SCOTS
CMSW

verse

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your subject let all yourversebe literall sa far as
always alliterate let all yourversebe literall sa far as
be of but specially tumblingversefor flyting by literall i
about poetic style first allverseshould be literall ie it
pentameter stanzas rhyming ababcc loveversecan also be written in
gives examples of types ofverserhyming couplets in iambic pentameter
heroique actis he recommends heroicallversewhich is iambic pentameter rhyming
for love he recommends commounverse6 line iambic tetrameter or
that cause are callit tumblingverseexcept the short lynis of
man observe that thir tumblingverseflowis not on that fassoun
be of bot speciallie tumblingversefor flyting ch iii montgomerie
or invectives he recommends tumblingversein rouncefallis an irregular mixture
feels are fit subjects forverseheroic acts love flyting and
the use of much blankverseand other divergent verse forms
blank verse and other divergentverseforms davidson s subject matter
the traditional scansion in blankversehas generally been applied wherever
to be poor german blankverseis as alexander gillies suggests
in his ballad in blankverseof the making of a
the royals use mainly blankversethe humans in a midsummer
english and in german blankversethe poem written on seeing
the finest examples of blankversewritten in english he betrays
son o the mornin isiahverse14 chapter 12 her faither
of c 1520 chapter viverse9 may be an example
the importance of originality inverseand chapter vii seems to
of speech or ornamentis toversechapter iv calls for precision
text frae peter chapter 5verseecht be sober takk tent
immortality corinthians quine chapter abeversefiftythree fiftythree verses minnie ane
absolutely original poem being composedverseforms the final chapter of
be decorously broached in scotsversein chapter vii the politician
nor tae quote chapter andverseo every reference gien in
tae gie us chapter anverseon hou it wis dune
can give you chapter andverseon it but i imagine
buik at genesis chapter threeversesaxteen an read till the
bible chapter eight [turning pages] anversethirty one well known verse
joshua chapter one very famousverse[turns pages] joshua one i think
road tae roberton the fowertversei parteeklar kis ee wull
hill road tae roberton fowertversethe twustin road tae roberton
verse thirty one well knownverseand jesus said to those
we can think about itverseby verse we can look
think about it verse byversewe can look up a
accent or stress in vernacularverserhyme james accepts that rhyme
or testamentis he suggests troilusversewhich others call rhyme royal
histories and are yit nochtversefor heroique actis he recommends
to pay attention to theverseforms a are they chosen
structure secondly james choice ofverseforms also indicates what he
james exemplification of the variousverseforms first it is another
for him he specifically linksverseforms with appropriate topics as
learnit authouris he suggests averseform he names ballat royal
m1012: do the peggy duncanverseit s gar her een
we should have the firstverseo teribus [inaudible] bert m1012:
common m1012: dae the firstverseo the auld song cause
style and low style ofversewill be familiar to you
to scottish culture through songverseand by translation of other
day this is the firstverseof the unpromisingly titled song
handles confidently standard habbie theverseform which has become known
and in the heroic coupletverseform of pope s essay
medium the bob and wheelverseform which came into eighteenth
95 11 jamie in talkingverseed r crawford et al
13 angela mcseveney in talkingversep 131 14 liz niven
a poetic reputation in talkingverseshe offers the view that
subjects can be written inversecouplets but hardly qualify as
written in cuttit and brokinversequhairof new formes are daylie
history of competing in scotsversecompetitions and producing very good
if you re writing aversehistory would say you- you
is of writing metrically smoothversealliteration survived much more strongly
similar interest in writing scotsversewhich subsequently led to a
developed as the tradition inversewriting and one question to
another of james reulis scotsverseshould always alliterate let all
a joint volume of scotsverseand short stories but it
or nyne tymes in averseand that s it short
text wis john ch 1verse5 an the licht shineth
most literary scots is inverseand the language is very
burns s scots dialect intoversein hochdeutsch without destroying the
poets in the composition ofversein scots why did he
far greater emphasis to scotsverseliterature and language our traditional
culture that snatch o aversei quote at the heid
evening without singing the lastverseof for a that and
formulaic theory to old englishverse4 while there is no
the vocabulary of old englishverseis more noted for variety
nae suiner gotten the firstversefeinished or the door at
mean dae teribus the firstversethe now but maybe if
i can think o aversenot very polite fin i
repetitioun sometyme usit decoris theversevery mekle yea quhen it
the better decoratioun of theverseto use sumtyme the figure
he immediately incorporates into theversethat last rhymes bad the
for auden duffy playfully warnsversecan say i told you
one i think it sverseeight [turns pages] okay so this
formats such as the conventionalverselayout and the slanted one
one guy did a soloverseof twinkle twinkle little star
of burns and other scottishversethat had been inspired by
us it is usually narrativeversein two or four rhymed
voices she might sing averseor two here unaccompanied in
with two versions of aversethat i m sure a
a cup o tei theverseaboot weather conditions which oo
an up oor stair averseof which sums up a
realise it had a finalverseabout the bonny lassies lying
d sung about the tenthverseand chorus of the ball
romance would probably be inverseprose was not thought fit
nyne except it be brokenversequhilkis are out of reul
is his ability at comicverseand in particular a sense
going on to a secondversefolk at the back are
lad at made up atversei some doot e cam
emotions is hei wrat atversen leuk roond aboot ee
the appropriateness of the semmerwaterversequoted at the start of
often in dunbar s aureateverserepetition of words particularly at
caain an wei read iverseten at the deed banes
o the wecht o hisversean his warld wide renown
gordons in a beukie overseca ad deveron days bi
shaping identities in contemporary scottishverseedinburgh 1992 p 223 2
know in deutoronomy seventeen ermverseeighteen an nineteen it says
to an anthology of scottishversepublished in 1989 bell declared
like the snowflake in theversethat david quoted from tam
the hinder end of theversethe quhilk flowis as uther
and wheel effect to theverseas it swings around to
m truly sorry ma weeverseis no the best a
hated hypocrisy and my favouriteverseis thanksgiving for a national
aince ah hears a kentverseafore ah d tyme ti
wakeman on the wall theverseseems a particularly apt description

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