texts
See this word as a collocate cloud
| can be shown how informational | texts | are often written in present | 
| to produce their own informational | texts | by reshaping this information this | 
| access knowledge successfully from informational | texts | involves teachers in providing strategies | 
| of genres such as informational | texts | they will have to make | 
| this shows however because persuasive | texts | are characterised by the fact | 
| buy more vegetables today persuasive | texts | are usually written in simple | 
| reports explanations instructions discussions persuasive | texts | arguments are associated with functional | 
| of manner carefully firmly persuasive | texts | take a position on an | 
| inconsistencies and contradictions in assize | texts | although a fairly full record | 
| a number of reasons assize | texts | are difficult to use and | 
| final problem with interpreting assize | texts | is that they provide only | 
| of the features of assize | texts | that provide cautions about their | 
| of the unit interpreting assize | texts | the first weights and measures | 
| customary allowance revision of assize | texts | these definitions provide much of | 
| the problem is that assize | texts | turn out to be quite | 
| context 2 focusing on authors | texts | a talking about texts this | 
| read or written about classroom | texts | by scottish authors often include | 
| write through guided focus on | texts | in class those of authors | 
| authors and also their own | texts | the reasons for this focus | 
| multiplicity of authors and their | texts | there is an argument for | 
| authors texts a talking about | texts | this familiar activity involves the | 
| 1960s when specific authors and | texts | were mentioned in examination papers | 
| the introduction of model genre | texts | and discussion of their features | 
| go on to convert short | texts | from one genre to another | 
| discussion of cohesive elements in | texts | genre jigsaws with discussion of | 
| independent construction having examined specimen | texts | in the chosen genre and | 
| the contexts in which these | texts | are studied and the tasks | 
| the depth and complexity of | texts | studied and the techniques of | 
| fertile area for comparison of | texts | studied in english and allows | 
| marriage in two of the | texts | you have studied experience though | 
| the language features of these | texts | and they can be shown | 
| how grammatical features operate in | texts | enables teachers to help pupils | 
| certain language features operate in | texts | is constantly being reinforced by | 
| specific language features operate in | texts | is to compare two different | 
| refers to particular features in | texts | need not demand that pupils | 
| language features found in instructional | texts | use of simple language that | 
| highlighting sets of features on | texts | using cloze or sequencing activities | 
| is to compare two different | texts | which have some features in | 
| which weather features but varied | texts | would also work for the | 
| suggest that they compare two | texts | from the same or different | 
| tense compare the following two | texts | the first is part of | 
| in fiction and non fiction | texts | from the earliest stages often | 
| reading and writing non fiction | texts | in 5 14 terms reading | 
| and 7 1 discussing fiction | texts | in the classroom reading for | 
| g therefore however nevertheless these | texts | are found in many contexts | 
| authentic language development through the | texts | chosen for study the contexts | 
| taught as it arises in | texts | within specific contexts including the | 
| see one of my prescribed | texts | a complete shakespeare costs 90 | 
| and to read stuff prescribed | texts | but at the moment i | 
| not one of the prescribed | texts | i hope we get to | 
| everything but not [laugh] prescribed | texts | i read newspapers and i | 
| syllabus in scottish literature with | texts | prescribed for the session and | 
| comet corpus of modern english | texts | a text collection project based | 
| scots the scottish corpus of | texts | and speech the scots project | 
| created a corpus of biblical | texts | as well so there will | 
| ehm a corpus of dramatic | texts | from glasgow eh and that | 
| in my corpus of dramatic | texts | in glasgow there were no | 
| works even just in literary | texts | and fourth language is too | 
| variety of factual or autobiographical | texts | and media resources with literary | 
| corpora are more than literary | texts | and more than collections eh | 
| how language functions in literary | texts | arising from their sense of | 
| education that wider scottish literary | texts | became accessible but gey few | 
| new female perspectives into literary | texts | fair mary brings to us | 
| country the study of literary | texts | in the foreign language opens | 
| while the study of literary | texts | requires the student to show | 
| as a medium fur literary | texts | the scots leid is gauntae | 
| not be restricted to literary | texts | the student interested in grammar | 
| texts is necessary the six | texts | are then guillotined into six | 
| older classic texts including scottish | texts | being neglected in the process | 
| the range of older classic | texts | including scottish texts being neglected | 
| a complete set of whole | texts | is necessary the six texts | 
| thi form o thi scottish | texts | in thi higher still program | 
| hus thi majority o its | texts | writtin in english in this | 
| subject in thi curriculum thi | texts | yaised ur regularly scrieved in | 
| of those they teach authentic | texts | in reading the teaching and | 
| personal imaginative writing non fictional | texts | involving functional writing and reading | 
| a as kind of reading | texts | or mm m1174: erm i | 
| the reading and writing of | texts | whether we introduce a sequence | 
| and extensive reading and provided | texts | which could be used to | 
| recommendation summary and conclusion discussion | texts | are usually written in simple | 
| can relevantly be expressed discussion | texts | the purpose of a discussion | 
| point of view unlike discussion | texts | which consider both viewpoints advertisements | 
| strategies for involving pupils with | texts | as has already been implied | 
| on his life c presenting | texts | asking pupils to prepare a | 
| the process of writing information | texts | by pupils in schools can | 
| groups at the computer whole | texts | can be transformed by pupils | 
| pupils to interact successfully with | texts | on a regular basis setting | 
| constraints of different types of | texts | pupils can be asked to | 
| story scrambled recipes using longer | texts | pupils can explore how punctuation | 
| and pupils can then explore | texts | together discussing the impact of | 
| this focus by teachers on | texts | are a to provide a | 
| vocabulary and typography rewriting of | texts | with a focus on the | 
| is being created in written | texts | and how it is being | 
| most english and scottish written | texts | [click] [inhale] the french influence | 
| the ongoing creation of written | texts | for definite purposes rather than | 
| farm text in the sample | texts | in the database written by | 
| of both written and spoken | texts | in the language of scotland | 
| century when new vernacular english | texts | were being composed then written | 
| students can carry out using | texts | in our experience at stella | 
| current issues as using information | texts | into print 1996 scottish language | 
| où in a number of | texts | which they have been using | 
| thing but modern poetry academic | texts | bible in church it s | 
| a range of modern prose | texts | having found the text the | 
| a look at two modern | texts | in scots now the children | 
| in modern languages b comparing | texts | one useful way of enabling | 
| its own small sample of | texts | and produces fast results students | 
| our students at present the | texts | are stored on the sesll | 
| from increasingly dense and complex | texts | at higher level students are | 
| m1174: when we re writing | texts | speaking yes i mean everyone | 
| writing a joint construction of | texts | this process of the teacher | 
| study different types erm multicultural | texts | f807: mm yep f806: yes | 
| an emphatic tone talking about | texts | can also involve the introduction | 
| happening apparently in icelandic [laugh] | texts | i was talking to a | 
| teacher s role in making | texts | and tasks accessible is vital | 
| in exploring the language of | texts | other than through teacher pupil | 
| english teacher endeavours to bring | texts | to life by creating an | 
| take enthusiastically to searching for | texts | locating a suitable text and | 
| how these created effects in | texts | for example in relation to | 
| projects or dissertations based on | texts | for these the longman miniconcordancer | 
| he made between the various | texts | inevitably some of these choices | 
| give experience of these in | texts | or we allow the class | 
| rocking the nation these are | texts | that are in a contentious | 
| being represented in these these | texts | that we we we ve | 
| these earlier collections and the | texts | they presented that governs our | 
| you re getting these latin | texts | translated into scots and the | 
| manuscripts not only do these | texts | vary between themselves they also | 
| you re getting these french | texts | you re getting these latin | 
| audio taping readings of short | texts | by scottish writers in poetry | 
| and photocopies six different short | texts | if possible on a common | 
| has to be curbed since | texts | must be short enough to | 
| is implicitly associating older scots | texts | with obscure and unreadable language | 
| is explicitly associating older scots | texts | with obscure and unreadable languages | 
| and scottish english and continental | texts | and readers but i ll | 
| well as english language set | texts | have been abandoned in higher | 
| and english in in your | texts | i imagine people do it | 
| scottish rhetorical tradition of canonical | texts | of chiefly english literature combined | 
| by derewianka is exploring how | texts | work primary english teaching association | 
| degrees yit in scottish schuils | texts | writtin in standard english ur | 
| which the language elements of | texts | will be explored will vary | 
| class to meet them in | texts | and then provide an input | 
| different groups or by additional | texts | or assignments to be tackled | 
| of scots in rendering classical | texts | has a long tradition gavin | 
| system we must have scots | texts | in primary school rather than | 
| the kist anthology 1996 of | texts | in scots and gaelic for | 
| might consider the following many | texts | can be presented in two | 
| and juliet and the two | texts | make for interesting comparisons in | 
| attempts at independent construction of | texts | teaching genres two examples from | 
| thematic analysis of two science | texts | then in the evening i | 
| the original complete set of | texts | a team which misidentifies a | 
| but certain advantages of set | texts | were gradually recognised in the | 
| standard grade advances optional set | texts | were included with some initial | 
| need to know from information | texts | through for instance having them | 
| rather than in in the | texts | and erm er the latest | 
| more formal ones than persuasion | texts | e g therefore however nevertheless | 
| there is more to descriptive | texts | than adjectives the density of | 
| record facts and concepts from | texts | and also learn to produce | 
| must also bring life to | texts | by structuring active and social | 
| and how it functions in | texts | jim crinson s excellent work | 
| in their sense of how | texts | work because such activities create | 
| flick through generally well known | texts | what resulted was a refracted | 
| on the web world wide | texts | which can be legally photocopied | 
| can chew and that my | texts | will take decades to analyse | 
| range and variety of new | texts | encountered scottish works were regularly | 
| less and less [inhale] new | texts | in the rapidly evolving middle | 
| of new reference books and | texts | revealed to him a vigorous | 
| respond to a variety of | texts | and in so doing achieve | 
| you know creeping into the | texts | at any point particularly in | 
| the summit in 17th century | texts | called scornivar sgurr perhaps if | 
| this is frequently seen in | texts | for young children where the | 
| discussed primarily as printed word | texts | in an attempt to further | 
| reconstructed on a par with | texts | in anglo saxon or old | 
| audiotape readings of all printed | texts | in the anthology made by | 
| to unlock the meaning of | texts | in the subject guide for | 
| complexity in technical and advertising | texts | is not caused solely by | 
| sae steept in aa the | texts | o robert burns for burns | 
| discovery of meaningful patterns in | texts | the question of explicit knowledge | 
| in mid primary meet exploratory | texts | there is a locus for | 
| involved in working with fictional | texts | which mainly involve the 5 | 
| covering their backs because the | texts | of the earlier definitions at | 
| curriculum i believe that scottish | texts | generously defined have important advantages | 
| to make sure that such | texts | are available only to our | 
| its conflicts and characters such | texts | are mainly by 20th century | 
| skills at readin and interrogatin | texts | writin skills are addressed tae | 
| where depth and complexity of | texts | and critical analysis have been | 
| receiving end of her sulky | texts | and no one sulks quite | 
| to examine a number of | texts | and try to discover the | 
| been the increased availability of | texts | as previous speakers have shown | 
| sophisticated visual presentation of printed | texts | has assumed much greater importance | 
| and edito- editing of gaelic | texts | i m completing my edition | 
| a cycle of sermons spoken | texts | initially composed by the bishop | 
| the selection of ballad folk | texts | not always selecting the items | 
| huge databanks of quotations from | texts | of all types this enables | 
| fitzpatrick et al 3 or | texts | of power that advantage dominant | 
| either one of the longman | texts | or one they have selected | 
| big chunk of university relevant | texts | so i was oh f809: | 
| an archive of computer readable | texts | was suggested as well as | 
| with the use of model | texts | yet this is really a | 
| khan s sarcophagus inscribed with | texts | from the queen until she | 
| had mastered all the standard | texts | with attention and respect harvie | 
| see any need for academic | texts | or the bible to be | 
| about mairriage syne an thir | texts | div talk about mairriage they | 
| what happens when people translate | texts | [click] [inhale] if you re | 
| this distinction involve separating the | texts | could this lead to a | 
| but it does have basic | texts | and criticisms i should manage | 
| central shakespeare and other classic | texts | have traditionally been taught alongside | 
| become clear that the surviving | texts | incorporate early revisions and that | 
| metrics and stylistics and annotated | texts | where possible the material is | 
| tales is to see baith | texts | as concerned wi ideas o | 
| thaim as commentaries on ither | texts | ou hae aaready seen hou | 
| example f948: ehm [inaudible] academic | texts | would be [tut] what like | 
| aye shawed whitwey monie sic | texts | gaes agin the tradeetions o | 
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