poems
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novella 2004 the dule tree | poems | 2003 queerie orrals poems 2003 |
2004 the humpty dumpty man | poems | 2004 diminishing lines poems 2004 |
story 2004 hairst o thorns | poems | 2004 gallery prints poems 2004 |
thorns poems 2004 gallery prints | poems | 2004 indian peter short stories |
man poems 2004 diminishing lines | poems | 2004 minnie scots novella 2004 |
bairns 2004 pandora s box | poems | 2004 pie in the sky |
the win an the rain | poems | 2004 serendipity poems story 2004 |
owersettins 2004 the boddomers monkey | poems | 2004 the humpty dumpty man |
on the rock s opinion | poems | 2004 the lan o tea |
lan o tea an tigers | poems | 2004 the tower o babel |
preparing to meet the minotaur | poems | 2004 the wizard o the |
2004 katy the crocodile scots | poems | for bairns 2004 the toad |
wizard o the north scots | poems | for halflins 2004 katy the |
the rain poems 2004 serendipity | poems | story 2004 hairst o thorns |
1996 lament for the raj | poems | 1995 stagwyse selected poems copyright |
tree poems 2003 queerie orrals | poems | 2003 boorich o fowk poems |
o fowk poems 2003 winnlestrae | poems | 2003 loon scots novella 2002 |
poems 2003 boorich o fowk | poems | 2003 winnlestrae poems 2003 loon |
the tiger o trincomalee bairn | poems | 2005 ferlies poems 2005 sergeant |
trincomalee bairn poems 2005 ferlies | poems | 2005 sergeant buchan s jacket |
blackhall 2006 the sea quine | poems | 2006 past masters poems 2006 |
quine poems 2006 past masters | poems | 2006 the owl hour poems |
poems 2006 the owl hour | poems | 2006 the tiger o trincomalee |
john macpherson and other war | poems | aa poems o warl war |
her poems include love poems | poems | about the natural world about |
raj poems 1995 stagwyse selected | poems | copyright s blackhall 2006 the |
milk to ice diving for | poems | dhanakosa balquidder diving for poems |
poems dhanakosa balquidder diving for | poems | i entered the moon s |
night published in 1994 her | poems | include love poems poems about |
and other war poems aa | poems | o warl war i an |
1994 her poems include love | poems | poems about the natural world |
of j c milne s | poems | and covered some scots songs |
208 9 robert burns burns | poems | and songs ed by james |
talk not only about the | poems | and songs of burns which |
1840 p 119 burns complete | poems | and songs one volume ed |
continued to express in scots | poems | and songs that have inspired |
a copy of burns s | poems | and songs translated by one |
songs as well as the | poems | and to take account of |
know and admire burns s | poems | but that in his songs |
restricted to the songs and | poems | of burns but should embrace |
competitions on the songs and | poems | of burns now no fewer |
a collection of songs and | poems | on several occasions by isobel |
and gaelic for schools includes | poems | or songs in glaswegian dialect |
alive in songs stories and | poems | our bairns are speaking scots |
occasionally addresses them in his | poems | some of his songs and |
context that the use of | poems | stories songs and plays in |
closest to burns s songs | poems | such as heidenröslein mailied erlkönig |
2005 sergeant buchan s jacket | poems | 2005 death of a pope |
2005 death of a pope | poems | 2005 the win an the |
17 hugh macdiarmid gairmscoile complete | poems | 1920 1976 ed by michael |
the language of macdiarmid s | poems | can be said to be |
by hugh macdiarmid the later | poems | in synthetic english like on |
hugh macdiarmid in his later | poems | in synthetic english such as |
used by macdiarmid in his | poems | was very natural in crowdieknowe |
liz lochhead dreaming frankenstein collected | poems | edinburgh polygon 1984 p 12 |
3 3 sylvia plath collected | poems | london 1981 pp 210 173 |
comparison with pagan s collected | poems | which does not include this |
gran collection o beuks o | poems | an life in es neuk |
addressees and confidantes in her | poems | her only collection is dedicated |
local area many of the | poems | in her collection of 1808 |
by david purves note the | poems | in this collection have been |
and assembled our collection of | poems | that we realised just how |
of this fine collection o | poems | willnae flick too quickly at |
solo collection ophelia and other | poems | written in the 1980s but |
stories 2000 the singing bird | poems | 1998 the bonsai grower short |
i mean you pub- publish | poems | and stories and m055: yes |
had also been given scots | poems | and stories and occasionally listened |
with the children given them | poems | and stories in scots and |
from the local community and | poems | and stories in scots logie |
when we come to teach | poems | or stories to children we |
she reported that cassette tapes | poems | stories and tv programmes had |
members of the local community | poems | stories tv programmes radio programmes |
reading some of burns s | poems | an effect which seems especially |
gesungen sind that burns s | poems | are not sung for weak |
dunlop to read little s | poems | burns reputedly answered do i |
gallery when studying burns s | poems | closely at the senior stages |
a selection of burns s | poems | entitled liebe und freiheit lieder |
his discussion of the kilmarnock | poems | he also characterises burns s |
his study of the kilmarnock | poems | he links burns to shakespeare |
translated many of burns s | poems | into gaelic i thank irene |
centuries to translate burns s | poems | into german hochdeutsch or dialect |
of a group of burns | poems | into the present higher grade |
the fact that burns s | poems | nicht für weiche ästhetische griechen |
whas anely buiks war the | poems | o burns the pilgrim s |
an recite some o the | poems | o robert burns an tae |
of george ogilvie s selected | poems | or one of the burns |
facing translators of burns s | poems | questions posed immediately by the |
1827 that while burns s | poems | spring from and live in |
climate in which burns s | poems | would be appreciated gillies also |
are some tremendous er chinese | poems | about er the pain of |
scots from fifty ancient chinese | poems | by david purves gean blossoms |
scots from fifty ancient chinese | poems | by david purves note the |
of er renderings of chinese | poems | by different people and then |
wyne an taen up ma | poems | from the chinese of po |
do justice to the original | poems | in chinese is a question |
that these versions of chinese | poems | in scots have a vigor |
in english of ancient chinese | poems | recorded as far back as |
f718: yeah m017: the chinese | poems | sometimes have f718: mmhm m017: |
english of wonderful ancient chinese | poems | were first published early last |
of ayr at sic scotland | poems | chiefly in the scottish dialect |
title of the kilmarnock edition | poems | chiefly in the scottish dialect |
tom leonard s glasgow dialect | poems | in englishes around the world |
of writers discussed but whose | poems | in shetland dialect and english |
has had a number of | poems | in scots published in magazines |
an hairt an wame spotlight | poems | published in the wisdom of |
scots language editions of his | poems | were published in germany between |
she herself was when her | poems | were written down and published |
community a booklet of doric | poems | had been written by the |
this time written many great | poems | it is not a minor |
this in the many praise | poems | she has written for different |
scots in schools and some | poems | were written in a bogus |
scottish renaissance however some fine | poems | were written in the early |
on it were two short | poems | written by the researcher one |
an abandoned language m078: yeah | poems | written for translation erm into |
versions [inaudible] m078: of the | poems | written for translation m608: yeah |
writer teacher even gin scots | poems | an vocabulary is uised in |
scots containing three books supporting | poems | and a play the plots |
and singers had introduced scots | poems | and had listened to radio |
class she had taught scots | poems | and indicated that scots poetry |
writer teacher even if scots | poems | and vocabulary are used in |
the death of scots music | poems | by allan ramsay and robert |
of thebes scots and english | poems | by sheena blackhall contents the |
bothy ballads and reciting scots | poems | his current class had studied |
fergusson who wrote his scots | poems | in 1773 gave the first |
harvey holton er who writes | poems | in scots f718: mm m017: |
a scots owersettin frae the | poems | of catullus 23 frien furius |
scots vocabulary in considering the | poems | of pasolini s youth the |
scots orthography in the courtly | poems | of the makkars of the |
ye can gie her scots | poems | tae suit the egyptians j |
and furniture she continues these | poems | were made for the scots |
the colour of black white | poems | 1984 2003 by liz lochhead |
magi gibson s queen maeve | poems | are companion pieces to lochhead |
brings back early lochhead work | poems | fae the poet s childhood |
novella 2002 boorich o breets | poems | 2002 the fower quarters short |
set short tasks put group | poems | on the page tum their |
t write nearly as many | poems | as i used to and |
to write some of her | poems | had she been able to |
poem do you write many | poems | i asked one crept out |
i thought i would write | poems | in english directly to be |
i would try to write | poems | ou- out of that sort |
the cold light of your | poems | a word necropolis making love |
a lack of coherence love | poems | should be characterised by wilful |
he was culturally active writing | poems | and prose himself and encouraging |
fabric of several of his | poems | but this happens with writing |
is probably true that the | poems | i ve been writing recently |
used to get from writing | poems | thirty years ago i still |
t have been writing her | poems | this might suggest that mcseveney |
it took and when his | poems | aloud were read his listeners |
people to read scott s | poems | and novels such an analysis |
century hertz mentions many favourite | poems | read in his family then |
mean a lot of the | poems | that i ve read of |
enthusiastic action the following two | poems | in english for a wider |
an english register in his | poems | whenever he wanted to express |
study of other old english | poems | where oral composition is a |
contemporary english for rendering these | poems | whether these recreations do justice |
james v as the early | poems | show especially the complaynt and |
the word meaning that these | poems | aim at describing the personalities |
mt 30 1 in these | poems | duffy transforms her own childhood |
blogspot com some of these | poems | have appeared in the thing |
sophisticated of these female centred | poems | is given to a lady |
human suffering these are strong | poems | strong in their musicality and |
remarkably widely these forces in | poems | such as the twa dogs |
these th- [inaudible] m608: or | poems | to be translated into an |
the truly worthy and these | poems | which seem to have been |
an historian some of his | poems | about history including the lovely |
perhaps it needed friends the | poems | began to grow and some |
but they re to fro | poems | bu- some set in scotland |
know some w d cocker | poems | but eh the particular one |
some study of more demanding | poems | for exam purposes such as |
at school we get some | poems | i don t hear doric |
introduction and transcript of some | poems | over two weeks great i |
wrote to carswell about some | poems | she had sent him there |
began to grow and some | poems | skipped and others danced and |
saying that there are some | poems | that are eminently accessible in |
some of lyndsay s best | poems | to a new audience one |
at blaikie s quay some | poems | travel steerage others are first |
school s1 s3 some further | poems | usually around january tam o |
some of the the the | poems | which are you know separate |
some plays feel like long | poems | you know a play like |
editioned a book of hungarian | poems | called winged by their own |
their own books of doric | poems | interviews with staff and questionnaires |
counter weight of my own | poems | particularly versions in italian in |
own lifetime lyndsay s longer | poems | squyer meldrum and the testament |
er she saw me his | poems | are full of such references |
poet author of such famous | poems | as death and doctor hornbook |
s girls are more vulnerable | poems | such as my breasts walk |
virr in its heel other | poems | such as pastoral and land |
points to be made in | poems | such as saltire the shadow |
can also be seen in | poems | such as the iron man |
and records is explored in | poems | such as work and art |
their taste in such folk | poems | they should think over the |
radical scotland he has contributed | poems | to collections such as thrawart |
and praise janet little s | poems | are important for their witty |
subordinate or supplicant in her | poems | as we have seen little |
breaks down into separate little | poems | but they re to fro |
whole squads of little prancing | poems | from his poem factory and |
features of little s best | poems | is the way in which |
many of philip larkin s | poems | begin as description or narrative |
lists many translations of individual | poems | throughout the 1790s and the |
the impulse behind her many | poems | which explore identity and the |
used for laws histories epic | poems | eh well the prose wouldn |
language was used for epic | poems | like beowulf and it was |
t be used for epic | poems | the language was used for |
mix o autobiographical an fictional | poems | aboot her hame toon o |
page ready made 13 her | poems | are carefully and imaginatively constructed |
thin anuther wy 15 her | poems | are clever and often amusing |
kay has said that her | poems | begin with images rather than |
idiom and forms as her | poems | demonstrate she was knowledgeable about |
at the same time her | poems | have a distinctively modern identity |
ony o laureen johnson s | poems | i laaek her views on |
in her discussion of the | poems | irony is very much the |
upper class in that her | poems | make their impact through poetic |
who brings consolation through her | poems | of remembrance and praise janet |
solemn themes presented in her | poems | yet although she borrows a |
word in old books old | poems | old wordlists but not this |
in ireland a buik o | poems | aboot a swan caad leda |
general reader monie o the | poems | are strang narratives an talk |
o yon great sea far | poems | are thochts that kythe an |
a substantial nummer o new | poems | as weel as ithers kent |
o my favourite beuk o | poems | bi elsie s rae ca |
oot o wee books o | poems | eh or anything like that |
copies o twa o the | poems | entered includin chocolate cake an |
copies o twa o the | poems | entered includin the slater an |
photographer so da book o | poems | is only wan product o |
material for a nummer o | poems | leavin the reader wi snatches |
gleg pincil ah aunser the | poems | o ma freins ah graip |
tae the fabric o the | poems | which rynge fae luive an |
len o a beuk o | poems | wi pages missin nae cover |
you ken any o the | poems | wi that in duncan or |
working titles was er poems in- | poems | for a now abandoned language |
it word pictures rather concrete | poems | language sketches silhouettes in sound |
er no m608: sequence of | poems | m078: erm m- more eh |
lang been disappintit that his | poems | an hymns hinna hid mair |
self reductive in his conversational | poems | describing himself in the epistle |
by his widow anne other | poems | have featured in the wisdom |
frein s poem nae new | poems | his brush wul trace even |
name is deid his auld | poems | is happ t in stour |
you wi your clarty keekin | poems | maclaurin grimaced back in his |
his chaunce he actually wrytes | poems | sae he dis but jokin |
aa his groin s dictates | poems | wad hae poored in torrents |
probably about ten or fifteen | poems | at at that m608: mmhm |
of about four or five | poems | m608: mm m078: which i |
apology for the first two | poems | josef the bus driver one |
activity has spawned two more | poems | one a crude allegory on |
leaves no stray crumbs two | poems | with apologies to stevie smith |
but he adds the kilmarnock | poems | are also heimatkunst in the |
depths over and over moon | poems | are beautiful plucked from inky |
variations particularly in pronunciation my | poems | are cast in a literary |
to beautifie it sometimes entire | poems | are fashioned out of conceits |
the values presented in both | poems | are female centred domestic and |
writer is anne frater whose | poems | are included in the polygon |
victims in this pair of | poems | are reflections of the puritanism |
is not easily achieved key | poems | here are originally and the |
a lion stamped on my | poems | to prove they are up |
and soviet cognac and recited | poems | and generally talked until about |
the education system to use | poems | and other literary material couched |
places and the desolation listens | poems | 1935 37 by george keyt |
was the specification of 13 | poems | to be studied by anyone |
book first there were enough | poems | translated by me to go |
strike off phrases which make | poems | flabby break clean away when |
call macintosh unreliable for the | poems | of goethe which might seem |
in w d cocker s | poems | which eh nineteen thirties take |
the first batch of catullus | poems | was printed in chapman 42 |
of the paix machine the | poems | examine repeated themes in the |
herself acknowledges meagre maybe 30 | poems | i ve kept in fifteen |
solo collections and a selected | poems | in addition to standing female |
of anna gordon pagan s | poems | in general do not present |
in the order of the | poems | included here but since it |
triumph in the end in | poems | like the wanderer and the |
fat black woman in the | poems | of grace nichols one of |
for the later drafts of | poems | and i wonder if if |
lan has cuttit titles of | poems | currently incubating the aperitif that |
whoop whoosh a ferry of | poems | has docked at blaikie s |
dedication this limited edition of | poems | is dedicated to alexander craib |
dramatic reading of the letters | poems | of d h lawrence and |
landfalls and everyday work the | poems | of ideas and the contemporary |
james macpherson s collections of | poems | of ossian founded european romanticism |
will be an avalanche of | poems | though they drug my horlicks |
the everyday warmth of the | poems | thus changing the nature of |
a bucket de railer of | poems | unpenned there s always a |
i didn t like the | poems | and no one laughed at |
as extracts from the major | poems | have however the genuine whigmaleerie |
was me as i imagined | poems | that i imagined i would |
far deidly watters lirk their | poems | upon the prentit page will |
you know you said the | poems | were very personal and yes |
eight or eight or nine | poems | and erm then a a |
gordon booth for editing the | poems | and to thistle reprographics for |
universitetskaya and looked through scottish | poems | for friday s talk then |
is the poem fish and | poems | produced with different sweats gaudeamus |
latin george buchanan s latin | poems | would provide models for classically |
thing that mattered most scottish | poems | for children black white publishing |
the individual subjects with the | poems | before them then listened to |
be applied to 18th century | poems | like christis kirk on the |
draps tae herbour foon may | poems | like sunbeams daunce aboot its |
kitchen but nae reik ryses | poems | an buiks is stekk t |
dem dat is weel is | poems | an da lik i tocht |
lauch areddies the tither recites | poems | an sangs the mornins thay |
ah skreive awa at ma | poems | syne chynge an redd thaim |
on this luvers day sic | poems | should be a tidal wave |
the fax we re the | poems | fae competitions cairtit oot the |
if the adjective described both | poems | task c a visual stimulus |
a way all the i | poems | the ones that you think |
howf ye canna finnd the | poems | we wrate the r naething |
washing tossing waa i bigg | poems | pages whyles hale buiks ooto |
if i ve tae dee | poems | sometimes i ll say ay |
i fairly enjoyed hearin dy | poems | tö esp da boat eens |