poets
See this word as a collocate cloud
at aspiring rather than accomplished | poets | after the union of the |
they gave advice to aspiring | poets | but celebrated the vernacular of |
perfection for aspiring young scots | poets | he realises that it is |
was 17 to guide aspiring | poets | in the composition of verse |
arguing that not many aspiring | poets | will know the rules of |
an anthology of scottish women | poets | 1991 and a history of |
lonsdale ed eighteenth century women | poets | an oxford anthology oxford oxford |
s anthology of scottish women | poets | and roderick watson s the |
an anthology of scottish women | poets | edinburgh edinburgh university press 1991 |
historical anthology of scottish women | poets | in 1991 and the mood |
an anthology of scottish women | poets | k164 with the later version |
artists when reading the court | poets | of james vi look at |
james vi and the court | poets | reulis and cautelis introduction so |
tae a wheen ither artists | poets | as weel as visual artists |
to be practised by novice | poets | but by accomplished artists when |
ferguson ed eighteenth century women | poets | nation class and gender albany |
interest in eighteenth century women | poets | will soon learn to live |
were subsequently adopted by lallans | poets | and j k annand douglas |
the fault of the lallans | poets | as the consequence of the |
the efforts of the lallans | poets | which was published in a |
one of the scottish vernacular | poets | and erm certainly reading some |
electronic archive of scottish women | poets | edited by stephen behrendt and |
scotland has not lacked women | poets | with scots language writing in |
social organization and historical process | poets | and scholars invoked the national |
students to discuss the metaphysical | poets | well discuss but not in |
fauk tae discuss d metaphysical | poets | well discuss but not in |
a peek the other court | poets | followed james to england ronald |
from the works of contemporary | poets | from his own court reaffirm |
the poetry of the court | poets | james gathered around him and |
were a number of court | poets | such as alexander scott 1525 |
latin literary criticism and renaissance | poets | knew the principles of classical |
to subject matter forced scottish | poets | to extend their literary medium |
dream state the new scottish | poets | ed daniel o rourke edinburgh |
not it shows that the | poets | around james were aware of |
to some extent by the | poets | of the 18th century and |
the world published by spotlight | poets | and canvases 1 12 published |
and writing advice for scottish | poets | in the scots tongue by |
scots is to belittle scottish | poets | they key advice in this |
focussing on more recent scottish | poets | edwin morgan alex scott robert |
and scott all collectors all | poets | is quite clear in drama |
among the best of younger | poets | writing today female or male |
to study some key scottish | poets | at length ie so far |
be a direct influence on | poets | after around 1630 and thereafter |
janet little explores how both | poets | subvert the class and british |
the first world war by | poets | born or sometime resident in |
the first world war by | poets | born or sometime resident in |
a mighty handful of lyric | poets | grappling with a kantian later |
at any rate in both | poets | we see a strong sense |
day o hou wir scots | poets | are of the people an |
were many oral tradition folk | poets | and singers there were also |
with many of these younger | poets | on the other hand feminism |
certain however how many new | poets | will join her two newcomers |
most exciting and significant of | poets | working today vitality of language |
addressed the mouse most great | poets | would not see in this |
i don t know how | poets | are really the people to |
it s a production of | poets | really in er in the |
s actually one of the | poets | who s really good at |
variety and quality of these | poets | who began to publish in |
she s one of these | poets | with a sort of intimate |
thing between lyricists who were | poets | f963: mm m762: musicians dancers |
distinction between two kinds of | poets | the naive and the sentimentalisch |
a poet to mell in | poets | in other words should not |
alongside chaucer and other english | poets | in the medieval syllabus of |
placing him with two other | poets | of the nineties arthur symons |
a long line of scottish | poets | which include his immediate predecessors |
it is gaelic all three | poets | are language loyalists and all |
representative of good local folk | poets | and singers who worked in |
and 19th 20th c canadian | poets | which looks good the course |
has been argued by some | poets | that english has now become |
and check how often the | poets | are drawing upon the literature |
explored by lochhead and the | poets | of the 1980s but an |
left by generations of such | poets | to a lettered man in |
fact the first of our | poets | to be sensitive to a |
the wisdom of life spotlight | poets | 2004 north sea rig moonpool |
the general fate of german | poets | and goethe adds of my |
the millennium crop of rising | poets | and novelists and everything and |
like to hear of mad | poets | my brother john the military |
of one of the major | poets | of the late 15th and |
says herself in a giveaway | poets | don t bare their souls |
and did she not eat | poets | for breakfast and night flying |
feedin him various obscure orkney | poets | [laugh] f606: [laugh] m830: robert |
for an inauthentic romanticism its | poets | and novelists manufacture nostalgic simulations |
in the past to become | poets | and the changes in society |
as a warning to beginner | poets | 1 at this stage in |
sensibility or pre romanticism its | poets | groping hesitantly towards the radical |
time fur efter aw we | poets | are only human fur guidness |
so on the menchin o | poets | an the mither tongue lat |
dae they ll do glasgow | poets | an things like that an |
way that that that er | poets | do erm youm- you make |
was no rhyme among educated | poets | there was a debate about |