readers
See this word as a collocate cloud
| doesnae sae muckle pit its | readers | in the poseetion o sublimatin |
| thon o buchan s readers | readers | nouadays cannae be expeckit tae |
| frae thon o buchan s | readers | readers nouadays cannae be expeckit |
| that haes it sublimatin the | readers | sexual and atavistic instincts i |
| more than an aid to | readers | unfamiliar with the scots language |
| more than an aid to | readers | unfamiliar with the scots language |
| de la motteux [inhale] later | readers | and writers after his death |
| and writers after his death | readers | and writers began to recognise |
| we re both english speakers | readers | and writers [inhale] the direct |
| rabelais after book 3 later | readers | and writers recognised his worth |
| erm and we were all | readers | before we were writers and |
| usually starts with the worst | readers | at the front and under |
| in the middle the worst | readers | have to read one sentence |
| extension of choice for newspaper | readers | in scotland supported by mr |
| in scotland altogether american newspaper | readers | must get the impression of |
| little message for would be | readers | a positive message sometimes even |
| the actors should follow the | readers | groups can pair off and |
| the actors should follow the | readers | telling the story together the |
| yet providing sufficient detail for | readers | to follow easily and accurately |
| luiks familiar tae maist lallans | readers | a relevant topic fir debate |
| characters an settins fir maist | readers | o the twinty furst centurie |
| him down among the middle | readers | and away from geordie now |
| goes on to the middle | readers | and there are twenty five |
| of a number of volunteer | readers | he began to expand the |
| the sympathies o greig s | readers | is planked ithergates frae thon |
| with text and meanings young | readers | develop increasing confidence and maturity |
| develop as we hope effective | readers | in their own language so |
| be made known to the | readers | of evening newspapers many of |
| objective of making clear to | readers | that burns was early known |
| burns clubs and the female | readers | of excerpts from the book |
| one of the burns federation | readers | or the selection in john |
| find f963: mm mm m762: | readers | who are actually far better |
| yeah mmhm m762: hopefully carry | readers | with him into places f963: |
| f963: mm yeah yeah m762: | readers | would you know because frankly |
| forms with appropriate topics as | readers | of late 16th early 17th |
| statement was enough to send | readers | cross eyed trying to find |
| not have earned his endorsement | readers | may justifiably find the use |
| recently to stretch more able | readers | while supporting the less able |
| of psychoraag as there are | readers | actually you know and then |
| know that they re just | readers | when i say just f963: |
| in order to alert young | readers | to how the words are |
| well as entertaining will stimulate | readers | to recall those dormant words |
| the ballads present to modern | readers | may be the violent treatment |
| to assign ownership to them | readers | may know or already use |
| as the roods of innermessan | readers | of a certain age may |
| acknowledges that many of her | readers | assume that the person in |
| scotland but one which many | readers | including d h lawrence have |
| erm [laugh] you know just | readers | you know [laugh] erm and |
| thoughtful scots prose for knowledgeable | readers | and a valuable future source |
| english and continental texts and | readers | but i ll leave that |
| quickly at aw mair likely | readers | will return again an again |
| who reminds him and her | readers | of human frailty no cheering |
| till the very end for | readers | who always think of food |
| for advertising revenue and for | readers | andrew wilson with the greatest |
| and ends with the good | readers | at the back and there |
| linguistic lines so that few | readers | for example now bother with |
| anderson my jo with german | readers | in his references to paul |
| not that they were great | readers | nor were they ignorant either |
| showed no mercy to its | readers | and had no glossary this |
| hands of the typist and | readers | i ll have odd things |
| activity and speculation for her | readers | in this second novel the |
| treasures whose work appeals to | readers | of all ages classes and |
| written for polished and elegant | readers | so it s paying a |
| to produce grammar books and | readers | to whet the appetite when |
| ettle t tae ceevilise british | readers | i the airlie 20th century |
| macnab is maistly about helpin | readers | sublimate their neuroses juist tae |
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