voices
See this word as a collocate cloud
beyond literary darwinsm women s | voices | and critical discourse in the |
beyond literary darwinsm women s | voices | and critical discourse in the |
beyond literary darwinsm women s | voices | and critical discourse in the |
beyond literary darwinsm women s | voices | and critical discourse in the |
ordinary name a railway many | voices | bravo bravo rowland but this |
material prosperity of our community | voices | bravo bravo rowland mr beaumont |
override the ties of blood | voices | hear hear bravo beaumont allow |
foundation stone of our community | voices | hear hear bravo rowland but |
dawn of a new era | voices | hear hear bravo rowland signs |
45 7 tom leonard intimate | voices | selected work 1965 1983 devonshire |
xv xxiii leonard tom intimate | voices | selected work 1965 1983 devonshire |
45 8 tom leonard intimate | voices | selected work 1965 1983 devonshire |
xv xxiii leonard tom intimate | voices | selected work 1965 1983 devonshire |
mowdiewort sanderson what joukery pokery | voices | hurray hurray hurray beaumont quiet |
interested citizen may buy shares | voices | hurray long live mr beaumont |
following tom leonard s intimate | voices | in breaking down thi langwij |
davidow writes there are two | voices | inside me answering answering to |
davidow writes there are two | voices | inside me answering answering to |
rights come to this town | voices | aye hear hear rowland this |
work of narrow sectional interests | voices | hear hear rowland it has |
presence of one such agent | voices | wheesht wheesht rowland i welcome |
a a critical panoply of | voices | that you need and beyond |
there s a panoply of | voices | there s a a critical |
where other voices were heard | voices | from the kids out- outwith |
we hear all these quavery | voices | old voices sing- givin it |
all these quavery voices old | voices | sing- givin it precious jewels |
went to secondary where other | voices | were heard voices from the |
were were interrupted by hearty | voices | from beyond the corner of |
beyond his own parish various | voices | what no no aye aye |
the ring is repeated and | voices | and laughter are heard irena |
gates through creative theory different | voices | are allowed to be heard |
believe that young people s | voices | are being heard in a |
is so important that our | voices | are heard and that we |
think about ensuring that their | voices | are heard james o rourke |
decide whit ti dae than | voices | are heard saying guidby god |
they are insisting that their | voices | be heard in a europe |
nae langer exercised and different | voices | cin begin t be heard |
but ye heard thae low | voices | comin at ye and ye |
people to feel that their | voices | have been heard and that |
it s just that their | voices | haven t always been heard |
about europe and have their | voices | heard eurodesk and young scot |
the convention can have our | voices | heard inside it that is |
young people can get their | voices | heard most young people just |
certainly there re mair scots | voices | heard on on the wireless |
of victims of crime their | voices | must be heard by policy |
actively to ensure that the | voices | of our people are heard |
communities and ensures that the | voices | of young people are heard |
till ah d heard enough | voices | till ken at id wiz |
the widest possible range of | voices | to be heard as the |
the mechanisms that allow their | voices | to be heard one of |
involved and ensure that their | voices | will be heard by such |
weekend good to hear your | voices | again i received a postcard |
be hear is are negative | voices | and i think it s |
effective people standing here tonight | voices | aye aye hear hear beaumont |
that we will hear siren | voices | claiming that public expenditure has |
you didn t hear any | voices | except those within your own |
really good to hear your | voices | last sunday good to hear |
t er write in the | voices | of men women f1187: would |
vocal tradition makes available the | voices | of the women of the |
mr adam ingram s1m 1900 | voices | of women campaign lodged on |
the faces but more the | voices | gettin inside my head f606: |
the best of my ability | voices | aye aye beaumont but first |
been made by me alone | voices | what s he saying beaumont |
he he has these three | voices | a very standard english voice |
writing in that voice those | voices | f963: mm mmhm m762: erm |
proper english and public school | voices | public school talking a voice |
voice than to translate other | voices | this concept of the individual |
in the context of different | voices | f963: mmhm m762: you know |
m762: so all these different | voices | pour into my head you |
m762: and and and the | voices | would change again in some |
ve met and obviously the | voices | that are in my head |
drawing on all these different | voices | that i have talked about |
they couldn t disguise their | voices | bit e tag didna come |
come in what exactly their | voices | dimmed ahind a closed door |
at the top of their | voices | going ah no i want |
at the tops of their | voices | it s not good for |
did not even raise their | voices | let alone come to blows |
girls played their interschool final | voices | rose through the heat and |
at the taps o their | voices | she might sing a verse |
across streets at crossroads the | voices | tended to mute their songs |
voiced nation scotland has many | voices | and many languages are spoken |
many classrooms open to the | voices | and rhythms of local and |
many new folk with new | voices | had come to take over |
devised 36 90 so many | voices | have expressed concern in relation |
s some people with beautiful | voices | f978: the western isles nice |
need to listen to the | voices | of older people however it |
relating to disability but the | voices | of people with disabilities have |
public and to make the | voices | of victims louder than those |
curtains the babble of new | voices | and the day begins anew |
the number of new poetic | voices | appearing in the 1990s and |
on the muddy road no | voices | filtering through from the neighbouring |
working class family through the | voices | of birth mother adoptive mother |
cheyne found that scottish english | voices | were rated higher for wealth |
world eh in fact scots | voices | are appreciate the [inaudible] we |
wilson she acknowledges that female | voices | are the ones she hears |
indeed and made in harsh | voices | but others are supposed to |
there are words spoken with | voices | from somewhere else very soft |
up from england the the | voices | in in glasgow are very |
are designed to strengthen the | voices | of regional parliaments across the |
nou orm goes out the | voices | of thorfinn and orm are |
ve got access to those | voices | i think you know f963: |
out and then the hearty | voices | again with perhaps a hint |
after being half aware of | voices | and lights and being lifted |
and incongruously height whereas scots | voices | were rated higher for entertainment |
complete tit yelled another the | voices | were hurtling into graham s |
on t spik mair aboot | voices | in a peerie start but |
i don t want actors | voices | not so much the faces |
is goin t be aboot | voices | so hit aunlee seems sensibl |
at all height levels project | voices | build up sense of panic |
d to do all the | voices | male and female the tv |
she has a range of | voices | and accents which she enjoys |
thegither 27 90 sae mony | voices | has expressed concern anent ongaun |
eesed tae aa the irish | voices | aroon me they war bonnie |
and then the sort of | voices | around me you know when |
drive is towards storytelling recording | voices | exploring ambivalences what attracts me |
tumbling to the sea the | voices | of children played long into |
in my room in low | voices | conscious that my room just |
i was writing in female | voices | until recently it s just |
from off the murmer of | voices | the door closing beth hides |
m954: and interfering with the | voices | that i ve got there |
an noo an aan quairt | voices | wis e meesic o e |
the tracks see you saturday | voices | sang down the phone but |
with sea sound hedged with | voices | i wander further along the |
the air filled with the | voices | of children and the barking |
kind of gestalt series of | voices | er that in order to |
of a pinter play family | voices | for a future session on |
one of her gruff male | voices | na na ye canna haud |
king christian mammon s father | voices | the genteel victorian opinion of |
learnt to be canny about | voices | though a man could have |
it was the bbc bbc | voices | you know cause it was |
and guests spoke in lowered | voices | as if participating in a |
capacity to create characters and | voices | to construct a dramatic scene |
ti see it an oor | voices | wul be forgotten an oot |
at it now a dozen | voices | subs on the bench leaping |
heroine a music hall singer | voices | an opinion that could perhaps |
fae da hoose bairn s | voices | shö jumpit up on da |
ma haun wi thair plummy | voices | an safty boadies which huvnae |
f978: the western isles nice | voices | mm f746: mmhm yeah i |