poetry
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read in modern sri lankan | poetry | an anthology by d goonetilleka |
aberdeen university modern sri lankan | poetry | an anthology d goonetilleka sri |
kist an anthology containing prose | poetry | and drama and associated audiotapes |
4 00 a good hardback | poetry | anthology and a paperback on |
introduction in a shetland anthology | poetry | from earliest times to the |
introduction in a shetland anthology | poetry | from earliest times to the |
tom leonard in baith his | poetry | and his prose sees dis |
tom leonard in both his | poetry | and his prose sees this |
rethinking late 16th century scottish | poetry | and prose as a bakhtinian |
s part of [?]reason[/?] is | poetry | and prose but part of |
texts by scottish writers in | poetry | and prose developing bi lingual |
so much of our best | poetry | and prose has been written |
the dif- difference is obviously | poetry | and prose m741: yeah m605: |
writing not just letters but | poetry | and prose too i was |
innovative player in contemporary scottish | poetry | as a whole lochhead was |
all then it should be | poetry | erm scots prose is way |
the characteristic features of contemporary | poetry | ie keep rhyme and try |
much on contemporary scots language | poetry | [inaudible] kind of lallans movement |
alison kermack s demotic scots | poetry | is contemporary and ideological following |
the sts edition of james | poetry | james and his contemporary writers |
look most like standard high | poetry | or prose the best response |
a range of other scots | poetry | prose and drama in 1937 |
with contemporary models of what | poetry | should be but that polished |
vernacular prose as well as | poetry | virtually terminates with james vi |
and his contemporary writers on | poetry | were vexed by the question |
the artificiality of contemporary german | poetry | with its foreign influences das |
and suitable contemporary prose and | poetry | written in a neutral literary |
for the writing of vernacular | poetry | ie poetry in scots james |
writing of vernacular poetry ie | poetry | in scots james puts limits |
the section women and vernacular | poetry | meriting no more than thirteen |
modern vernacular style in british | poetry | scott s historical novels combined |
publish little magazines and lallans | poetry | and kinky posters for the |
italia the edinburgh review european | poetry | in scotland fife lines lallans |
following a spate of lallans | poetry | in the 1930s and 1940s |
[inaudible] kind of lallans movement | poetry | m741: yep m605: ehm but |
white publishing and the scots | poetry | library 2006 the herald dinna |
les wheeler for publishing this | poetry | pamphlet for editing the contents |
les wheeler for publishing this | poetry | pamphlet in an extremely short |
from women gathering together in | poetry | workshops and publishing in anthologies |
poetry low comedy and love | poetry | all have their appropriate vocabulary |
because dave is interested in | poetry | and orkney poetry i ve |
interested in poetry and orkney | poetry | i ve been feedin him |
might suggest that mcseveney s | poetry | is therapy not poetry proper |
that james identifies then learned | poetry | low comedy and love poetry |
thi population o scotland that | poetry | principally refers tae english poetry |
s poetry is therapy not | poetry | proper but such a view |
poetry principally refers tae english | poetry | sic like milton donne et |
of burns s language and | poetry | and in particular the challenges |
the nature of burns s | poetry | and its effect on the |
english language in burns s | poetry | and opens up responses and |
of young people burns s | poetry | calls out today particularly in |
asks in what kinds of | poetry | do you think burns is |
the nature of burns s | poetry | in caledonia emilie comments on |
the qualities of burns s | poetry | irony is absent from this |
and contextually with burns s | poetry | kupper s own book is |
future course of much scottish | poetry | kupper sees burns as one |
death formally elizabeth burns s | poetry | might be seen to epitomise |
by romance i love the | poetry | of burns and macdiarmid and |
for a comparison of the | poetry | of burns and pope and |
now bother with the english | poetry | of fergusson or burns this |
in rehearsals of burns s | poetry | over the past few days |
the capacity of burns s | poetry | to cross borders and as |
way in which burns s | poetry | was received and imitated by |
burns writes a quiet delicate | poetry | which under its feminine surface |
literary giants of english augustan | poetry | and be praised for it |
own choosing unlike the literary | poetry | of janet little and the |
addition as with the literary | poetry | of janet little this vocal |
the formal qualities of her | poetry | this literary achievement and the |
fictional books and reading poe- | poetry | around what i m writing |
a restless night reading scottish | poetry | at 2 45am to try |
ultimate satisfaction is sitting reading | poetry | f1038: yeah f1037: er but |
me at least of nonsense | poetry | it s like reading jabberwocky |
in terms of reading his | poetry | m741: yeah m605: but he |
the auld leid or a | poetry | reading from the works of |
who had been at the | poetry | reading presumably the man wanted |
know ye need a thriving | poetry | reading scene and probably a |
o scottish culture an trowe | poetry | an art explored whit hit |
capable of appreciating art and | poetry | and being quite lyrical and |
as the divine art of | poetry | thirdly the examples largely chosen |
whose ars poeticae art of | poetry | was still a strong influence |
male domain of high art | poetry | what the pool said on |
tom introduction in radical renfrew | poetry | from the french revolution to |
tom introduction in radical renfrew | poetry | from the french revolution to |
1989 the best of scottish | poetry | introduction edinburgh chambers buthlay k |
okay f950: thing but modern | poetry | academic texts bible in church |
of their influence modern scots | poetry | looks much less like a |
a session on modern irish | poetry | m741: [click] oh right cool |
is this a modern ehm | poetry | u1028: [inaudible] m865: yeah well |
of sensibility in modern english | poetry | while david craig in scottish |
and enchants her daughter with | poetry | and song p 59 but |
focus on the nature of | poetry | and song writing by a |
should embrace scottish song and | poetry | generally on behalf of the |
great beauty in song and | poetry | particularly but also its appropriateness |
area in the form of | poetry | song and occasionally video or |
for james poetic metre and | poetry | as a whole was closely |
great basis for making metrical | poetry | in scots james then falls |
an introduced him tae scots | poetry | james tuik til his new |
at the language of the | poetry | of the court poets james |
were talking about eh the | poetry | of the period of james |
having just finished an american | poetry | seminar on james dickey also |
read around 5 books of | poetry | and 2 books of criticism |
ballads the school had available | poetry | and short story books in |
poems and indicated that scots | poetry | books were available for any |
m605: keeps sayin i hate | poetry | and i keep sayin that |
it as well especially irish | poetry | like m605: there s gonna |
oral- you know orally transmitted | poetry | m741: yeah m605: a- and |
i ve got two more | poetry | sessions and he m741: mmhm |
is a commonplace of scottish | poetry | and fiction but duffy writing |
observed and avoided when writing | poetry | in scots as opposed to |
in some respects mcseveney s | poetry | returns to the writing woman |
the importance of performing scots | poetry | and apparently edinburgh s got |
best work was not his | poetry | but his translation into scots |
translation into scots of continental | poetry | by others john stewart of |
in the heightened profile of | poetry | by women in the scots |
well as scots in her | poetry | her dedicatory poem to the |
assuredly female the situation of | poetry | in scots and gaelic is |
scots consists o studies o | poetry | in scots eg hugh macdiarmid |
courtiers to write and translate | poetry | in scots the scots of |
scots language with ancient chinese | poetry | is no doubt due to |
national dictionary association the scottish | poetry | library and the scots language |
flat a buik o scots | poetry | read me frae t neil |
had a guid eh scots | poetry | readin session in there and |
need to transform scots language | poetry | to meet the conditions of |
tradition means the scots language | poetry | tradition of the north east |
scots consists of studies of | poetry | written in scots eg hugh |
so familiar in mediaeval love | poetry | canto 11 ll 161 165 |
falling over themselves in love | poetry | however ordinary vocabulary and uncontracted |
efter comes the theory the | poetry | o love dimps removes the |
deservedly high reputation in british | poetry | and her success is a |
should be used in learned | poetry | and high flown emotive words |
one dunbar s high style | poetry | i ve got a rough |
has a long record for | poetry | of a high order c |
from the high style latinate | poetry | of the mediaeval makers as |
polish but to write great | poetry | as great as shakespeare there |
it s possible to write | poetry | it s just lost its |
in 1992 began to write | poetry | only in her sixties and |
where he continued to write | poetry | whilst working for the tax |
written like that in the | poetry | m865,: mmhm f950: hav- havin |
writin der features on shetland | poetry | written baith bi mesell an |
at least an adaptation of | poetry | written elsewhere in scotland s |
and rhythm in this early | poetry | an ironic transformation of clichés |
who speak in her early | poetry | in that as in all |
only woman beginning to publish | poetry | in the early 1970s but |
has said of her early | poetry | my country was woman 1 |
late 16th early 17th century | poetry | then we need to pay |
thegither they said prayers read | poetry | sang an played music they |
know that he wants his | poetry | to be read by you |
all subjects fit subjects for | poetry | but all language be it |
the the the translations of | poetry | from another language are are |
specialist language is suitable for | poetry | if it is the only |
new voice to english language | poetry | in the nineties as does |
language of the world s | poetry | the new seems to be |
longer a suitable language for | poetry | which is properly concerned with |
been fooling around with beat | poetry | and perceptive little pieces on |
ferguson finds in little s | poetry | both an attack on the |
be considered therefore that her | poetry | has little to do with |
could instil a little more | poetry | into my version of autumn |
pioneering account of little s | poetry | is the essay by the |
of scottish and northern english | poetry | alliteration had of course been |
the hallmark of old english | poetry | before the norman conquest rhyme |
the first critical essay on | poetry | in english literature certayne notes |
has actually noticed about the | poetry | around him rather than simply |
and a presence in her | poetry | which like his own seems |
brings female perspectives into her | poetry | will be my own principal |
edition of one s own | poetry | would tame the very loftiest |
or humorous and the best | poetry | reflects the sentiment expressed by |
a wasteful distraction for scottish | poetry | that such a great poet |
not so much about the | poetry | but about the sort of |
even novels not so much | poetry | but novels as well like |
traditions of the past her | poetry | has much to offer catriona |
am inclined to turn to | poetry | much of which deals with |
characteristic of much of the | poetry | of the nineties including that |
caird s late entry into | poetry | also allowed her to explore |
moral philosophy historicism and antiquarianism | poetry | and ballad revival and also |
also in kathleen jamie s | poetry | but here they are accompanied |
him in he also wrote | poetry | look lisa tells me that |
of sixteenth and seventeenth century | poetry | there is also an interesting |
of their time in their | poetry | while showing also how janet |
it is communicated in her | poetry | and it is one which |
is usual in her earlier | poetry | exploring human relationships with a |
country is implicit in her | poetry | from the start lochhead s |
presentation and reception of her | poetry | her collection of 1792 being |
for the quality of her | poetry | her unusual social and educational |
a strong motivation behind her | poetry | it is not certain however |
catching an image in her | poetry | through the colour of words |
sorts of things like caribbean | poetry | and really kind of funky |
s em the kind of | poetry | i want the em em |
finnegan s wake and in | poetry | by hugh macdiarmid in his |
as lyndsay grew older his | poetry | grew darker and his concern |
enlarging the subject matter of | poetry | in his utilisation of scientific |
in the rest of his | poetry | is his combination of a |
a potential castrator of his | poetry | it is interesting to discover |
ballads as well as the | poetry | of his earlier countrymen ramsay |
a key feature of the | poetry | of his time and lays |
his ideas of what scottish | poetry | should look like this had |
pictures of it in his | poetry | that can be extracted and |
way conforming or self effacing | poetry | its themes are feminist although |
to make their way in | poetry | over the centuries have experienced |
way of like especially in | poetry | when you ve you always |
its continuing importance in scottish | poetry | although the reulis and cautelis |
mainly male domain of scottish | poetry | and in the idea of |
of the scottish national open | poetry | competition every year since 1982 |
kratzmann the history of scottish | poetry | dr david irving lecture notes |
least as far as scottish | poetry | is concerned for when relating |
the m078: erm m608: scottish | poetry | library m078: last week and |
a female tradition in scottish | poetry | or of the dominant male |
16 and they have scottish | poetry | will never be the same |
s good yeah f1037: my | poetry | book out and er i |
doin like scot lit and | poetry | er stuff i never i |
i regard as quite fine | poetry | f718: yeah m017: and er |
s er m608: mm m078: | poetry | so i i knew a |
s thumbing its nose at | poetry | readings just sitting there being |
with my favourite piece of | poetry | about ulysses going on one |
role in the transmission of | poetry | although they are appreciative of |
artists silhouette cutters declaimers of | poetry | and a small brass band |
to collecting and editing the | poetry | and music of old caledonia |
formulaic composition of ancient oral | poetry | and the application of oral |
with the proper subjects for | poetry | and the place of translation |
the transforming which happens in | poetry | as with reviews of lochhead |
in the rarified sphere of | poetry | at this point a certain |
st bride patron saint of | poetry | blacksmiths healing and the hearth |
a marker of how far | poetry | by women has travelled since |
of edinburgh held an open | poetry | competition in 1986 the subject |
will regulate the making of | poetry | in this he still makes |
as in the world of | poetry | it is blood which is |
treatise the attraction of nonsense | poetry | it might be argued that |
in tapestry of thoughts by | poetry | now 2005 winter and it |
this time discovered the feminist | poetry | of adrienne rich the grimm |
t want to contribute a | poetry | of national service i have |
will enjoy the music and | poetry | of previous centuries like many |
their gender to produce mature | poetry | of quality which is diverse |
and roderick watson s the | poetry | of scotland and is given |
character of anglo saxon narrative | poetry | speculum xxviii 1953 5 j |
got quite a lot of | poetry | we ve got today was |
inventive and strongly politically motivated | poetry | a major improvement in the |
brilliant inventive an politically inspired | poetry | a major upheeze in the |
like the dramatic monologue in | poetry | and i think in a |
relatives in the playground as | poetry | by friends 55 69 at |
finnegan s wake and in | poetry | by hugh macdiarmid the later |
spenn sweet oors on lanely | poetry | fierce pride in yon a |
in m608: mmhm m1174: recite | poetry | in arabic m608: okay m1174: |
meg bateman wrote some fine | poetry | in gaelic but has temporarily |
young cherie silence pat aye | poetry | in motion jilly ah used |
the park raither than typin | poetry | in the hoose it sat |
and there will be no | poetry | in this it has been |
a twa three lines o | poetry | it s dowie in the |
take part in the holyrood | poetry | link scheme whereby msps would |
against that problem and the | poetry | that he wrote was in |
and land hunger recreate in | poetry | the struggle with the land |
in relation to the male | poetry | tradition you have a territory |
to i mean even in | poetry | you think well if you |
i m cramming american canadian | poetry | and criticism this week it |
interest would be would be | poetry | and eh that s obviously |
and format some writers regard | poetry | as a separate genre genres |
example eh being given a | poetry | book at school and i |
novel and has published several | poetry | collections since 1991 is one |
silence feel thur boots paint | poetry | oan that canvas jilly and |
the social sciences history rhetoric | poetry | periodical journalism and the novel |
stern tutor were still composing | poetry | plays and non fictional work |
ainer miss mcfadyn wis spikkin | poetry | slowly and sadly we laid |
to produce a distinctive economic | poetry | which has the intensity and |
get up and there s | poetry | you know and and and |
as having realism coloured by | poetry | a stalwart independence sweetened by |
1 this is witty clever | poetry | turning the historical tables as |
it a walking aid the | poetry | has gone one day i |
enough about their about their | poetry | i mean sometimes i mean |
thistle reprographics for producing this | poetry | pamphlet with their customary professionalism |
it comes to something like | poetry | f1038: mm f1037: because erm |
through different windows 2005 by | poetry | now pets corner hazlehead park |
by theatre television literature or | poetry | syne reference will be tint |
by theatre television literature or | poetry | then reference will be lost |
is enchanting the child with | poetry | suddenly an analytical even judgmental |
subject with any music or | poetry | to it even though it |
perhaps better to compare oral | poetry | with the speech or impromptu |
not just doing it for | poetry | but doing something for my |
this is a deceptively simple | poetry | it aims to keep personal |
this is a deceptively simple | poetry | it aims to keep personal |
dialect a lot o dialect | poetry | f606: yeah m830: from f829: |
were saying earlier about chinese | poetry | do you think there there |
_________ 1 lot 1 interactive | poetry | the reader is left to |
school m865: mm mmhm f951: | poetry | certainly there s a there |
project dat s browt tagidder | poetry | fae da various straands o |
to develop certainly compared to | poetry | it s slow to develop |
a bit too pedestrian for | poetry | [inhale] rhyming couplets would be |
at moniack mhor on screivin | poetry | led bi a dublin poet |
blue thomas jones fwbo new | poetry | 1947 the muckle gapin mou |
nae pyin attention efter the | poetry | recitation wis ower the bairns |
o ower muckle wine an | poetry | thegither syne they hid thir |
bi david waggoner chair o | poetry | university o washington tint staun |
no bore you wi da | poetry | you can see dat fur |