prose
See this word as a collocate cloud
s a foretaste of scottish | prose | fictional prose to come he |
administrative prose you have historiographical | prose | the writers of the histories |
foretaste of scottish prose fictional | prose | to come he does things |
mediaeval and renaissance styles of | prose | writing and a foretaste of |
historiographical tradition in scots vernacular | prose | writing and this will eventually |
literary prose you have administrative | prose | you have historiographical prose the |
vernacular literature wrote scottish vernacular | prose | as well as poetry virtually |
sum up [inhale] scottish vernacular | prose | grows gradually out of a |
prose written [inhale] vernacular prose | prose | in scots wasn t valued |
an increasing demand for administrative | prose | in the vernacular in scots |
been taught to write vernacular | prose | [inhale] so there is a |
vernacular prose written [inhale] vernacular | prose | prose in scots wasn t |
so for various reasons vernacular | prose | takes a while to get |
most literary kind of vernacular | prose | that you ll find and |
a steady trickle of vernacular | prose | works either original writings or |
into gear [inhale] as vernacular | prose | writing begins the kind of |
for administrative instrumental and educational | prose | written in the vernacular and |
there was comparatively little vernacular | prose | written [inhale] vernacular prose prose |
purely fictional contexts [inhale] when | prose | begins to appear it s |
or unwittingly all modern scottish | prose | fictional writers are his children |
the basis of a fictional | prose | tradition so if we want |
in the use of baroque | prose | and high language to tell |
allusions even latin tags the | prose | style can be termed baroque |
the baroque tradition in early | prose | writing as we have seen |
looked at the way scots | prose | evolved in the sixteenth century |
s what happens with scottish | prose | from the sixteenth century into |
turn to sixteenth century scots | prose | in general what did it |
ear [inhale] the sixteenth century | prose | writer who blends these two |
century [click] [inhale] now the | prose | writers of the sixteenth century |
[student cough] the sixteenth century scots | prose | writers would not be writing |
poles of sixteenth century scots | prose | writing [inhale] leslie following a |
the continental style in scottish | prose | [inhale] but in other respects |
complex the continental type of | prose | writing er contains grammatical structures |
of the continental style of | prose | writing the long periodic sentences |
of the continental style of | prose | writing you have here the |
before before 1066 anglo saxon | prose | had become well established and |
saxon period [inhale] leslie s | prose | is good i m not |
an example of anglo saxon | prose | taken from king alfred s |
don t really have literary | prose | you have administrative prose you |
significantly shaped the style of | prose | in the centuries to come |
away by the plain style | prose | of the victorious reformers in |
identified with a plain straightforward | prose | style and they also became |
little latin phrases [inhale] the | prose | style can be termed and |
happened not a very sophisticated | prose | style [click] [inhale] if you |
[inhale] erm [click] and the | prose | style is at the very |
with a feminine complement the | prose | style is very unlike the |
to [click] [inhale] and the | prose | style makes use of complicated |
together [inhale] this is a | prose | style that seems to grow |
a pastiche of urquhart s | prose | style urquhart was born in |
identified with a plain straightforward | prose | style with some exceptions like |
style the slightly archaic exalted | prose | that is represented by eh |
has written of leslie s | prose | he says his built periods |
both leslie and pitscottie writes | prose | in scots [click] [inhale] in |
that grammatically this kind of | prose | is fairly straightforward [inhale] the |
and it was used the | prose | for biblical translation [click] [inhale] |
derives ultimately from old english | prose | writing [click] [inhale] before the |
range of other scots poetry | prose | and drama in 1937 the |
appropriately simplified and suitable contemporary | prose | and poetry written in a |
16th century scottish poetry and | prose | as a bakhtinian dialogue between |
of [?]reason[/?] is poetry and | prose | but part of it s |
scottish writers in poetry and | prose | developing bi lingual or tri |
of our best poetry and | prose | has been written something distinctive |
should be poetry erm scots | prose | is way way down your |
difference is obviously poetry and | prose | m741: yeah m605: because there |
s kist an anthology containing | prose | poetry and drama and associated |
baith his poetry and his | prose | sees dis saam idea in |
both his poetry and his | prose | sees this same idea in |
like standard high poetry or | prose | the best response to the |
just letters but poetry and | prose | too i was on fire |
a way all modern scots | prose | writers are his children a |
of the wri- of the | prose | writers of that period and |
in the work of scots | prose | writers of the period [inhale] |
of the particularly catholic renaissance | prose | writers these were traditions that |
is there then for scottish | prose | after urquhart and this is |
triumphed but in urquhart s | prose | there are also clues to |
is there for written scottish | prose | urquhart in another brief passage |
[student cough] bear in mind when | prose | begins to appear in scots |
culturally active writing poems and | prose | himself and encouraging his courtiers |
then is that writing in | prose | in scots is slow to |
civil servant writing his- historical | prose | it s kind of dull |
now the tradition of scottish | prose | writing at the time of |
providing a useful model for | prose | writing in scots scots and |
scots in particular to encourage | prose | writing in scots with a |
something to base their scots | prose | writing on [inhale] so what |
nineteenth century the changes in | prose | writing that were gonna take |
[inhale] this kind of written | prose | did survive the norman conquest |
any page of non literary | prose | you are bound to find |
burns materials including selections of | prose | background historical resources tapes of |
and simply gives you a | prose | translation into middle english now |
with er geoffrey chaucer s | prose | version in his er translation |
first sex scene in scottish | prose | john knox it ain t |
you get hallelujah the first | prose | sex scene in scottish literature |
so this is the first | prose | sex scene in scottish literature |
challenging project of recreating scots | prose | and scrutinised upwards of 180 |
wechtie darg o makin scots | prose | anew an leukit at abuin |
or a story in scots | prose | any length up to a |
by john bellenden into scots | prose | as the cronikles of scotland |
look at the way scots | prose | evolved briefly in the 16th |
to provide enjoyable thoughtful scots | prose | for knowledgeable readers and a |
pouer an virr at scots | prose | haes in t an is |
certainly a dearth of good | prose | in scots and the linmill |
often accused of pushing scots | prose | in the direction of english |
and vitality of which scots | prose | is capable and is not |
write in scots like in | prose | m741: mmhm m605: i wouldn |
the way forward for scots | prose | put it in direct speech |
forget the wonderfully lively scots | prose | tale of the marriage of |
only example of erm scots | prose | that the mass erm of |
second available model for scots | prose | was quite different it came |
wrote the first english language | prose | essay on the theory of |
wrote the first english language | prose | essay on the theory of |
is an acceptable consistent modern | prose | language which should be readily |
in a range of modern | prose | texts having found the text |
form would be ed james | prose | then at this period is |
a huge amount of lallans | prose | m741: yeah no yeah i |
a ll tak tae writin | prose | a message for r burns |
in her account some free | prose | translations of passages from burns |
strategy used much later in | prose | by james joyce in finnegan |
strategy used much later in | prose | by james joyce in finnegan |
at chaucer s middle english | prose | version and henryson s poetic |
epic poems eh well the | prose | wouldn t be used for |
think this is the first | prose | one that s quite so |
features through the scottish reformers | prose | at this time this spread |
take a look at scottish | prose | er not just of the |
at the beginnings of scottish | prose | where does it come from |
text of female emancipation its | prose | also has the swift intelligence |
you in some ways his | prose | is manifestly of its time |
long pages of incoherent indigestible | prose | but he s certainly unique |
three of françois rabelais comic | prose | narratives about the giants gargantua |
of françois la- rabelais comic | prose | navel- narratives about the giants |
surmount the challenge of discursive | prose | the paix machine is a |
fact that many of the | prose | writings were in fact translations |
in linguistic splores disraeli s | prose | i grant ye wis gey |
would probably be in verse | prose | was not thought fit for |
needcessity for mair screevers o | prose | ma ain leid is a |
an award winnin an prolific | prose | scriever faber is weel kent |
and evening reworking my deathless | prose | i can t complain though |
its lively dialogue and imagistic | prose | offers an insider s account |
dose o poetrie like murdert | prose | an pentins like a bluidy |
auchinleck chronicle s distinctly breathless | prose | that samyn zer erll william |