rhythm
See this word as a collocate cloud
too ebullient one tapped a | rhythm | out on another s jacket |
like a drum a pulsed | rhythm | tapped on a streetched skin |
vexed by the question of | rhythm | or metre james called this |
first chapter deals with poetic | rhythm | the second with the quantity |
know somethin with a definite | rhythm | you can see them walkin |
vital exploitation of image sound | rhythm | and the capacity to make |
communicated through image sound and | rhythm | but it goes beyond the |
or part rhyme hart hurt | rhythm | regular patterns of stress onomatopoeia |
throughout creates an exciting pacy | rhythm | e g through a white |
keep his sye i da | rhythm | o centuries coarn fell in |
s movement down into its | rhythm | but speeded up the lament |
ending short lines change of | rhythm | internal rhymes the 1597 version |
and wee andy starts his | rhythm | again he goes back to |
wings beatin fast tae the | rhythm | o spring an my hert |
hersel intae a guid gaun | rhythm | ken thon snawface s veronica |
his melodies tuik wing their | rhythm | s in the ocean thon |
change which destroys the natural | rhythm | and instinctive warm feeling of |
genuine whigmaleerie touch the humour | rhythm | and linguistic playfulness with an |
is vitality of language and | rhythm | in this early poetry an |
morningside it s a different | rhythm | and a different song f1054: |
ceest awa in a steady | rhythm | o in oot half turn |
she s doing on the | rhythm | of the ballads she s |
to break his stride or | rhythm | full sacks of seed were |
again and you get the | rhythm | there and you get all |
d come legs tattooing the | rhythm | of a bonnie poem and |
strove for the castanet like | rhythm | that had come to me |
and keeping up an even | rhythm | he threw a handful of |
sattle inno a kinno uneasy | rhythm | at sax o clock ilkie |
nae ear for muisic an | rhythm | naither wes he as gleg |
sledging face downwards runk resounding | rhythm | apo on snaa snow spindrifts |