SCOTS
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prose

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s a foretaste of scottishprosefictional prose to come he
administrative prose you have historiographicalprosethe writers of the histories
foretaste of scottish prose fictionalproseto come he does things
mediaeval and renaissance styles ofprosewriting and a foretaste of
historiographical tradition in scots vernacularprosewriting and this will eventually
literary prose you have administrativeproseyou have historiographical prose the
vernacular literature wrote scottish vernacularproseas well as poetry virtually
sum up [inhale] scottish vernacularprosegrows gradually out of a
prose written [inhale] vernacular proseprosein scots wasn t valued
an increasing demand for administrativeprosein the vernacular in scots
been taught to write vernacularprose[inhale] so there is a
vernacular prose written [inhale] vernacularproseprose in scots wasn t
so for various reasons vernacularprosetakes a while to get
most literary kind of vernacularprosethat you ll find and
a steady trickle of vernacularproseworks either original writings or
into gear [inhale] as vernacularprosewriting begins the kind of
for administrative instrumental and educationalprosewritten in the vernacular and
there was comparatively little vernacularprosewritten [inhale] vernacular prose prose
purely fictional contexts [inhale] whenprosebegins to appear it s
or unwittingly all modern scottishprosefictional writers are his children
the basis of a fictionalprosetradition so if we want
in the use of baroqueproseand high language to tell
allusions even latin tags theprosestyle can be termed baroque
the baroque tradition in earlyprosewriting as we have seen
looked at the way scotsproseevolved in the sixteenth century
s what happens with scottishprosefrom the sixteenth century into
turn to sixteenth century scotsprosein general what did it
ear [inhale] the sixteenth centuryprosewriter who blends these two
century [click] [inhale] now theprosewriters of the sixteenth century
[student cough] the sixteenth century scotsprosewriters would not be writing
poles of sixteenth century scotsprosewriting [inhale] leslie following a
the continental style in scottishprose[inhale] but in other respects
complex the continental type ofprosewriting er contains grammatical structures
of the continental style ofprosewriting the long periodic sentences
of the continental style ofprosewriting you have here the
before before 1066 anglo saxonprosehad become well established and
saxon period [inhale] leslie sproseis good i m not
an example of anglo saxonprosetaken from king alfred s
don t really have literaryproseyou have administrative prose you
significantly shaped the style ofprosein the centuries to come
away by the plain styleproseof the victorious reformers in
identified with a plain straightforwardprosestyle and they also became
little latin phrases [inhale] theprosestyle can be termed and
happened not a very sophisticatedprosestyle [click] [inhale] if you
[inhale] erm [click] and theprosestyle is at the very
with a feminine complement theprosestyle is very unlike the
to [click] [inhale] and theprosestyle makes use of complicated
together [inhale] this is aprosestyle that seems to grow
a pastiche of urquhart sprosestyle urquhart was born in
identified with a plain straightforwardprosestyle with some exceptions like
style the slightly archaic exaltedprosethat is represented by eh
has written of leslie sprosehe says his built periods
both leslie and pitscottie writesprosein scots [click] [inhale] in
that grammatically this kind ofproseis fairly straightforward [inhale] the
and it was used theprosefor biblical translation [click] [inhale]
derives ultimately from old englishprosewriting [click] [inhale] before the
range of other scots poetryproseand drama in 1937 the
appropriately simplified and suitable contemporaryproseand poetry written in a
16th century scottish poetry andproseas a bakhtinian dialogue between
of [?]reason[/?] is poetry andprosebut part of it s
scottish writers in poetry andprosedeveloping bi lingual or tri
of our best poetry andprosehas been written something distinctive
should be poetry erm scotsproseis way way down your
difference is obviously poetry andprosem741: yeah m605: because there
s kist an anthology containingprosepoetry and drama and associated
baith his poetry and hisprosesees dis saam idea in
both his poetry and hisprosesees this same idea in
like standard high poetry orprosethe best response to the
just letters but poetry andprosetoo i was on fire
a way all modern scotsprosewriters are his children a
of the wri- of theprosewriters of that period and
in the work of scotsprosewriters of the period [inhale]
of the particularly catholic renaissanceprosewriters these were traditions that
is there then for scottishproseafter urquhart and this is
triumphed but in urquhart sprosethere are also clues to
is there for written scottishproseurquhart in another brief passage
[student cough] bear in mind whenprosebegins to appear in scots
culturally active writing poems andprosehimself and encouraging his courtiers
then is that writing inprosein scots is slow to
civil servant writing his- historicalproseit s kind of dull
now the tradition of scottishprosewriting at the time of
providing a useful model forprosewriting in scots scots and
scots in particular to encourageprosewriting in scots with a
something to base their scotsprosewriting on [inhale] so what
nineteenth century the changes inprosewriting that were gonna take
[inhale] this kind of writtenprosedid survive the norman conquest
any page of non literaryproseyou are bound to find
burns materials including selections ofprosebackground historical resources tapes of
and simply gives you aprosetranslation into middle english now
with er geoffrey chaucer sproseversion in his er translation
first sex scene in scottishprosejohn knox it ain t
you get hallelujah the firstprosesex scene in scottish literature
so this is the firstprosesex scene in scottish literature
challenging project of recreating scotsproseand scrutinised upwards of 180
wechtie darg o makin scotsproseanew an leukit at abuin
or a story in scotsproseany length up to a
by john bellenden into scotsproseas the cronikles of scotland
look at the way scotsproseevolved briefly in the 16th
to provide enjoyable thoughtful scotsprosefor knowledgeable readers and a
pouer an virr at scotsprosehaes in t an is
certainly a dearth of goodprosein scots and the linmill
often accused of pushing scotsprosein the direction of english
and vitality of which scotsproseis capable and is not
write in scots like inprosem741: mmhm m605: i wouldn
the way forward for scotsproseput it in direct speech
forget the wonderfully lively scotsprosetale of the marriage of
only example of erm scotsprosethat the mass erm of
second available model for scotsprosewas quite different it came
wrote the first english languageproseessay on the theory of
wrote the first english languageproseessay on the theory of
is an acceptable consistent modernproselanguage which should be readily
in a range of modernprosetexts having found the text
form would be ed jamesprosethen at this period is
a huge amount of lallansprosem741: yeah no yeah i
a ll tak tae writinprosea message for r burns
in her account some freeprosetranslations of passages from burns
strategy used much later inproseby james joyce in finnegan
strategy used much later inproseby james joyce in finnegan
at chaucer s middle englishproseversion and henryson s poetic
epic poems eh well theprosewouldn t be used for
think this is the firstproseone that s quite so
features through the scottish reformersproseat this time this spread
take a look at scottishproseer not just of the
at the beginnings of scottishprosewhere does it come from
text of female emancipation itsprosealso has the swift intelligence
you in some ways hisproseis manifestly of its time
long pages of incoherent indigestibleprosebut he s certainly unique
three of françois rabelais comicprosenarratives about the giants gargantua
of françois la- rabelais comicprosenavel- narratives about the giants
surmount the challenge of discursiveprosethe paix machine is a
fact that many of theprosewritings were in fact translations
in linguistic splores disraeli sprosei grant ye wis gey
would probably be in verseprosewas not thought fit for
needcessity for mair screevers oprosema ain leid is a
an award winnin an prolificprosescriever faber is weel kent
and evening reworking my deathlessprosei can t complain though
its lively dialogue and imagisticproseoffers an insider s account
dose o poetrie like murdertprosean pentins like a bluidy
auchinleck chronicle s distinctly breathlessprosethat samyn zer erll william

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