SCOTS
CMSW

writers

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of sederunt fees of shorthandwritersin the sheriff court amendment
fees of witnesses and shorthandwritersin the sheriff court amendment
fees of witnesses and shorthandwritersin the sheriff court amendment
of sederunt fees of shorthandwritersin the sheriff court amendment
of sederunt fees of shorthandwritersin the sheriff court amendment
fees of witnesses and shorthandwritersin the sheriff court amendment
fees of witnesses and shorthandwritersin the sheriff court amendment
of sederunt fees of shorthandwritersin the sheriff court amendment
of sederunt fees of shorthandwritersin the sheriff court amendment
fees of witnesses and shorthandwritersin the sheriff court amendment
fees of witnesses and shorthandwritersin the sheriff court amendment
the twenties and thirties manywritersincluding mcdiarmid struggled to find
contribution of mcdiarmid and andwriterslike him eh was absolutely
the contribution of mcdiarmid andwriterslike him m055: [tut] i
think mcdiarmid and the modernwritersthat i mentioned earlier have
mm ehm mcdiarmid and otherwritersused literary journals to get
themselves of visits from scotswritersand singers had introduced scots
arranged for visits from scotswritersand singers only one primary
had been visited by scotswritersand singers pupils had also
have had visits from scotswritersand singers talks from the
cassette tapes visits from scotswritersor singers talks from members
women ballad singers and songwriterssuch as anna gordon lady
language choices of renaissance scottishwritersit does seem to me
identity which preoccupied the malewritersof the interwar scottish renaissance
scottish literature has condemned renaissancewriterssuch as james and his
the particularly catholic renaissance prosewritersthese were traditions that were
motteux [inhale] later readers andwritersafter his death readers and
all readers before we werewritersand still are although once
after his death readers andwritersbegan to recognise his worth
both english speakers readers andwriters[inhale] the direct speech of
book 3 later readers andwritersrecognised his worth though in
way all modern scots prosewritersare his children a fact
all modern scottish prose fictionalwritersare his children he is
of short texts by scottishwritersin poetry and prose developing
the wri- of the prosewritersof that period and the
you have historiographical prose thewritersof the histories are probably
the work of scots prosewritersof the period [inhale] the
[click] [inhale] now the prosewritersof the sixteenth century tend
the sixteenth century scots prosewriterswould not be writing novels
on you know contemporary scottishwritersand so on f963: mm
folk traditions one that contemporarywritersare diligently striving to continue
use such near contemporary englishwritersas addison or swift rather
still being employed by contemporarywritersin king lear the worldly
poetry james and his contemporarywriterson poetry were vexed by
her admiration of successful malewritersand the male traditions in
biographical genre developed by malewritersgiving instead a representation of
by the work of malewriterssuch as macdiarmid in the
books were biographies of malewriterswhom she admired a life
is written aboot by variouswritersand groups o writers sum
other writers there very goodwritersand they they had obviously
for the children as beginningwritersof how real writers work
various writers and groups owriterssum o wha a ll
know there were two otherwritersthere very good writers and
beginning writers of how realwriterswork and this should help
to the recognition of womenwritersand this is especially the
the twentieth century when womenwritersbegan to introduce new female
robert burns in romantic womenwritersed by paula r feldman
important that unlike previous womenwritersi didn t feel that
number of lower class womenwritersin a history of scottish
john fowles and black womenwritersin america the audience wrote
and formal approaches of womenwriterslochhead has said of her
wrote at length about womenwritersor about the possibility of
women write in english althoughwriterssuch as lochhead jamie and
influence for many scottish womenwritersthe title poem is a
no chapter devoted to womenwriterswomen s names appear in
a history of scottish womenwritersyet for the quality of
on meaning and tone phonologywritersconvey meaning by using aspects
sounds enact the sense typographywriterscreate meaning by the way
extract in booklet a grammarwriterscreate meaning through a the
maybe novels produced by irishwritersand they ve been translated
m608: attempt to involve localwritersin in home produced sketches
in scots was produced bywriterslike barbour henryson and dunbar
in scots was produced bywriterslike barbour henryson and dunbar
choice of the 16th centurywritersdecorously rather than politically that
the borders of scotland scottishwritersfrom the century of enlightenment
century and especially post warwritershave swung between social realism
burns supper school burns clubwritersclub etc the scottish examination
the scots used by mostwritersincluding burns and macdiarmid from
as well as past germanwriterson burns are making a
the attack of all fourwriterson social hypocrisy robert burns
spellings employed by various kailyardwritersin the second half of
has been anglicised by variouswriterswe have already seen that
and age in middle scotswritersand i suppose in a
of a representative group ofwriterscurrently employing scots following several
language society 1985 recommendations forwritersin scots lallans 24 whitsuntid
closely follows the recommendations forwritersin scots published by the
of english the adherence bywritersin scots to the standards
of guidelines entitled recommendations forwritersin scots was published in
been widely accepted by scottishwriterslinguists and educationalists the scots
language elsewhere james warns inexperiencedwritersoff the use of scots
scots created by the kailyardwritersthere were some signs of
tae be fair tae scotswritersthey dinna hae onie scots
exposed to a lot ofwritersearly on in my writing
of writing techniques used bywritersin similar contexts these two
of are interested in becomingwritersrather than writing something f1187:
heard that there are localwriterswho are writing in urdu
early post war period bywriterslike robert garioch alastair mackie
of that period and thewritersof histories tended to move
had originated in europe withwriterslike du bellay whom james
that said james also employedwriterslike william fowler to translate
the native style [inhale] somewritersand i was arguing like
[inhale] so these are twowritersworking in the last quarter
taken up by later scottishwritersand in some respects you
richardson and fielding anticipates laterwriterslike alisdair gray and john
to that used by laterwriterswho had to be content
but there have been menwritersalso of overweening vanity 14
it seem unfair that menwriterscould write and yet not
up as rivals to menwritersthey like men have written
to equal excellence with menwritersvirginia woolf is a possible
and these kind of urbanwritersand what s what is
diligently striving to continue thesewritersare also part of a
is a creative theorist thesewritersare engaged with serious theoretical
influenced by all these differentwritersat an early stage which
look at these group owritersehm and you start to
throughout all these these thesewriterserm in my corpus of
against his father these twowritersfelt that in order to
ideas taken from these otherwritersnot unnaturally remember he was
read things and i likewriterswho want to communicate rather
the fragility of the languagewritersof the future will lose
in language and format somewritersregard poetry as a separate
language dictionaries thank guidness forwritersthe likes o walter elliot
elite few here he adviseswritersto use everyday language for
o gender but ir alsowriterswha wish t yooz language
of gender but are alsowriterswho wish to use language
it is not unknown forwritersto use the spelling oan
see how some advertising copywritersuse this device to create
deracinated homogenised standard cannot scottishwriterswho use specific varieties of
s c- become known aswritersblock which is er ehm
been m055: [tut] weel differentwritersdifferent cases ehm [tut] i
doon tae ehm [tut] itherwritersi i i dinna think
behind for some of thewritersm741: mmhm m605: ehm linguistic
negligible but even such originalwritersas jane austen george eliot
having been used by suchwritersas richardson and fielding anticipates
particular being richly represented bywritersfrom the north east such
and artistically satisfying way otherwritersof the time such as
and the public success ofwriterssuch as lochhead and duffy
people who want to bewriterserm you also meet some
by government and also bywritersm055: weel we get into
a bakhtinian dialogue between scottishwritersand scottish english and continental
in english because like allwritersat this time he thought
like a lallans group ofwritersand m741: mm m605: and
with the middle group ofwritersdiscussed but whose poems in
i think some of- somewritersare f963: do it it
medieval makkars in practice somewritersin accordance with the traditional
but there ower mony puristwritersthe day waitin for some
dimension some of which thewritersthemselves were well aware of
about it by some cleverwritersthrough the press of our
spelling options currently used bywritersprobably more than 50 per
but by ye know fellowwritersacross the world who recognised
become identified by the kailyardwritersas a parochial form of
re adopted by european vernacularwritersfrom latin models and they
was immediately lamented by fellowwritersin scotland and england the
interview with kesson in scottishwriterstalking ed by isobel murray
led to contacts with otherwritersand artists in pavia milan
m608: translations from from otherwritersas well m078: y- yes
s a bunch of otherwritersas well there s another
are notoriously paranoid about otherwritersbeing more successful than them
1898 29 138 other significantwriterson the subject of sacrifice
with those who were establishedwriterswhether specialist or generalist 23
appear to be few youngerwriterswho are choosing to follow
and that s what thewriterswho are not yet born
nineties including that of olderwriterswho have found new assurance
provided an important outlet forwriterswho want to try their
an a few othir scottishwritersan scottish leid was ne
one of my favourite scottishwriterseh thomas urquhart of cromarty
the great kind of baroquewritersin the scottish tradition erm
of many scottish and irishwritersis artificial it s constructed
press 1996 passim 4 scottishwriterstalking p 58 5 robert
particularly widely many of thewritersended up surprising me and
eh ye know how manywritersthey they did or or
an it s encourages shetlandwritersan m865: mm mmhm f951:
m865: mm mmhm f951: dialectwritersan things like that an
had no competition i meanwritersf606: mm m954: especially in
mm do you have localwritersfeatured cause i know that
i think that erm thatwritersare like detectives as well
are you are you allwritersas well as being erm
the writings of anglo saxonwriterslike aelfric and wulfstan continued
this i would suggest makeswriterslike the ones mentioned here
pupils in learning about howwritersmake words work together in
the er linguistic forms itswritersdraw on two traditions the
1994 and jizzen 1999 bothwritersare among the best of
know people that are notwritersthemselves you know that they
argued more than at thosewritersthemselves nevertheless critics and historians
guid offerin o wark faewritersas weel as promotin the
to make their way aswritersif therefore open the door
everybody does as kids butwritersjust never grow out of
in the nature of transitionalwritersso far as any female
less familiar or downright obscurewritersand movements overlooked because of
what about the lack ofwritersat the parliament opening and
maybes and a lot ofwritersdo have that s on
latin tradition of periodic sentenceswriterseither leaned towards one style
to be suspicious of femalewritersellen s whole upbringing should
never read any of thewritersof ancient times whether slavery
turn most of the greatwritersof our land have paid
s star a flock ofwritersput up at an inn
there s a bunch ofwritersround there and and alexander
of quite a lot ofwritersthat there s there s
on the personal whims ofwritersthe present chaotic state of
papers six very talented giftedwriterseh caroline macafee dauvit horsbroch
there have been very goodwritersthey ve they ve had
fi stories maybe sci fiwritersmake their millions from just
bring to bring on newwritersand even ye know to
you know i mean obviouslywritersdon t really retire do
tempting inducement for young aspiringwritersand scholars eager to make
yeah m762: drawn on thosewritersand since then but in
at a specific number owritersm741: uh huh m605: and
arts council support for visitingwritersmethods and assessment s1 s6
heigh priests and aa thewriterso the fowk thegither he
did the greek and latinwriterssometimes we do distinguish between
don t realise is thatwriterswhen they become successful and
in scotland whereas the protestantwritersgravitated more towards the kind
the egg head in thewritersfarm i am free range
can be drawn firstly mostwritersin this field would agree
that to do with thewritersor to do with the
chapter i think that freelancewritersshould be paid where possible
an never hivin heard thewritersspeakin it they re no
at different times depending whatwritershave appeared lookin through the
still daein the roonds owritersgroups scuils a national trust
speakers thank guidness for thewriterso itchy coo thank guidness
is a creative theorist deesewritersir engaged wi serious theoretical
dis i wid say makswriterslik d wans mentioned here
literary centre haein a comprehensivewritersmuseum wi office space fir
volume before us 2 subsequentwriterson the topic 3 given
wad mak it easier forwriterstae evyte wrangly owersettin shared
to continue to publish aulderwriterswhose whose output will aye
though this week a maritimeswritersworkshop is on at unb

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