recurrence significant |
thus and pyne in the | poem | we find many mixes of |
to elucidate problems of the | poem | s composition or style beowulf |
of the remainder of the | poem | until the final stanza which |
said my grandpa kens that | poem | and it was the penetration |
klaeber s edition of the | poem | 2 all occurrences of these |
to the development of the | poem | abab bcbc cdcd ee interlinked |
the entire vocabulary of the | poem | and to see how the |
sense the action of the | poem | begins with the speaker as |
and farles and baps the | poem | has splendid descriptions of the |
the bits of the epic | poem | he didn t want and |
three major sections of the | poem | ll l 1250 the introduction |
the second half of the | poem | moves into the mock heroic |
copies of alexander blok s | poem | on the silken leddy i |
organise the development of the | poem | rhyming couplets are good for |
at the outset of the | poem | she was raped when she |
think of it often shy | poem | that crept away i would |
the third section of the | poem | three of the compounds appear |
846 25 ma frein s | poem | do 26 no weill do |
wunter nicht do 44 lest | poem | do 45 plaint agin generals |
marks the fat nymphomaniac s | poem | all communicate the psychological distress |
takks oot the month wi | poem | an scottish sang december s |
pause dae ye mynd yon | poem | o lermontov s and he |
fergusson i mind als yon | poem | o sorley maclean s translatit |
rowl charles kerr s praise | poem | to the appalachians he sings |
maclaurin that penned the keekin | poem | ah that surprised you you |
while praising meldrum however the | poem | also seems to mock the |
incident had inspired an excellent | poem | and the analogy with degas |
wolf pack circle the raw | poem | bolder wolves press almost onto |
the last word throughout the | poem | inverted commas have signalled the |
conventional literary hierarchies as the | poem | proceeds the persona reveals himself |
because visible because men the | poem | questions conventional divisions between male |
hell when he died the | poem | runs here lie willie michie |
craftsman tradition and so the | poem | ultimately asks us what we |
less controversial fact that the | poem | was presented orally to an |
look ye just say the | poem | ye know two verses an |
mist on metal powered grooves | poem | factory when daniel vaughan was |
erotic and ironic counter seduction | poem | energetically communicated through image sound |
lung ca 1590 1646 luiv | poem | nou dinna you set sail |
fir ye afore lang yer | poem | sangs got ye kent tae |
chü i 772 846 lest | poem | thay hae putten ma bed |