song
See this word as a collocate cloud
identify particular personalities in sunset | song | and they were not at |
fact is echoed throughout sunset | song | and was the cause of |
forest in his novel sunset | song | as a signifier of a |
from the pages of sunset | song | cloud howe and grey granite |
kinraddie in his novel sunset | song | for this his first scottish |
the lost trumpet 1932 sunset | song | gibbon 1932 1988 persian dawns |
sensitivity heightened by exile sunset | song | gibbon s scottish crofting elegy |
essays and book reviews sunset | song | mitchell s tribute to his |
lewis grassic gibbon s sunset | song | oh lan ye hae bled |
morning she thoroughly enjoyed sunset | song | she may go to quebec |
begun as the novel sunset | song | they only met once to |
a recently published book sunset | song | they were commenting particularly about |
that the characterisations in sunset | song | were broadly speaking based on |
and i gave her sunset | song | which al sent across i |
will we sing that other | song | about the snowman hm m1108: |
wi- it was a sing | song | accent even when you were |
o the sing- ken sing | song | accent like what we have |
bit o dancin a sing | song | and sometimes fiddlin her uncle |
we should maybe sing a | song | cause they may be lost |
occasionally broke into a sing | song | chant they swung about crazily |
you gonna sing me a | song | f1102: no mam we ll |
will you sing the arrow | song | f1105: the arrow song m1106 : |
if you sing them a | song | f1112: hey but they re |
d better sing them a | song | f1112: we re we- we |
mcdonald to sing the beautifull | song | i heard him sing 30 |
in favour of a sing | song | if bill suspected his stocks |
type man would sing a | song | in shet- in the dialect |
stands with it till the | song | is finished some sing gladys |
the wey you speak sing | song | la la la m1020: no |
sing can you sing the | song | m1094: in balamory balamory wouldn |
end up with a sing | song | of favourite hymns until teatime |
does well nice run sing | song | on return to reilly s |
i m sayin a sing | song | speakin yeah f826: mm f902: |
daughters sing their golden wedding | song | strewing myrtle branches and rejoicing |
to make a sing a | song | that they know f1112: oh |
be sure o a sing | song | there that was rare for |
mmhm f1093: what s the | song | they sing can you sing |
hard to beat the old | song | they used to sing was |
roll you gonna sing a | song | to mum f1114: er no |
f1113: go and sing a | song | to mum f1114: [inaudible] horsie |
singer go and sing a | song | was you singing at playgroup |
bear lets sing a wee | song | well the sang the songs |
uh huh yeah yeah sing | song | yeah f951: that s my |
he used to sing a | song | yellow car tae bellahouston ye |
we heard a beautifully sung | song | from fergus ewing although i |
as no more than common | song | sung up and down the |
i ll never forget the | song | they sung it was [laugh] |
the time of armistice a | song | was sung called poppies gaily |
fragments of a lost original | song | which had once been sung |
see mind yi fine the | song | yi sung ti mi silence |
common ridin song the main | song | aboot hawick and hawick folk |
song an it s a | song | actually you really don t |
maybe they re hummin a | song | an it s a song |
a toss up between this | song | and another song if they |
any song is a folk | song | cause i ain t never |
singer nor a song writer | song | however in its various forms |
between this song and another | song | if they really believed this |
bill broonzy has it any | song | is a folk song cause |
a dub the song this | song | is called the teddy bear |
arrow song f1105: the arrow | song | m1106 : mmhm f1105: oh is |
which does not include this | song | suggests that if the song |
is called the teddy bear | song | teddy s bear s song |
is oor main common ridin | song | the main song aboot hawick |
no rub a dub the | song | this song is called the |
song suggests that if the | song | was indeed in her repertoire |
song teddy s bear s | song | when blue sun and down |
neither a singer nor a | song | writer song however in its |
in their ballad singing and | song | composition although society was sufficiently |
i m singing a different | song | [inaudible] [singing] i need you |
cleverly and singing a stotting | song | watched by a group of |
f1141: you tell me fitt | song | you were singing and i |
mum [censored: forename] what was that | song | you were singing to mum |
misguided craturs mak an awfu | song | an dance owre fancy wines |
the earlier stages for music | song | and dance for performance dramatisation |
this day in the hawaiian | song | and dance hula o makee |
1416 centre for scottish music | song | and dance lodged on 30 |
1416 centre for scottish music | song | and dance lodged on 30 |
and athletics entertainment piping music | song | dance demonstrations swordplay weaving vendors |
tired f1114: here s the | song | let s let s dance |
rich loam of traditional bairn | song | and myth whenever he was |
manner of elliot s traditional | song | has soon to modify vowel |
the principal composers of traditional | song | in the eighteenth century and |
o donahue traditional irish folk | song | man bit i wis fair |
its nature an oral folk | song | of the traditional love dialogue |
heading of folk or traditional | song | the ballads are probably the |
hears us makin music makin | song | aw aw naw naw dis |
remember the old music hall | song | in glasgow where ere i |
from the music laughter and | song | of countless concerts dances children |
music though f813: the same | song | over and over again [inaudible] |
three key components music and | song | recitation and performance community involvement |
reminiscent of a music hall | song | this style is more obvious |
burns but should embrace scottish | song | and poetry generally on behalf |
james veitch a burns federation | song | book edited by john mcvie |
title like burns in his | song | collecting and writing elliot used |
exception of burns s late | song | collecting women were at the |
burns was a most intellectual | song | collector and we are the |
of burns s heroic national | song | into one which can communicate |
the whole make burns s | song | less rhetorical and more personal |
the later version of the | song | much reworked by burns and |
by burns for his stirring | song | of national freedom scots wha |
did not realise that the | song | was by burns john anderson |
f1105: the bow and arrow | song | i don t know the |
f1105: what s your favourite | song | m1106: twinkle twinkle f1105: is |
f1105: marry marry me the | song | soldier will you marry marry |
women of the period became | song | composers drawing on existing folk |
sensitivity to literary traditions folk | song | qualities matching words and melody |
composers drawing on existing folk | song | traditions to create songs that |
heard every interpretation of that | song | and i love every one |
their s is an i | song | egocentricly northern i love to |
we are i love a | song | like man on the moon |
f1107: aw i love that | song | m1108: why do you do |
s eliot s the love | song | of j alfred prufrock features |
wanted to write a love | song | to the city but it |
s attitude to women the | song | sic a wife as willie |
class women ballad singers and | song | writers such as anna gordon |
oh have you heard this | song | erm how does it go |
too young to ken that | song | f1104: [tut] [inhale] i heard |
piano the words of a | song | he had heard one of |
kissing the crucifex eagerly a | song | is heard outside the hut |
the instant she heard their | song | she gave the nameless little |
songs every year and a | song | thrush was heard to incorporate |
i quite liked the first | song | when i heard it and |
of the words of the | song | i married a papist called |
called it paradise a pop | song | i remembered from the sixties |
snag the microphone after every | song | always to be beaten to |
us to learn them a | song | cause every time we come |
it just do it every | song | doesn t have to be |
not to say that every | song | which flew out of me |
sanct n saint sang n | song | sant n saint sauchs n |
sair a sore sang n | song | sant v disappear sauch n |
quite rightly mind that donovan | song | ah m jist mad aboot |
built an ark mind the | song | m1092: and that him name |
ti hear cousin mary s | song | mind when wi wur bairns |
canna mind the na- the | song | noo but oh if we |
words when he wrote the | song | in the eighties but 15 |
in the words of the | song | two out of three ain |
street buskers strummed a vigorous | song | with russian words and punchlines |
team in drag doing a | song | from the chorus line which |
of the translations of this | song | has as its first line |
his line wis cryit michtie | song | he biggit his capital at |
hummed the melody of the | song | sounding out this one line |
the first line of the | song | then backwards on the second |
first verse o the auld | song | cause that s mair the |
s cause they knew the | song | i think it was will |
er fused hip hop gaelic | song | and er used instruments banging |
there is an alternative eurovision | song | contest okay er and er |
farr did you hear that | song | f1104: er f1103: you re |
think that s a good | song | or not but erm er |
the narrative and recreate the | song | anew each time a bit |
is the author recreating the | song | each time it is performed |
build up and develop the | song | in a sense each singer |
and gladys each thinking the | song | is for the other one |
is an argument that each | song | must have had an originator |
to the man s next | song | he is her father alice |
bleck man aa the mair | song | of the redneck gutter press |
heritage its great beauty in | song | and poetry particularly but also |
the transmitter of an existing | song | as opposed to its composer |
the content of a new | song | does not match its plangent |
in the heavy fighting the | song | makes its impact not merely |
and macintosh comments that the | song | must early have found its |
on its perch broke into | song | with the sudden illumination of |
s home or the galley | song | first i can t remember |
get rid of the first | song | now we ll come back |
see her already catching the | song | s first jangling arpeggio from |
the oldest elements of the | song | and one that puts it |
ill graeme made a one | song | appearance at the gig i |
it was a jolly wee | song | but when one thinks about |
disco fitt s your favourite | song | f1140: mmhm [singing] one step |
one in particular a beautiful | song | i cannot hear without thinking |
one more step an action | song | james the saxth rode intae |
altogether grampa s number one | song | of all time hoagy carmichael |
the one below it the | song | of the corn the sky |
up with the expression one | song | short of a cèilidh [laugh] |
because if there was one | song | that addy hated it was |
an album for the one | song | that i like and then |
in december last year the | song | actually made me laugh when |
the melody of the trowee | song | as he did when he |
by the hands when the | song | finished they stood behind the |
that when i wrote the | song | i knew i d finished |
agitation and eagerness when the | song | is over she goes towards |
better than masell hunter s | song | when weary wi the huntin |
f1095: did you learn that | song | at the playgroup m1096: nope |
garret of his ever memorable | song | for two years he did |
did this beep f1141: fitt | song | is it [censored: forename] f1142: microwave |
finger on the right fitt | song | s that f1142: did this |
or lesser degree present this | song | as a more direct and |
more challenging this is a | song | that grows on you most |
this kind of more metaphysical | song | thing that s stravinsky that |
bath we learn them a | song | don t we f1112: they |
they don t like a | song | just noo f1111: [inaudible] just |
need to deal with the | song | that we don t like |
the minister give us a | song | 18 13 the deputy minister |
play us up helly aa | song | it wis comin very near |
for all of us another | song | on ricky s album the |
children listened to a scots | song | and immediately burst out laughing |
engines drowned out the bird | song | and that wis the end |
like two weeks before a | song | comes out by the time |
held at head height the | song | in and out the windows |
immediately burst out laughing the | song | itself a bairn sang was |
out of a waterfall december | song | snow s diamond tiara sparkles |
measure out of a popular | song | tradition with allan ramsay s |
people interested in contemporary popular | song | a ballad is simply a |
sprayin sam speugie s sad | song | a saw a speugie clingin |
in hell birds blackbird s | song | a weary wind a lowrin |
f1117: do you know a | song | about a sheep do you |
it s like a busted | song | about your f814: that s |
alive in a world of | song | and colour and whirling petticoats |
write together a new scottish | song | and i urge all of |
so it s a good | song | and it s something that |
woods fill up with sable | song | and like a child i |
d be listening to a | song | and then it would just |
with a snatch of a | song | as kate [censored: surname] was the |
say if it be a | song | at all if it have |
catalina enchanted salvador with a | song | but long before catlalina there |
heritage he was a great | song | collector all by himself he |
such as joanna baillie a | song | composer such as lady nairne |
uptails name of a vulgar | song | cow coarse or degraded woman |
a manx [laugh] a manx | song | erm was accepted and also |
would have to learn a | song | everyone s aches would melt |
it s a guid dialect | song | f1011: aye that s right |
different rhythm and a different | song | f1054: tell me about that |
f1113: that s a nice | song | f1114: wind [inaudible] in the |
f1130: [?]look[/?] is that a | song | f1129: oh aye we canna |
a human voice carries a | song | from a tent rising and |
their s is a different | song | from maria s who embraces |
aye sae let it be | song | gin a body meet a |
it is a pretty literal | song | i was sitting on a |
can get rid of a | song | in my head is actually |
fixed version of a narrative | song | instead they stored away the |
death ip54 and a new | song | ip67 which celebrates a marriage |
do it f1112: want a | song | just now yes mary quite |
the dead bird s last | song | lassooing a small back street |
ballad is simply a slow | song | like frank sinatra s my |
a quote fae a hawick | song | m1013: [?]'gerbil'[/?] then f1054: that |
an ear they sang a | song | of a famous ram with |
by such a moon a | song | of two islands neep an |
incident mount lavinia colombo a | song | of two islands the tea |
go to write a new | song | releasing the best of was |
maybe it was a pagan | song | she didn t care and |
ll try and get a | song | that i like an i |
the soul of a true | song | that is to say if |
the hawick tongue m1013: auld | song | uh huh we ll a |
verse of the unpromisingly titled | song | winter a dirge it s |
the nature of poetry and | song | writing by a representative selection |
think of the jeely piece | song | adam mcnaughton s lament about |
s names appear in lowland | song | and popular tradition in the |
it s the maist requested | song | at cremations nooadays me i |
tinkee the porcupine raja s | song | boating on the lake head |
tradition with allan ramsay s | song | collections the evergreen 1724 and |
the marginalisation of scotland s | song | culture over the centuries has |
if that s awright the | song | hawaii aloha is derived from |
actually to listen to another | song | it s the only way |
the ante by breaking into | song | let s all laugh at |
1984 her poem mirror s | song | offers an interesting contrast with |
but sighing and sabbing the | song | s emotional impact derives also |
down f1135: what kind of | song | s that today come on |
it says cheese raja s | song | the temple of the tooth |
oh me fitt s that | song | you wis learning the day |
his time and talents in | song | collection and composition others such |
play the up helly aa | song | and the heidmaister was like |
singalong to the jeely piece | song | but the ambience was wrong |
especially in relation to his | song | collecting and writing it was |
was burning and the galley | song | f746: mmhm f978: and the |
was trying to kill the | song | off altogether the muscles of |
became in the end the | song | was written late last year |
rhythms the sentiments in the | song | which was written to comfort |
to keep time with the | song | and the bouncing i have |
51 as treasures of scots | song | for all time 16 the |
chorister in her search after | song | and that they will convince |
sight of clover the montrose | song | tune will ye go tae |
of the north east this | song | is placed in the north |
that my investigation of selected | song | translations for this paper has |
and me saying what the | song | is about is the least |
like someone sticks that pink | song | on get the party started |
world picture the place of | song | alongside enlightenment philosophy historical studies |
wrong my reading of the | song | and me saying what the |
in the form of poetry | song | and occasionally video or t |
of the title itself her | song | became so popular and appeared |
by the mainly middle class | song | collectors of the last three |
in his study of the | song | culture of eighteenth century scotland |
record of the the jewel | song | from the pearl fishers by |
at the beginning of the | song | gunlöd springs up and then |
the emotional impact of the | song | is furthered by the repetition |
steroids the rest of the | song | is my story of what |
of an 8 stanza scots | song | lyric which i wrote for |
scott riddell 1857 2 the | song | of solomon in lowland scotch |
from psalm 126 v 6 | song | of songs 2 v 12 |
born alpha and omega the | song | of the corn suicide lady |
screech of gulls the icy | song | of whales as your eyes |
until the end of the | song | simple simon says the grand |
on behalf of the scottish | song | society he offered to give |
of free range flora mr | song | thrush you re breaking the |
my final example of the | song | tradition returns to their work |
contribution to the eighteenth century | song | tradition she is representative of |
and resultant declining knowledge of | song | traditions and their differences in |
only to scottish culture through | song | verse and by translation of |
sound of your voice the | song | you re evincing and that |
he could remember from the | song | ir you awaar o ony |
an empty moment up with | song | the echo from the glen |
her daughter with poetry and | song | p 59 but danger signals |
nairne and in particular her | song | the land o the leal |
lookin back hit wis pure | song | o songs up da kloss |
and the up helly aa | song | the three things so we |
we we we know the | song | and [inaudible] head an you |
malkies and the jeely piece | song | and that the scots school |
the nearest person and the | song | changed to pitter pitter patter |
o the umqhile hous o | song | he wis vext at the |
published by dubusters 2004 the | song | the ghaists o the nor |
robby aw aw singin wicked | song | she ll be angry pause |
really therapeutic to get the | song | done so i played it |
o the michtie hous o | song | there dwalt i the eastren |
know the manic street preachers | song | you know we are all |
s1m 1594 centre for political | song | lodged on 26 january 2001 |