shakespeare
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| like gower barbour spenser and | shakespeare | have felt her influence the |
| of chaucer of spenser and | shakespeare | these have no corresponding achievements |
| smile his neighbour in lucrece | shakespeare | comes over as not so |
| in seeming contrast to lucrece | shakespeare | s venus and adonis exhibits |
| is stuck in stookie barred | shakespeare | s plays are gey historic |
| state of almost unbearable anticipation | shakespeare | himself behaves here like the |
| the complete works of william | shakespeare | edited by w j craig |
| followed is the signet classic | shakespeare | the tragedy of macbeth edited |
| critical analysis have been central | shakespeare | and other classic texts have |
| achievements in contemporary scotland although | shakespeare | did briefly turn into a |
| shakespeare they always f606: yeah | shakespeare | f829: yeah m830: wheel out |
| when he could be doin | shakespeare | they always f606: yeah shakespeare |
| who described the same scene | shakespeare | embellishes his description in a |
| threads and lily white skin | shakespeare | s detailed description of the |
| f829: yeah m830: wheel out | shakespeare | despite the fact they hate |
| can be seen to express | shakespeare | s feelings of rejection when |
| foot the weak mouse panteth | shakespeare | seems torn between feelings of |
| j craig for the oxford | shakespeare | oup 1916 and to j |
| a highly educated woman in | shakespeare | is portia in the merchant |
| highly ambiguous the heroines of | shakespeare | s comedies are usually from |
| could equally be applied to | shakespeare | s attitude towards women so |
| alexandria as is common in | shakespeare | s plays the best lines |
| this translation and adaptation of | shakespeare | s macbeth into scots has |
| translation into modern scots of | shakespeare | s only scottish play has |
| word for word translation of | shakespeare | s text into scots but |
| the daughter of a king | shakespeare | loves these eleventh hour expositions |
| children it is possible that | shakespeare | s younger daughter judith was |
| author also translated and adapted | shakespeare | s macbeth into scots edinburgh |
| much of the plot of | shakespeare | s macbeth is recorded in |
| english f833: yeah f835: or | shakespeare | f832: well how [laugh] so |
| da- f834: [laugh] that s | shakespeare | f832: what was that [laugh] |
| been applied wherever used by | shakespeare | but weight has also been |
| my prescribed texts a complete | shakespeare | costs 90 00 that s |
| some of the women in | shakespeare | s works may not come |
| it in the works of | shakespeare | who no doubt turned several |
| fire and water paradox that | shakespeare | so loved it occurs also |
| women were very important in | shakespeare | s life not only the |
| smell far worse than weeds | shakespeare | seems to have been for |
| blessedness in anthony and cleopatra | shakespeare | seems to make a sexual |
| is are a misquotation from | shakespeare | always check your references fifthly |
| they go whaur s the | shakespeare | f606: yeah yeah it s |
| a rendering into scots of | shakespeare | s play dr david purves |
| in this so called comedy | shakespeare | describes experiences that are on |
| honours module that s called | shakespeare | f806: hmm f807: so you |
| gains and losses in translating | shakespeare | s english into scots but |
| poems he links burns to | shakespeare | molière and ibsen in relation |
| great poetry as great as | shakespeare | there is no authoritative comment |
| do on textual problems in | shakespeare | i ve also got a |
| that in f718: mm m017: | shakespeare | s time english was very |
| a life size model of | shakespeare | s own globe theatre where |
| syne far better than any | shakespeare | sonnet one such individual is |
| to the lady s hair | shakespeare | could not have been unaware |
| convent it could be that | shakespeare | had more reason than merely |
| conventionally petrachan could have influenced | shakespeare | in the descriptions of his |
| i mean i quite like | shakespeare | but it s hard to |
| read you know otherwise like | shakespeare | i mean i quite like |
| it scott an dickens an | shakespeare | an the like till the |
| in it s not a | shakespeare | quote or anything like that |
| like fergus there are no | shakespeare | suppers why do we have |
| have been able to market | shakespeare | after all the average north |
| cataclysmic long term differences as | shakespeare | s contemporaries differ from our |
| er reference to excerpts from | shakespeare | s julius caesar act 2 |
| or other as regularly as | shakespeare | the leaving certificate of 1930 |
| to happiness perhaps pre empting | shakespeare | in henry iv ii out |
| when she cannot remember a | shakespeare | line she is anxious until |
| he came oot wi the | shakespeare | an aa that [laugh] he |
| 12 he saw homer and | shakespeare | as belonging to the naive |
| all the big london theatres | shakespeare | company all that sort of |
| keats browning tennyson yeats even | shakespeare | i shall return in a |
| i dashed to the folger | shakespeare | library and were just in |
| day they war speakin aboot | shakespeare | an voltaire at the club |
| to another 3 hours of | shakespeare | this evening mind you that |
| of a nightmarish fascination for | shakespeare | was she the whitely wanton |
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