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stanza

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the penultimate line of eachstanzalends a bob and wheel
epistle commenting in its penultimatestanzathat were she to raise
c 1610 note the complexstanzaform with bob wheel ending
become known as the burnsstanzathe epistle also demonstrates her
in 1801 with a thirdstanzaadded by herder herder apparently
ottava rima an iambic pentameterstanzarhyming abab bcbc for tragicall
iambs in a 13 linestanzarhyming ababababcdddc for compendious praysing
moral essays a choice ofstanzawhich indicates her acknowledgement of
dixon 1921 and the followingstanzafrom caller herrin gives an
the complex cherrie and slaestanzawith its bob wheel conclusion
dirlin frae that flytin threestanzapoetic rebuke on the seiven
version by adding a thirdstanzain which the old couple
the first line of thestanzathe version in one of
is absent from this fifthstanzawhich offers an opportunity not
in the poem s closingstanzaas opposed to the more
lines with the four linestanzafrequently made up of alternating
at the end of eachstanzareplacing burns s two lines
the poem until the finalstanzawhich returns to english in
cuddle doon here the finalstanzais clearly on the wrong
voice now in the finalstanzathese disappear and the poet
themselves in the john andersonstanzadiscussed above the youthful vitality
with swearin in the secondstanzathe language is entirely natural
of elitist augustan art instanzatwo the transition is made
resolve however is overtaken instanzatwo with the introduction of
terms quatrain a four linestanzaand alexandrine a 6 foot
on tape of an 8stanzascots song lyric which i
scots and the second reflectivestanzain a stilted kind of
is in english the firststanzais in rather uncompromising scots
find a sexual frisson instanzathree where she recalls the
and 7 of the firststanzanun ist dein scheitel kahl

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